Don't mess with a Congressman's daughter. "Say anything about me, darling, as long as it isn't boring." "My father warned me about men and booze, but he never mentioned a word about women and cocaine." Tallulah Bankhead, who passed away in 1968 at the age of 66, would have turned 111 years old last Thursday. In her lifetime she only made 15 movies and only performed in 23 Broadway stage productions. Her only claim to literary fame was an autobiography entitled "My Autobiography." And she was only 5'3". So why should we remember Tallulah Bankhead? Because she was a nut. A character. A bonne vivante. A persona (to use the magic word). In short, Tallulah Bankhead was a very interesting person. Politics and Family (one and the same thing for the Bankheads) Tallu was named after her grandmother, who practically raised Bankhead and her sister while the men in the family were in Washington running the country. The Brockman/Bankheads were Alabama Southern Democrats. Tallulah's father was Speaker of the House from 1936-1940, and her uncle and grandfather were both Senators (John H. Bankhead I and II). Tallulah Bankhead on "The Lucy-Desi Comedy Hour" (1957) Education "I read Shakespeare and the Bible, and I can shoot dice. That's what I call a liberal education." Sports Bankhead was an avid supported of the New York Giants. "There have been only two geniuses in the world: Willie Mays and Willie Shakespeare. But darling, I think you'd better put Shakespeare on first." New York City At the age of 15, Bankhead moved to New York city to pursue her acting career. A shameless party girl, Tallulah made no bones about experimenting with every new experience she came upon, from cocaine to marijuana, alcohol, and sex. She became chummy with Dorothy Parker's group of friends, eventually becoming a periphery member of the Algonquin Round Table. After becoming successful on Broadway, Bankhead moved to London for several years to work in the West End before relocating to Hollywood to make movies. "Cocaine isn't habit-forming and I know because I've been taking it for years." Tallulah and Katharine: Besties or Freinemies? Tallulah Bankhead's first film in Hollywood was directed by none other than our friend George Cukor, long-time chum of Katharine Hepburn. Cukor was famous for his lavish parties (the only parties Hepburn ever attended out in Tinsel Town), and that's how the two women met. Although the two didn't hit it off at first, they came to respect each other in the end. "'Of all the dreary, opinionated college girls I ever hoped to meet!' Bankhead exclaimed to Cukor after her first encounter with Kate, insisting that Kate reminded her of nothing so much as 'a New England spinster.' And Kate complained: 'I must say your friend Miss Bankhead uses all sorts of words. I don’t think it’s very amusing.' Before Tallulah left for New York, Cukor arranged to show her a rough cut of Kate’s work-in-progress. After the screening, she rushed to the set of Little Women. Tears pouring down her cheeks, and clutching three wet handkerchiefs, Bankhead fell on her knees before Kate. 'Tallulah!' Cukor turned a cool eye on her. 'You’re weeping for your lost innocence.' Bankhead provided the first hint that Little Women would be Kate’s biggest box-office hit to date." (Leaming 284) Tallulah Bankhead, President Herbert Hoover, Helen Hayes, and Katharine Hepburn Miss Hepburn was touched by Bankhead's enthusiasm for her work, but the two did not socialize as much as the press believed. In 1990, Hepburn tried to set the record straight on their friendship in the public eye: “I know practically nothing about Tallulah. She always assumed we were much greater friends than we actually were. I thought she was a damned good actress when she cared to be. And a very entertaining personality. But I honestly don’t know any more than this.” (Tallulah: A Bio-Biography) While Hepburn denies any deep and lasting sort of friendship, it is clear that she respcted Miss Bankhead's talents. She certainly harboured no ill-feeling toward her. In fact, when Miss Bankhead was one of the few to send Miss Hepburn a wire of condolence after Spencer Tracy's death, she replied with a very heartfelt letter. In her autobiography (the one brilliantly titled "My Autobiography"), Miss Bankhead describes her admiration for Katharine Hepburn: “Katharine Hepburn is one of the most stimulating women I know. She’s unfeminine in that she scorns gossip, backbiting, and logrolling. She has an intelligent curiosity about everything. She spits out her opinions no matter how unpopular they may be. She makes no professional or social concessions. She’s a gal I’d like to have on my side in a jam.” The Very Best of Tallulah Bankhead I would have loved to see Miss Bankhead in the Broadway performances that were later made into films starring Bette Davis: DARK VICTORY (1939) and THE LITTLE FOXES (1941). Everyone says that Davis's portrayal of Margo Channing in ALL ABOUT EVE (1950) was based on Tallulah Bankhead. Bankhead herself liked to refer to the movie as "All About Me" on her radio show. Bankhead's "The Big Show" radio broadcast is still an absolute delight, especially if you love classic film. Every week she hosted a 90-minute program with the best star line up Hollywood and New York could offer. It was a variety show that featured the best in comedy, musical, and dramatic talent. Full episodes are available online, and I strongly suggest that you check it out. Here's a clip from a segment Tallu did with the fabulous Marlene Dietrich. Bankhead proved what a great actress she could be in Alfred Hitchcock's LIFEBOAT (1944). Bankhead plays a glamorous journalist who rules the roost, or rather the lifeboat, lost at sea after their ship is sunk by a German sub. When the lifeboat picks up the U-boat captain, the American survivors must decide what to do with him, and they certainly don't all agree. But through fair weather and foul, Tallulah never stops being fabulous. I will leave you with this clip from LIFEBOAT. I hope you'll enjoy it and join me in wishing Tallulah Bankhead a very Happy Belated Birthday! We still love you, Tallu!
Veruschka, 1966.
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From the 1940s through the 1960s, you could read steamy romance stories in The Saturday Evening Post. We know, you’re shocked. But just as much fun as the stories were the sultry illustrations. We call them our “Leading Ladies.” Campy, vampy and, well, not always politically correct, these ladies were definitely not June Cleaver.
Exploring the fabulous 1930s costumes of ITV's gorgeous new six-part period drama The Durrells set on the beautiful island of Corfu
Oscar de la Renta for Balmain, 1994.
Nelly Nyad in evening gown by Jean Dessès, 1953
Dedicated to the wonderful fashion/makeup/people/culture of the 1940's, 50's and 60's. None of the content posted on here is mine unless otherwise stated. Enjoy!
Bueno, pues visto la aceptación que ha tenido el post de ayer, seguimos poniendo ilustradores añejos de esos que tanto me gustan. La verdad es que es un ejercicio un poco masoquista, porque es ver la obra de esta gente y uno se da cuenta de su propia mediocridad. Luego ves como le ha ido la vida a Jordi Labanda y se te pasa... UNA DOCENA DE ILUSTRADORES QUE ME FLIPAN (de nuevo, sobran las palabras). MIKE LUDLOW ANDY VIRGIL JOE DE MERS ARTHUR SARNOFF JOE BOWLER J. FREDERICK SMITH BERNIE FUCHS STANLEY BORACK JIM SCHAEFFING WALTER MARTIN BAUMHOFER AUGUST BLESSER GWEN FREMLIN
Ava Gardner during the filming of The Great Sinner, 1949