A weekly round-up of weaving inspiration.
Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.
Description of Kobo Oriza Scarf, Multi-Pattern Weave, Yellow and Charcoal Plaid Description ABOUT THE BRAND All aspects of production are done in the studios of Kobo Oriza. These processes include (but are not limited to!) product design, spinning yarn, warping, weaving, washing, and tasseling. The Kijaku Ichiretsuki loom can only complete 30 scarves a day, but each one is made with the utmost care. Origin of Fabric: Japan 100% Wool Made in Imabari, Japan Scarf (flat measurement): 14"x 71" approx. Product #: KOS130 Code: NWS Learn more about Kobo Oriza and the Kijaku Ichiretsuki loom here. All aspects of production are done in the studios of Kobo Oriza. These processes include (but are not limited to) product design, spinning yarn, warping, weaving, washing, and tasselling. Made using an Iwama weaving machine, the machine stretches the threads, adds weight, and weaves them one by one while the craftsmen make firm adjustments. "Changing weave", which combines three patterns of large and small herringbone and plain weave, is characterized by the three-dimensional effect and thickness of the fabric. It is a completely non-sewn finish with no seams anywhere.
Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.
I have been sewing and crafting since I was little because my mother used to do it all the time. I learned from her, the power of creating things with my hands, and constructing something beautiful.
During this frantic time of my preparation for my keynote address and retrospective gallery show, I got a wonderful surprise when I first turned on the LEDs for my fiber optics weavings. I just got…
pdi: Concrete Rope by dicktay2000
I like to think that the colors in latest piece on which I am working were inspired by early morning and late evening skies that I have been lucky to see in my travels. Maybe last year while I sat …
Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.
Sydney-based artist Michelle Robinson weaves textured fibers in vibrant hues into playful, bright wall-hangings and accessories.
Here is a close-up of what the ruffle I’m weaving is supposed to look like. Who knows, I may vary it, but this is the plan. I’ve woven ½ of it so far—74”. I’m enjoying it and the patience nee…
Samuel & Sons Passementerie is a leading importer, designer and distributor of fine trims for interior design. Exclusive collections are created with materials such as silk, wool, glass and jade. The diverse collection features over 20,000 different tims that are eagerly sought after by designers and architects for private residences as well as commerical projects. […]
Looking at their impressive work, it’s hard to believe Sydney sisters Lauren and Kassandra Hernandez, otherwise known as Crossing Threads,…
I just found out that my Four Veils were accepted in the big, big Textile Society of America juried exhibition which is in conjunction with TSA’s first ever New Directions Symposium in LA in …
It’s that time of year again. The beautiful bands that I order every year from a group of spinners, dyers and weavers of Cochabamba in the central highlands of Bolivia have arrived….a b…
This little loom with a partially completed belt was made in Chinchero, Peru.
I really must try harder to blog more than once a month..... but April wasn't really a time for sitting at the computer; it was much more suited for walking, cycling, gardening, sunbathing and barbecues :-) But I did manage to make another Spirit Cloth...a tiny one this time (my wrinkly hand is there to show size :-) ) It's going to be the centre panel for a cushion - when I can get hold of some dark blue velvet. Last week The Living Threads group of textile artists held an exhibition very close to where I live. I managed two visits! Had a lovely day with Maggi and then went again with my friend Lynne. I used to belong to this group when it first started in 1982 but had to give it up because of my job. Fingers crossed....I'm hoping to join again, so maybe I'll be involved at the next exhibition in two years time. Unfortunately no photos were allowed at the exhibition - but I can show you a felting kit I bought there! Hoping to have a go at this tomorrow.... We've been out and about over the last few weeks...went to Calke Abbey to see the wonderful gardens and the fabulous display of auriculas. Calke has not been over-restored; which is why I like it so much. The orangery still has beautiful peeling paint on the walls (great for textures!). I took this photo in the corner; the damaged wall almost looks like a church window. I haven't altered the image - just added a worn edge. Lots of people have photos of bluebells on their blogs at the moment...its been a great year for them. We went to Charnwood Forest in Leicestershire and walked amongst them in the sunshine. The smell was as beautiful as the sight of them...what bliss. The next photo is for Patty...we always have a debate at this time of year about how her American bluebells are different from ours :-) Another day...another walk; this time to Dale Abbey about 5 miles from where we live. It has one of the smallest churches in the country, a hermits cave in the hillside, the remains of a 13thC abbey and a great pub! The bit at the end on the left is the church......the rest is a farmhouse! Peachy News He's been enjoying the sun, as you can see.......and watching the plants grow ;-) And....he now has his own door! He loves it and uses it so much, I just hope he doesn't wear it out..... It's operated by the microchip in his neck....how clever is that!!! Right, I'm off to sit here and read my Country Living magazine. I'll be back soon .....hopefully before June ;-)
Learn more about the July//August 2012 issue of Cloth Paper Scissors here!
I'm continuing my series about weaving with chunky yarn. All of the yarn that I am using is from Love Fest Fiber's amazing weaving pack. The colors are amazing and the amounts will last you for multiple tapestry designs. I can't say enough about the quality of this material! Click here to shop the
Measurements: 44cm width x 88cm drop Texture packed large woven tapestry.
I love weaving inside frames because it provides shape and structure to the tapestry. You can watch my tutorial to build your own wooden frame HERE . And my project to weave a double layered tapestry in a frame HERE . There’s so much you can try with frames! So, a few weeks ago I had the idea
Description of Kobo Oriza Scarf, Multi-Pattern Weave, Yellow and Charcoal Plaid Description ABOUT THE BRAND All aspects of production are done in the studios of Kobo Oriza. These processes include (but are not limited to!) product design, spinning yarn, warping, weaving, washing, and tasseling. The Kijaku Ichiretsuki loom can only complete 30 scarves a day, but each one is made with the utmost care. Origin of Fabric: Japan 100% Wool Made in Imabari, Japan Scarf (flat measurement): 14"x 71" approx. Product #: KOS130 Code: NWS Learn more about Kobo Oriza and the Kijaku Ichiretsuki loom here. All aspects of production are done in the studios of Kobo Oriza. These processes include (but are not limited to) product design, spinning yarn, warping, weaving, washing, and tasselling. Made using an Iwama weaving machine, the machine stretches the threads, adds weight, and weaves them one by one while the craftsmen make firm adjustments. "Changing weave", which combines three patterns of large and small herringbone and plain weave, is characterized by the three-dimensional effect and thickness of the fabric. It is a completely non-sewn finish with no seams anywhere.
Happy Monday everyone! Are you ready to be inspired again? We hope so! This week our inspiration is a beautiful woven wall hanging. But first, our latest Collection! Stampin’ Up! has introd…
Five Things That I Wish I'd Known When I First Started Weaving on a Frame Loom from a completely self-taught weaver who learned entirely by trying things, Googling, and learning through mistakes.