Puns are funny. No matter how much you groan after hearing one, they still make one chuckle. Wine puns are even funnier. Check out my favorites!
We heard these through the grapevine.
At the end of a long day, nothing is more relaxing than sitting down and pouring yourself a glass of wine. Check out the top 41 wine jokes.
Are you a wine lover and looking for some wine quotes and wine captions to use for social media? If you are a wine lover then you will love this Wine Captions list you can
Shape: Square Stickers Create custom stickers for every occasion! From special mailings and scrapbooking to kids’ activities and DIY projects, you’ll find these stickers are great for so many uses. Add your own designs, patterns, text, and pictures! Dimensions: Available in 2 sizes: Large: 3" L x 3” W, 6 stickers per sheet Small: 1.5" L x 1.5” W, 20 stickers per sheet Printed on white acid-free paper Vibrant full-color, full-bleed printing Scratch-resistant front, easy peel-and-stick back Available in a matte or glossy finish Choose between 7 different shapes
Are you a wine lover and looking for some wine quotes and wine captions to use for social media? If you are a wine lover then you will love this Wine Captions list you can
A collection of my favourite funny and famous wine quotes and sayings to use around your house, in your marketing or as Instagram captions »
In case you needed an excuse to increase your red wine intake, August 28 is National Red Wine Day. If you've neglected the darker, full-bodied wine this summer for the lighter and fruitier rosé, it's officially time to pay red wine some attention.…
Designed by Sidecar Publicidad, Spain.A Series of real wines inspired by the Seven Deadly Sins.The design of the bottles reflect each one of the sins visually. Fall into temptation.GluttonyPrideGre…
This gorgeous winery wedding oozes sophisticated elegance.
About Gabriella Crespi signed brass chalices 1970 midcentury Italian Dimensions: 3.5 in diameter, 7 in height, base 3 in. About Gabriella Crespi (Designer) Bronze discs that open up like clamshells for storage and fold back in to become side tables. Sleek cubes barely suspended off the ground that transform into full-size dining tables. Clean-lined boxes that contain multilevel shelving. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and still producing furniture in her Milan studio, it’s hard to believe that many of these highly functional pieces — modernist Rubik’s Cubes of materials, colors and ergonomics — were created decades ago. Among her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Le Corbusier and Frank Lloyd Wright. After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines. She began work on her most iconic collection, “Plurimi,” in the late 1960s, and the series — including her Dama table, which plays on the themes of volume, light and adaptability that Crespi has explored throughout her career — flourished through the 1970s and early 1980s. Then there is her famed Z desk, from a mid-1970s series, which manages to be both stylish and humorous, looking like it’s ready to leap off the floor at any moment. Well-born and beautiful, Crespi garnered attention among the jet set. She was a muse to Valentino, and her pieces appeared in the homes of Princess Grace of Monaco, the Shah of Iran and Greek shipping magnate George Livanos. In 1987, with her children now adults, the designer surprised everyone when she moved to the foot of the Indian Himalayas to study with the guru Sri Muniraj. This turned into a 20-year self-imposed exile that, if anything, made her pieces even more sought-after by collectors. Read more in Introspective magazine.
French sandwiches are a thing of glory. Here are 8 classic combinations with baguettes, butter and more to eat the next time you're in France.
Buy art from Erno Toth (Free Shipping, Secured direct purchase): Sculpture titled "Lion and bird"
This mischevious cat is the purrfect addition to any bathroom space. Amuse your guests with this creative display. Print details: - This is a physical, unframed print on 80lb paper with minimal gloss - One size is available, 8 by 10" inches - Each print is hand signed by the artist in the bottom right corner - The color of the actual print may appear slightly different from the computer screen, and may also be influenced by the lighting and setup of your home display. - The watermark is not present on the physical copy Print packaging: - Each print comes with a "Thank you" card - The print is secured in a clear plastic covering, covered by tissue paper, and secured in the envelope appropriately to prevent damage during shipment. If you like my style of artwork, please check out my other pieces and message me with further questions, thank you!
“Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what it means to be a Latina in the United States, bags full of literary wisdom.” —Los Angeles Times From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer. The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. “Customs” includes Alvarez’s memories of her family’s life in the Dominican Republic, fleeing from Trujillo’s dictatorship, and arriving in America when she was ten years old. She examines the effects of exile--surviving the shock of New York City life; yearning to fit in; training her tongue (and her mind) to speak English; and watching the Miss America pageant for clues about American-style beauty. The second half, “Declarations,” celebrates her passion for words and the writing life. She lets us watch as she struggles with her art--searching for a subject for her next novel, confronting her characters, facing her family’s anger when she invades their privacy, reflecting on the writers who influenced her, and continually honing her craft. The winner of the National Medal of Arts for her extraordinary storytelling, Julia Alvarez here offers essays that are an inspiring gift to readers and writers everywhere. **“This beautiful collection of essays . . . traces a process of personal reconciliation with insight, humor, and quiet power.” —San Francisco Examiner and Chronicle “Reading Julia Alvarez’s new collection of essays is like curling up with a glass of wine in one hand and the phone in the other, listening to a bighearted, wisecracking friend share the hard-earned wisdom about family, identity, and the art of writing.” —People** Julia Alvarez’s new novel, Afterlife, is available now.
\"Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what it means to be a Latina in the United States, bags full of literary wisdom.\" --Los Angeles Times From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer. The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. \"Customs\" includes Alvarez's memories of her family's life in the Dominican Republic, fleeing from Trujillo's dictatorship, and arriving in America when she was ten years old. She examines the effects of exile--surviving the shock of New York City life; yearning to fit in; training her tongue (and her mind) to speak English; and watching the Miss America pageant for clues about American-style beauty. The second half, \"Declarations,\" celebrates her passion for words and the writing life. She lets us watch as she struggles with her art--searching for a subject for her next novel, confronting her characters, facing her family's anger when she invades their privacy, reflecting on the writers who influenced her, and continually honing her craft. The winner of the National Medal of Arts for her extraordinary storytelling, Julia Alvarez here offers essays that are an inspiring gift to readers and writers everywhere. \"This beautiful collection of essays . . . traces a process of personal reconciliation with insight, humor, and quiet power.\" --San Francisco Examiner and Chronicle \"Reading Julia Alvarez's new collection of essays is like curling up with a glass of wine in one hand and the phone in the other, listening to a bighearted, wisecracking friend share the hard-earned wisdom about family, identity, and the art of writing.\" --People Julia Alvarez's new novel, Afterlife, is available now.
