Running Hare original drawing. Pen and Ink on Bristol Paper Canvas. Unframed. On 11x14” canvas. Hare is 6.5x5”.
"Hide and Seek" Pyrographic art. Incredibly detailed work. The wonderful Hare is playing hide and seek. He hides in a vortex of forest plants and insects. The picture is burned on a wonderful section of poplar. Light and pleasant to the touch wood. It is my favorite work that should find its connoisseur.
"Hide and Seek" Pyrographic art. Incredibly detailed work. The wonderful Hare is playing hide and seek. He hides in a vortex of forest plants and insects. The picture is burned on a wonderful section of poplar. Light and pleasant to the touch wood. It is my favorite work that should find its connoisseur.
"Hide and Seek" Pyrographic art. Incredibly detailed work. The wonderful Hare is playing hide and seek. He hides in a vortex of forest plants and insects. The picture is burned on a wonderful section of poplar. Light and pleasant to the touch wood. It is my favorite work that should find its connoisseur.
While I would have liked to claim this motif as an original idea, my illustration is actually based on a motif that is centuries old. It's called 'The Three Hares' and its origin has been traced back to the 6th Century AD (or CE - Common Era) in China. It seems that many other religions and cultures around the world have also used this rather mesmerizing optical illusion. I enjoyed sketching it in this simple state, doodling around with the background. Micron pens in a sketchbook, 15 cm in diameter. Bien que j'aurais aimer revendiquer ce motif comme une idée originale, mon illustration est en réalité basée sur un motif vieux de plusieurs siècles. Il s'appelle ˂Les trois lapins˃ et son origine remonte au 6ième siècle AD (ou EC - ère commune) en Chine. Il semble que de nombreuses autres religions et cultures à travers le monde ont également utilisé cette illusion optique. J'ai aimé dessiner cet image dans cet état simple, gribouillant l'arrière-plan. Stylos Micron dans un carnet de croquis, 15 cm de diamètre.
10-12 cm wood slice, hand decorated with pyrography with a leaping celtic hare, moon and vine This is my original design, each one is unique, no stencils or lasers are used. This can be provided with a small wooden easel or on a string for hanging. Varnished and signed. Various woods available, I will provide which ever I have unless otherwise specified
Hare in moonlight design burned onto a Lime wood plaque using wire tip Pyrography. The wood has been sourced in Wales, and prepared by us; planed, routed with a roundover bit, then sanded ultra smooth. After burning the design on, we have applied two coats of Briwax, a Beeswax based furniture polish that hardens and protects the wood whilst giving a wonderful shine to the artwork. This is a popular design that has always sold well at craft fairs, so we thought we should get a few made to have in stock. As we make more we will update the quantity available on this listing. The item you receive will be very similar to the item pictured, but sizes may vary slightly. If you require a specific size please send us a message.
Carving is something that is an intensely personal art that is done with the use of a small instrument held in the hand or at best with a chisel and hammer. In this article, we are going to be looking at very small wood carvings which though small in size, can pack a really big punch. By now we are sure that you must have given over to your instinct and looked at the images we have posted along with this article. Wood carving or as some call it whittling is not easy but there is something soothing about the process that draws us to it. Yes, there are other forms of carving like the art of carving fruits and vegetables, which though fun is not something that has a long shelf life, which can put you off this project. But if you want to have some practice and control over the way you hold and wield the knife or carving tool, then you can do some vegetable carving to get going.
Handmade linocut print. This is a print of a hare under a glass cloche, printed in 2 different options. The first option is on a slate gray Lokta paper. The paper is deckled and approximately 10x15". The image is printed in Caligo Safe Wash ink in black, with a moon printed in Cranfield Traditional Relief Ink in gold. The second option is on a white kumogarashi paper, also known as cloud paper. The paper measures 9x12". The image is printed in Caligo Safe Wash Ink in black, and the moon is printed in Cranfield Traditional Relief Ink in gold. Because these prints are made by hand, each one will vary slightly. Each print is titled and signed.
Original hare artwork on a natural, dried and polished birch wood slice with room for a tea light candle, inspired by woodland creatures and all things whimsical and witchy. Created using unique pyrography/woodburning process with some acrylic paint elements. Diameter: approx 13-14cm (5-5,5") (measured in the widest spot), may differ slightly due to the nature of the product, as well as the overall shape and look of the bark) Thickness: approx 2,5cm (0,9") Space for the tea light: approx 4,3cm (1,7") will fit any traditional tea light candle Finished pieces are polished on both sides with a natural wood polish (beeswax, olive oil, essential oils). No other top coat is used which is intentional, in order to preserve the natural look of the wood used. For this reason it is not meant to be used outdoors. This is an original artwork however I will be recreating this design in the future. All of my items are designed and created by me, artwork is always handmade and never mass produced. By buying this product you're supporting a small creator with a true passion for pyrography. To see bits and pieces of my process please visit my About Me page.
Listing for a single bunny card, with glitter added to the blowing dandelion heads. Glitter colour choice available Measures 125x125mm on 324gsm textured card. With a brown kraft envelope and acetate sleeve. This is from a photograph of my woodburning art, therefore, texture and grain is visible. PLEASE NOTE there are 4 designs in the square card, I will send which ever ones I have in stock, and an order of more than one will probably have both types of card in. Both cards are photographed Blank inside for your own message Sent first class post, 4 cards or more sent signed for post
The Hare is a black and white pen and ink original silhouette illustration of a moon gazing hare. A lone hare is silhouetted against a rising full moon. Trees climb into the night sky above, with stars brightly twinkling through their branches and leaves. The woodland floor is carpeted by various grasses and flora. The Hare is presented on a piece of Fabriano Artistico paper measuring 22 cm square. The actual circle itself measures 14 cm in diameter. I created the artwork using a fineliner pen of 0.05 nib width. Other denser areas of black I used a thicker brush pen. The white areas such as the moon and stars are simply where I have left the paper to "shine" through. I have left a decent border surrounding the artwork, which lends itself well for a mount. I do accept commissions. So if there is a particular piece you would like created please do get in touch ! Thank you for browsing my Etsy shop. If you are interested you can follow my arty updates on Twitter and Facebook ! TWITTER https://twitter.com/PatterJamie. FACEBOOK https://www.facebook.com/Jamie-Patterson-Art-100146733405587/
The story behind this engraving goes back to Spring 2013. Walking down into the fen with our, now deceased, lurcher Bella, I would often see a large buck hare in a field a few hundred metres from the studio. I would see it in a field of young barley and, as the crop grew, I would see less and less of it. The last time I spotted it, it had to sit up on its haunches to peer over the top of the barley heads and that was when, in my mind, I "saw" the engraving that I wanted to make. I started by drawing a head: This was an engraving that I simply wanted to do for my own pleasure and so it had to fit in as and when I had a moment - the sort of thing I might work on while taking a break in a coffee shop: As 2013 became another very busy year, I set the project aside. However, it was the perfect thing to bring out when I wanted to demonstrate engraving. In July, I engraved the background view of Ely Cathedral during my Open Studio: I like to carry out as many processes as possible by hand. I reduced a drawing of the hare by "squaring down" and transferred it to the block: I didn't do much more until November. I completed the engraving of the background at the Fine Press Book Fair in Oxford. You can just see the block in this photograph of my table in "Parenthesis 26", the latest journal of the Fine Press Book Association: The next weekend, I was showing work and demonstrating in Ely Cathedral, which features on so much of my work: Conditions were not great for engraving, but there was just about enough light to start to work on the head of the hare. I next picked up the block in early 2014 when I started to plan the barley that would surround the head: I spent January completing my Peak District engravings and spent a couple of days on "Mister Hare" getting ready to pull the first proof The block then sat in the studio until April, when I was demonstrating engraving at Gallery Top in the Peak District. I completed the engraving by adding highlights to the grains of barley: In May 2014, a year since I had planned the engraving, I finally started to print the edition, ready to show for the first time at an art event in Bury St. Edmunds. This image has been with me on all of my artistic travels and many of you will have seen it as a work in progress. Here is the finished version of "I Can See You Mister Hare" The image measures 73 x 52mm (approximately 3 x 2 inches) and it has been printed in an edition of 100 original artist's prints, pulled directly from the block in my 1865 Albion handpress. I am selling this engraving for the relatively inexpensive price of £25.00. You can purchase it from my website and from my Etsy store
Hare in moonlight design burned onto a Lime wood plaque using wire tip Pyrography. The wood has been sourced in Wales, and prepared by us; planed, routed with a roundover bit, then sanded ultra smooth. After burning the design on, we have applied two coats of Briwax, a Beeswax based furniture polish that hardens and protects the wood whilst giving a wonderful shine to the artwork. This is a popular design that has always sold well at craft fairs, so we thought we should get a few made to have in stock. As we make more we will update the quantity available on this listing. The item you receive will be very similar to the item pictured, but sizes may vary slightly. If you require a specific size please send us a message.
You used to have to get out of the kitchen if you couldn't stand the heat. But now, with these beautiful stone trivets, we can't wait for it to get hot in there. Crafted from high quality natural stone, it's not only beautiful, it's sizzling! Dimensions: 6” x 6” Choose between two high quality natural stones; botticino marble or turkish travertine Printed in full color with fade-resistant ink Finished with cork backing for scratch-free counter and table tops Designer Tip: To ensure the highest quality print, please note this product’s customizable design area measures 6" x 6". For best results please add 0.1" bleed .
Where do we find God? We suggested three areas.
Had to try my hare study in the new style, sketch no.1256 © art, drawing, hare, http://etsy.me/1rARc0J https://www.seanbriggs.co.uk/brown-hare-brown-paper/
Beautiful free hand burned hare are on cherry veneer. Each one of these beautiful A5 hares are handmade, I can add butterflies, bees or any specific flowers at buyers request, to make your hare art that little more special! The cherry wood veneer is perfect for framing, the grain will vary in each one, and the hares will vary due to the nature of each one being an original piece. These are not prints and are made to order
Three step by step drawing tutorials - How to draw a Hare. We learn to draw a Hare sitting still and a jumping Hare and even a fluffy white winter Hare.
Inspired by Albrecht Durer's Hare Hand embroidery. Silk and cotton threads on linen. www.jblthistle.blogspot.com/
Collagraph Prints My printmaking reflects my impressions of the natural landscapes surrounding my home and studio. Using intricate cutting and applied textures to my collagraph plates allows me to explore the structures and forms of native wildflowers and wildlife; isolating key elements and sections of the cycle of the seasons or the character of a familiar
