Beautiful Tarsiger!

How much do you know about Romanticism?

(Part I) (1 – to be continued)

Olivia Pendergast (Florida b.c. 1970) aka Holly Mae. Figurative and landscapes painter.

I have admitted on more than one occasion that Pierre Bonnard may just be my favorite “Modern” painter. Having suggested as much, it should come as no surprise that among the other “modern” artists most beloved by be, I would include Édouard Vuillard. Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter and printmaker associated with the Nabis,the artistic movement that included Paul Sérusier, Maurice Denis, and Pierre Bonnard. On the advice of his closest friend, Xavier Roussel, Vuillard refused a military career and joined Roussel at the studio of painter Diogène Maillart. There, Roussel and Vuillard received the rudiments of artistic training. In 1887, after three unsuccessful attempts, Vuillard passed the entrance examination for the École des Beaux-Arts. In 1890, Vuillard met Pierre Bonnard and Paul Sérusier and joined the Nabis, a group of art students inspired by the paintings and theories of Paul Gauguin. Vuillard and the Nabis rejected the “naturalism” of Impressionism, and embraced an increased artifice or abstraction and flat two-dimensional planes of color and pattern. Vuillard first exhibited at the Salon des Indépendants of 1901 and at the Salon d'Automne in 1903. In the 1890s Vuillard met the brothers Alexandre and Thadée Natanson, the founders of La Revue Blanche, a cultural review. Vuillardʹs graphics appeared in the journal, together with Pierre Bonnard, Henri de Toulouse-Lautrec, Félix Vallotton and others. In 1892, on the advice of the Natanson brothers, Vuillard painted his first decorations (“apartment frescoes”) for the house of Mme Desmarais. These paintings were greatly inspired by the flat patterns and unabashed decorative elements, as well as the formats of paintings by Botticelli… … medieval tapestries… … and Japanese screen paintings: A good majority of Vuillard’s decorative panels portrayed landscape images. The paint was often handled in such a manner as to suggest a tapestry: Vuillard also created a number of exquisite decorative cycles of interior subjects: Unlike his Nabi compatriot, Pierre Bonnard, the landscape never became a major theme of Vuillard’s work… although he did paint a number of these beyond the aforementioned decorative paintings: Among the finest of Vuillard’s landscapes are several that show the clear influence of Bonnard… Èdouard Vuillard wrote in his private journal in 1894: “I always see men as odious caricatures, and have the feeling they are just ridiculous objects.” More comfortable in a world of female subjects and patrons and in a world of ‘feminine’ textile arts and floral decoration, Vuillard carefully cultivated an aesthetic and psychological serenity in his domestic interiors, dedicated to quiet depictions of women sewing, dress-making, reading, playing piano, tending to small children, preparing or serving food, and, on rare occasion, interacting with male friends and family members. Taking such sensibilities into consideration, along with several personal facts of the artist’s life, has led some to question his sexuality. Vuillard, after all, never married. He continued to live with his mother until she died when the artist had reached age 60. Nudes were a rarity in his oeuvre… unlike the work of close friend, Bonnard. Nevertheless, we do know that Vuillard had one long-term lover: Lucy Hessel. -Vuillard and Lucy Lucy was his friend, his inspiration, his lover and the wife of his close friend Jos Hessel, a noted art dealer. She is the possible subject of a number of Vuillards few nudes: Vuillard was also close friends with the editor Thadee Natanson and his wife, Misia Natanson. The Natansons were prominent figures in French cultural life — especially Misia. In that corseted time, Misia was a free spirit,

From ancient Greece to a fashion week in the middle of a pandemic – a short story that shows the tight union between tradition, painting, and sculpture.

not religious just goth main blog is @ vampcult

Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

Russian Larisa Aukon paints urban and natural lanscapes, with powerful colours in an expressionist style

Landscape at Hacking, Emil Jakob Schindler. Austrian (1842 - 1892)

Joan Eardley’s career lasted barely fifteen years: she died in 1963, aged just forty-two. During that time she concentrated on two very different themes: the extraordinarily candid paintings of chi…

my-museum-of-art.blogspot.com/

See available art work by Laura Lacambra Shubert. Learn about the artist, their background, inspiration, and more at Gallery C.

So kannst du die Einsamkeit überwinden Einsamkeit hat mit dem Alleinsein gar nichts zu tun, nur weil du alleine lebst, musst du nicht zwangsläufig einsam

Giacometti, Alberto (1901-1966) - Sculptor, painter, draughtsman and printmaker, son of Giovanni Giacometti. 1. Early studies and works, to 1927 He began drawing around 1910-12, followed by painting and sculpting in 1913-15.

Gorgeous portraits of celebrities and top models are taking over Instagram as an old medium becomes fresh again.

Whenever I see one of their painting anywhere make me sure again that I could not imagine anything else dealing with. I try to paint the light.

Inspired by a sense of place and travels far beyond her Colorado-based studio, Krista Harris creates richly layered, gestural abstract paintings that seek to reinterpret the world we live in. 'Casita 22' actively juxtaposes the organic and geometric, patterns in nature and man-made structures, finding balance between nature and technology. Deliberate, calligraphic marks of the hand give structure to the painting's looser swaths of color and intermingling transparent glazes. Wrapped edges give the painting a perfectly finished appearance hanging on the wall with or without framing.

Joseph Mallord William Turner was perhaps the greatest landscapist of the 19th century. Although brought up in the academic traditions of the 18th century, he became a pioneer in the study of light, colour, and atmosphere. He anticipated the French Impressionists in breaking down conventional formulas of representation; but, unlike them, he believed that his works should always express significant historical, mythological, literary, or other narrative themes.

Gracious outdoor living for Fall is all about spending time with good friends and family, eating good food and taking in the crisp Fall air.

A sumptuously detailed composition of lotus flowers and leaves draws the eye in to a captivating world of color and form. Giclee print of an original watercolor painting. Printed on deckle-edged watercolor paper. Signed and numbered below the image.

Early mornings have a bad reputation. Everyone wants to sleep in. Nobody wants to wake up early. But then that’s modern living, I guess. Early mornings have been tainted by their associated with work

oil pastel 2012 36" x 48"

landscape paintings - Loriann Signori

“( 클릭해 보세요 ) O o .”

Pieter Brueghel ou Bruegel dit l'Ancien, est considéré, de loin, comme le plus grand peintre néerlandais du 16e siècle. Ses paysages et ses scènes de la vie paysanne ont fait sa renommée.

Golden Tears by Gustav Klimt, also reffered to as Golden Tears, art deco era, Goddess of sex & love. 11x14" Cotton Canvas Print, 1900 art print, Heartbroken woman, tears of gold, art deco art print Freya, of Norse mythology was is a goddess associated with love, sex, beauty, fertility, gold, seiðr, war, and death. NOTE: Our watermark will not appear on your print Free ship US You frame it! This art print was taken from a vintage painting, print, postcard or digital source. It is in the public domain in the US because the copyrights (if any) have expired. NOTE: Our prints are taken from an antique/vintage paintings, greeting cards, post cards etc.. Much of the time, these were originally printed on a soft and porous paper, which softened the images. They didn't have the technology back then to photo-shop and fix these images. That is why I chose to reproduce only antique art in it's original content (no photo-shop). I love the old school art. These are also paintings and drawings, and so the styles vary. The papers we use today, have special coatings so that they attract the inks or dyes well, and stop much of the seeping of the inks. Our new technologies print exactly what is on the scan of the original image. If you purchase canvas, it is made of cotton, and even though it also has this special coating, it is textured, and softens the look of the final result. It is archival, and of the highest quality, but is best for paintings since they were mostly created on artist canvas. It is important to note that if you are buying on your phone or tablet, the images you see are only tiny thumbnails, and so you can't really see the detail in the scan on the listing. If you can look on a computer, you can then see the depth and detail of the image you want. Artwork is not created equal, and sometimes there are clear and distinct lines, and other times the style is less detailed. Lastly, Colors will vary slightly, due to the difference in your monitor settings. Please zoom in on the image to see the detail. All quoted shipping costs are USA only. Buyers are responsible for all Vat and import taxes in their country. I will ship to your country, via first class intl. USPS, but please contact me for a quote before you buy. All art prints are custom designed to fit into a standard, modern frame. The openings on these frames are smaller than the listed size. Your print will be slightly larger than the opening. You can carefully trim it to fit your frame, and pop it in, with or without a mat. Each print is made as it is ordered. Please convo me if you need a specific size. I use real cotton artist's canvas, and the newest technology to enlarge the images, pixel x pixel. There is no stretching or skewing, Cotton canvas is textured in tiny squares, and produces a soft finish like a painting. Since it is fabric, it grabs the color for an extraordinary presentation. I use archival canvas, and special dyes to print each image. They will last 100 years under normal circumstances. Your monitor settings will vary from mine, so colors may look different to you than they really are. Color match technology produces exact colors to the image file used. Satin canvas is also textured, but it not as dense. It has a semi-gloss light and moisture proof finish. It is great for posters, too. NO stretching or mounting is needed. No need for expensive, custom framing. I use special, secure packing materials, to insure that your item arrives safely. I have been collecting and selling art prints for many years. I may have just what you are searching for. Just ask, and I will create a special listing, just for you. Thank you for your interest. Carol@ [email protected]

At the heart of Tate Modern’s huge survey of Bonnard’s work is his lifelong partner, Marthe, an enigmatic presence even when she is nowhere to be seen

Pierre Bonnard’s revolutionary and controversial use of color became a means toward unlocking his past and the truths of his own self. But what if, ultimately, there was nothing to find?

“@FormeDalPassato @rosapiccolo68 @circeanna @avadesordre @asemra @LuciaTassan @AdrianaCioci @slvpapa @MorganaDAmargan🎈”

One of de Kooning's friends once asked her what it was like to work in the shadow of her husband, Willem de Kooning. She replied: "I don't paint in his shadow, I paint in his light.'"

Russian painter Vladimir Gusev [Владимир Гусев] was born in 1957. Graduated from Moscow State Artistic Institute of Surikov. A member of the Union of Russian Artists. A constant participation in the art exhibitions and auctions, held in France since 1996. 1999-2002 - a participation in the group exhibitions in Duran Gallery, Madrid, Spain

Kenne Grégoire, a painter often associated with the movement New Dutch Realism, moves between still-life paintings and more surreal scenes that capture a humane sadness and other complex emotions, rendered in acrylics. The artist uses techniques derived from the 17th century, yet he approaches his work in a way that pushes the form, twisting perspective and hues to create ambiguous points of view and situations.

Giclée print on museum etching archival paper, which means they last a lifetime with all the colour and texture. The prints are shipped flat in a customised package made by me :)