When Jana sent photos of her beautiful Schwalm table runner that she just completed, I knew I had to share them with you! Jana's masterpiece took her five months to complete - and did she ever complete it. From the intricate Schwalm fillings to the exquisite edging, it's a gorgeous piece of work. Ta
After smoothing out a couple of the leaf outlines and making the top fillings in the leaves slightly darker, I think it's finally finished. I've stitched this piece with Appletons Wool on Linen with a bit of DMC Diamant. Below are a few photographs of the finished piece. Now, to the sketchbook to plot the next piece!
Моя капля в море информации по вязанию, вышивке, рукоделию из старых книг и журналов разных стран
Nr. 471 Kategorie: Limet-Muster angewandte Stiche: Rosenstiche und 7 Stiche der einfachen Limetrose Diagonales Streifenmuster In das vorbereitete Limet-Fadengitter (längs und quer abwechselnd jeweils drei Fäden stehen lassen und einen Faden ausziehen) arbeitet man zunächst mit Vierfachstickgarn Nr. 25 Rosenstiche in die mittlere Diagonalachse. Dann stickt man, mit Vierfachstickgarn Nr. 30, ausgehend von den Treffpunkten zweier Rosenstiche jeweils 7 Stiche der einfachen Limetrose gegen den Uhrzeigersinn. Für genauere Informationen greifen Sie bitte auf mein Buch „Limetrosen I“ zurück. Eine weitere Reihe aus jeweils 7 Stichen der einfachen Limetrose stickt man so dagegen, dass die Spitzen wie Zähne ineinandergreifen. Anschließend arbeitet man eine weitere Reihe Rosenstiche. Jeweils 1 Reihe Rosenstiche und 2 Reihen Limetrosenviertel wechseln sich ab. Erst nach der Wäsche kommt der Reiz des Musters voll zur Geltung. Dieses Muster wirkt in vielen unterschiedlichen Konturen sehr hübsch.
Подборка мотивов ИК из журнала "ДУПЛЕТ". Цветы с сеточкой.
POST 557 SALVE RAGAZZE Come state qualcuna di voi sta lavorando con me? io intanto vado avanti ecco un'altra foglia . Se seguite bene le foto non c'è bisogno di spiegazioni si lavora su 4 fili in larghezza e 4 fili in altezza quando girate per fare l'altro giro se notate nel passaggio di contatto è distanziato di un filo Questo fondino è stato lavorato con lo stesso filo di mulinè della foglia precedente ( 3 fili) in questa foglia ho usato 2 fili nella foto non si nota ma sembra diverso basta un filo in meno per movimentare un po l'insieme del ricamo un saluto a tutte un grazie per le numerose visite ciao silvana
La tecnica di questo centrotavola è il Ricamo d'Assia. Ricamato su lino greggio. Questo particolare fa parte di una striscia che ora non ho più; è stato il primo lavoro in cui mi sono prodigata ad eseguire il punto antico alcuni anni fa alle prime esperienze!
No. 474 category: Limet-Filling pattern; please note that this is worked on a leave 4, cut 1grid stitches used: diagonal Satin stitches over 1, 2, 3 and 4 intersection points of the fabric threads and Rose stitches center = intersection of withdrawn thread lines (in other shapes or motifs: longitudinal axis = withdrawn thread line 474 is a beautiful, but difficult pattern to work. First, both the horizontal and the vertical center threads are withdrawn. Working from the center outwards, a Limet grid is established by leaving 4 threads, and cutting 1. Orient the withdrawn thread lines so that they run diagonally and bring the needle up one thread up and to the left of the bottom of any rhombus on the diagonal center axis. The needle travels to the right and crosses the intersection point of two fabric threads; insert the needle and bring it up at the left one fabric thread up from first stitch. Work more Satin stitches – 7 in all – from right to left, always moving one thread up on both sides. third stitch fourth stitch fifth stitch sixth stitch With the seventh stitch the needle travels to the next starting point at the bottom left of the next rhombus. Work the 7 Satin stitches again. When taking the first stitch, be careful to insert the needle into the withdrawn thread line and not between the fabric threads of an adjacent rhombus, as the picture below shows. The fabric threads easily shift out of place when traveling from one rhombus to the beginning of the next. Work, leaving a distance of one rhombus between, rows of Satin stitch rhombi all over the shape. Turn work 90° and work, up from the diagonal center axis, rows of rhombi perpendicular to the rows already worked. Please be careful to keep the holes between the stitches clean and open, and avoid inserting your needle into a previously worked thread as seen in the picture above – bottom left (red arrow). Work Rose stitches in the remaining squares. Washed, starched and irond the pattern shows its full charme. This example was worked on 13.5/cm thread count linen using Coton à broder No. 30 for both the Satin stitches and the Rose stitches.
No. 474 category: Limet-Filling pattern; please note that this is worked on a leave 4, cut 1grid stitches used: diagonal Satin stitches over 1, 2, 3 and 4 intersection points of the fabric threads and Rose stitches center = intersection of withdrawn thread lines (in other shapes or motifs: longitudinal axis = withdrawn thread line 474 is a beautiful, but difficult pattern to work. First, both the horizontal and the vertical center threads are withdrawn. Working from the center outwards, a Limet grid is established by leaving 4 threads, and cutting 1. Orient the withdrawn thread lines so that they run diagonally and bring the needle up one thread up and to the left of the bottom of any rhombus on the diagonal center axis. The needle travels to the right and crosses the intersection point of two fabric threads; insert the needle and bring it up at the left one fabric thread up from first stitch. Work more Satin stitches – 7 in all – from right to left, always moving one thread up on both sides. third stitch fourth stitch fifth stitch sixth stitch With the seventh stitch the needle travels to the next starting point at the bottom left of the next rhombus. Work the 7 Satin stitches again. When taking the first stitch, be careful to insert the needle into the withdrawn thread line and not between the fabric threads of an adjacent rhombus, as the picture below shows. The fabric threads easily shift out of place when traveling from one rhombus to the beginning of the next. Work, leaving a distance of one rhombus between, rows of Satin stitch rhombi all over the shape. Turn work 90° and work, up from the diagonal center axis, rows of rhombi perpendicular to the rows already worked. Please be careful to keep the holes between the stitches clean and open, and avoid inserting your needle into a previously worked thread as seen in the picture above – bottom left (red arrow). Work Rose stitches in the remaining squares. Washed, starched and irond the pattern shows its full charme. This example was worked on 13.5/cm thread count linen using Coton à broder No. 30 for both the Satin stitches and the Rose stitches.
繊細で優美なヨーロッパ刺繍をはじめての方にもご自身のペースで楽しんでいただける刺繡教室です
