Explore Petit Louis Pitcures' 975 photos on Flickr!
Learn everything you need to know about upholstery fabric, including durability, cleanability, soil resistance, and fading.
Bold Jacobean florals blossom with elegance across this richly colored valance. It's trimmed with tassels for added style and beauty and is lined to ensure it hangs beautifully. It's the perfect complement to our Heatherwood Striped Curtain Collection. Scalloped valance is sold individually. This scalloped valance is made to fit across the curtain rod with little or no pleating for a cornice look. To create a cornice look, select a valance that is as close to the width of your window area as possible Includes one 50"Wx17"L swag (50" total width) 3" rod pocket No heading Lined Facing, 100% cotton; lining, polyester/cotton Spot clean USA of imported material Coordinating Hearthwood Floral Rod Pocket Curtains (#79064) and Victory Swag With Tassel Trim (#83252), sold separately Complementary Hearthwood Stripe Rod Pocket Curtains (#79067) and Scalloped Corded Valance (#79068), sold separately
Whether you’re delving into interior color for the first time or need some inspiration for your latest project, find out how to make color work for you and your home.
3D model is designed for use on CNC machines (CNC) and 3D printers. Format models– STL. We can adjust any model in your forms and dimensions, such as adding orremoving elements that string any two models, cut into pieces, etc. Terms of Use: – 3d model can only be used for the manufacture of products on CNC machines; – 3d model you can not resell, exchange or transfer to third parties.
300 carte da parati d'autore nella mostra Faire le mur. Quatre siècles de papiers peints al Musée des arts décoratifs di Parigi
Valances Valances add that special something that every room needs. It is like the wedding cake topper and the room's jewelry in other words the Wow! factor. The treatment featured in this post was designed by a group effort of myself and my good friend Jo Thomas from Braxton Drapery Design. The client loved this
The white house with a red roof is well-known in Memphis. Photo by David Schilling for Veranda. An attractive house is even more lovely when the owners are delightful; that is certainly the case here. Located near an intersection of prominent residential streets in an established neighborhood, the house was built in 1994 in the far reaches of the deep garden of a stately home on the corner. To those who do not know the homeowners, it is known as the white house with a red roof. An exterior view of the entrance. Photo by David Schilling for Veranda. A few years ago, The Devoted Classicist was fortunate to meet the homeowners, Dr. Randy and Linda Kay McCloy. The McCloys bought the house mid-construction, being built on speculation by Hank Hill using a set of plans by Looney Ricks Kiss, a firm known for its successful series of house plans sold through Southern Living magazine. They were able to personalize the house by making a few changes and specifying some custom detailing with the help of J. Carson Looney. The original landscaping was designed by long-time friend Ben Page of the Nashville firm now called Page Duke. The Entrance Hall looking back towards the front door. Photo by David Schilling for Veranda. Linda Kay McCloy has owned a retail antiques and home furnishings store (as well as an interior design practice that is still active), and has travelled to England for the past twenty-five years on buying trips. She had become enthralled with the decorating style of John Fowler, the designer whose work was the hallmark of the English country house style, but also Sister Parish, whose work epitomized the comfortable American version of the style. The Living Room. Photo by David Schilling for Veranda. The colors of the decorating schemes were inspired by the gardens, both front and back. Balancing strongly colored rooms against others pastel colored, patterns and textures of the fabrics are mixed with furnishings of various styles and pedigrees to create a casual elegance. It is the mix that makes it all such a success. The Dining Room. Swedish Rococo chairs are now used for seating. Photo by David Schilling for Veranda. The decorative painting was done by Richard Martin, an artist whose work is often featured in Mrs. McCloy's decorating jobs. Martin paints furniture as well as walls and trim. The chimneypiece in the Living Room features a portrait he painted of the house. The painted wood valances in the Dining Room were presented as a house-warming gift. Across from the entrance to the Dining Room, a small painted folding screen is placed above the sideboard. Photo by David Schilling for Veranda. Following Sister Parish's fondness for the hand-crafted, quilts and afghans are liberally dispersed among both slip-covered and serious furniture. A colorful and cozy Study is located just off the Entrance Hall. Photo by David Schilling for Veranda. And reflecting John Fowler's taste for mixing "high" and "low", such as lavish curtains contrasting with simple furnishings, eccentric colors contribute to the "humble elegance" like Fowler created for himself. Another view of the Study. Photo by David Schilling for Veranda. Here, the designer has interpreted the style with an excellent curator's eye, displaying unique objects of porcelain, needlework, and tole. The Keeping Room is the sitting area at one end of the space that also contains the Kitchen. Photo by David Schilling for Veranda. These photos are from an article written by Agnes Sarah Clark in the Fall, 1998, issue of Veranda magazine. The Powder Room. Photo by David Schilling for Veranda. Since this time, there have been some refinements to make the interior even more charming. The Master Bedroom. Photo by David Schilling for Veranda. A bay window in the Master Bedroom looks out to the very private rear garden. Photo by David Schilling for Veranda. Additional improvements by Hector Alexander Samada and John Tackett have been designed but not yet realized; hopefully these will be eventually be shown in a future Part II post of The Devoted Classicist.
Fui verificar a casa de campo do designer Howard Slatkin para ver se era mais "simples" que o apartamento em New York! Comparando, realmente acho que tem menos objetos, mas o requinte e as minúcias continuam iguais. Ele vive mais nesta casa que fica em New Jersey. Casa linda! Muitos tons de azul no living. Porcelanas azul e branco contrastando com armários vermelhos. Um dos quartos. Piso pintado em branco e verde. Quarto de hóspedes. Banheiro com muitos detalhes. Banheiro mais sóbrio. Detalhes de maçaneta e entrada de chave com desenho do proprietário e porta pintada com stencil. Dobradiça também com desenho de Howard . Detalhe do termostato. Louças lindas. Louças azul e branco em uma escrivaninha. Louças e vela NEST, a preferida do decorador. Topiarias feitas no Natal. Fotos: Howard Latkin, Cote de Texas, Little Augury, Quinte Essence.
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Restoring Luxury and Grandeur to a 1725 house in London
Your custom window treatments will be created & installed by your own custom drapery artisan. Meet with our FORBES-recognized design team today.
All things beautiful & lovely | fabulous & dandy | girly & timeless | witty & delightful | bewitching & captivating | charming & darling | delicious & dreamy | glamorous & fascinating. Unless stated otherwise, I do not own any of the pictures used.
Specialist makers of luxury Curtain Poles, Finials, Brackets, Rings, Pelmets & Coronas. Bespoke service handmade in Suffolk.
Generally speaking, commentaries written about society rarely age well, but one that has is The Beautiful People. Written in 1967 by former New York Times journalist Marylin Bender, the book is, to quote the front of the dust jacket, "a candid examination of a cultural phenomenon- the marriage of Fashion and Society in the 60's". The Sixties was a turbulent decade in which upheaval was the norm rather than the exception, and Fashion and Society were not immune to that era's seismic changes. The 1960s saw fashion designers achieve newfound social status, while many socialites left their lofty perches to become shills for the fashion companies, ultimately becoming what we now refer to as brand ambassadors. Sound familiar? So many of Bender's observations remain relevant today, especially this one: "American fashion is flower-printed sheets and towels by Porthault, fine French 18th-century furniture, English silver, baby pillows, silver-framed photographs and a clutter of small objects all over the place." The same could be said of today's American fashion, although French furniture and English silver may not be quite as popular as they once were. (I still have an appreciation for both, and I'm sure many of you do, too. On the whole, though, younger sophisticates don't quite have the passion for either one.) Porthault remains a favorite among the cognoscenti, as do silver-framed photographs, baby pillows, and clusters of small objects. Take a look at sophisticated homes from the past and today, and you'll see that although things have changed greatly over the decades, there are some elements of fashion (and good taste, for that matter) that have thankfully remained the same. Flower-Printed Sheets & Towels by Porthault The former London bedroom of Jayne Wrightsman A bedroom in the former Washington, D.C. home of Deeda Blair A bedroom in the Long Island home of Veronica and Jamie Beard (Simon Upton, photographer) Fine French 18th-century Furniture Consuelo Balsan in her Southampton Drawing Room Billy Baldwin's prized Louis XV chair Jayne Wrightsman's former Palm Beach drawing room English Silver A Tiffany tablesetting, which included English flatware, by Sister Parish Dinah Shore's antique English flatware Baby Pillows A baby pillow nestled among bed pillows on Joan Kennedy's bed Silver-Framed Photographs Silver-framed photographs in the home of Blair and Alistair Clarke Silver frames in the Palm Beach home of Pauline Pitt A bevy of frames in Earl Blackwell's chic home Clutter of Small Objects Stanley Barrow's bronze collection 19th c. stirrup cups on the mantel in the Millbrook home of Fernanda Kellogg and Kirk Henckels C.Z. Guest's collection of blue and white porcelain
For a Houston Couple, the Future Lies In a Reclaimed Past
Using a mix of antique and rustic elements set off by walls may be painted in soft pastel colors the final effect of the French Farmhouse is cozy and inviting.
I adore flowers, not to mention porcelain. And I'm particularly keen on porcelain flowers, especially those so delicately crafted by Pamela Tidwell of Vieuxtemps Porcelain. (I awake to her sublime grape hyacinth every morning.) But the little porcelain flowers that I'm featuring today lack pots. In fact, most of them lack stems, too. They beg to be cradled in one's hand, don't they? And they seem to cry out for company, too, if the Christie's website is any indication. Over the years, most of the 18th and 19th century flowers that they have auctioned off seem to be parts of great collections. It's easy to understand how one ceramic floral bloom might lead to another, and another, and another. While some of the most prominent examples of these stemless porcelain flowers were made by Sèvres (favorites of both Louis XV and Madame de Pompadour), others were made by Meissen, Chantilly, and other European porcelain makers. Even if porcelain isn't your thing, you have to admit that a profusion of these delicate flowers make for some really striking photos. They make for really striking bouquets, too. Photo at top: An assortment of 18th and 19th century Continental porcelain flowers, which was auctioned off at Christie's last year. The estimate was EUR 3,000 to 5,000, but the realized price was EUR 20,000. Collection of fifty-one 18th and 19th century Continental porcelain flowers, sold at a 2012 Christie's auction. Price realized, $8,750. Photo via Wikimedia, source Patrick.charpiat A collection of thirty-two 18th and 19th century Continental porcelain flowers, some with tole stems. Sold at 2001 Christie's London auction. Nineteen 20th century porcelain flowers, part of the Gutfreund collection that was sold at Christie's last June.
As a change of pace from talking about sketching, painting, and travel, I thought I’d show you what I’ve been doing in the drapery studio lately. My most recent project gave me a chance to put my embellishment skills to the the test, and the result is nothing short of spectacular. Take a look… Dupioni […]
While I was in Greensboro, North Carolina a few weeks ago, I visited The Pink Door, a charming antiques and home accessories shop. There was a lot there that caught my eye, but what really struck my fancy were the rather elaborate and, yes, traditional curtains that hung from each window. One room had curtains that were made of oyster-colored silk which had been fashioned into swags, tails, bows, rosettes, and ruffles. (You can see one of the curtains above.) While I realize that for many people, this type of curtain has gone with the wind, I find it utterly charming. These curtains were different from what we typically see today, something which probably heightened their allure for me. They were proper, dressy, and a little fancy- basically, the antithesis of what people seem to want these days. But more than anything, these curtains represent a bygone era in design that I miss terribly. They spoke of the good old days of decorating. Now, I don't think that this blog post is going to cause anyone to run out and ditch their plain curtain panels for swags and tails, but I do wish that people would start to reconsider certain elements of formal, traditional curtains. Tailored swags, rosettes, pinked edges, and a few bows here and there don't have to look terribly fussy, especially when crafted of solid-colored fabrics. Deeda Blair had swagged and bow-bedecked curtains in her home in Washington D.C. And who can forget those magnificent curtains that John Fowler designed for the Bruces' set at Albany? In fact, The Pink Door curtains kind of remind me of the Bruces' curtains, though on a much smaller scale. Well, even if this blog post falls on deaf ears, I say kudos to The Pink Door for being such a stylish, chic shop, all within the confines of some very swish curtains. Deeda Blair's curtains, which are so feminine and elegant. The famous John Fowler curtains in the Bruces' drawing room, Albany. A John Fowler curtain sketch. Pretty curtains, designed by John Fowler, in Jill Chandos-Pole's bedroom at Radburne. Mario Buatta is also adept at designing some very pretty curtains. Top photo by Jennifer Boles for The Peak of Chic; Fowler photos from John Fowler: Prince of Decorators by Martin Wood; Buatta photo from Mario Buatta by Mario Buatta and Emily Evans Eerdmans.
If you declare with your mouth, "Jesus is Lord," and believe in your heart that God raised him from the dead, you will be saved. Romans 10:9 Jesus answered, “I am the way and the truth and the life. No one comes to the Father except through me. John 14:6
Jewel tones work well with creams.
54"W/96"H package includes:1 valance, 2 pleated panels(pair) with black-out lining, each panel has luxury embroidered trim, each panel is 54"/96", non-pleated panel width is 54", with pleat, each panel covering width is around 37", length 96" is from top edge of installed rod to bottom drapes will cover. Valance and drapes (54"W/84"H package) can cover window width no more than 54 inch, panel length 84" is from top edge of installed rod to bottom drapes will cover. Valance and drapes (76"W/96"H package) can cover window width no more than 76 inch. panel length 96" is from top edge of installed rod to bottom drapes will cover. Valance and drapes (100"W/96"H package) can cover window width no more than 100 inch, panel length 96" is from top edge of installed rod to bottom drapes will cover.
“The Paris flea markets offer one of a kind insights into a lovely bygone era that valued beauty and worked to create it.
Surrey Fire and Rescue Service said more than 80 firefighters are on the scene in Clandon Park near Guildford, Surrey, after the blaze broke out just after 4pm today.
In 2023 we wove custom dyed brocatelle for The Henry Ford Estate. Read more about this prestigious restoration here.
The designer created a classic and inviting interior for the Glen Cove residence
Highlights Comes with 4 tabs for easy assembly Coordinate with window panel for complete look DIY and drape to best fit your window Lightweight sheer crushed fabric for texture Layer for custom look Description Soften the edges of your window, with Avery Solid Crushed Scarf Sheer. This lightweight sheer scarf features crushed detailing for beautiful texture, combined with a fresh color palette for the perfect touch of modern elegance. Four tabs are also included to make the DIY assembly easy so you can drape the scarf to best fit your window. For a complete look, layer this scarf with coordinating panels or prints in our collection for a more custom appeal.
Tim Gunn, fashion guru to up-and-coming designers on Bravo’s Project Runway, has revealed the inside of his stunning New York City apartment located on the ritzy Upper West Side.
