هنر اسلامی,پنج گنج,بوستان و گلستان,خمسه,نظامی گنجوی,
m-7724 118 10 568 825 79 115 750000 750 26
محمودفرشچیان، 1354 Mahmoud Farshchian 1975
“عید است و آخر گل و یاران در انتظار ساقی بروی #شاه ببین ماه و می بیار دل برگرفته بودم از ایام گل ولی کاری بکرد همّت پاکان روزه دار دل در جهان مبند و بمستی سئوال کن از فیض جام و قصه #جمشید کامکار خوش دولتیست خرم و خوش خسروی کریم یارب ز چشم زخم زمانش نگاه دار #جاویدشاه”
"I caught the Happy Virus last night When I was out Singing Beneath the Stars* It is Remarkably Contagious, so Kiss Me!" ☆*.*.°☆ *●°*•○°★☾ °☆ ¸.•*~Hafiz ~ This wonderful Sufi painting is by Reza Badrossama
عاشقان، برگی از یک مرقع،احتمالا اصفهان، دوره صفوی، حدود ۱۶۵۰ ترسایی، مرکب، آبرنگ، و طلا بر روی کاغذ. ۳۳.۵ در ۲۲ سانتیمتر، محل نگهداری دانشگاه هاروارد موزه هنر. Lovers Embracing, folio from an album Classification Albums Work Type album folio Date ca. 1650 Places Creation Place: Middle East, Iran, Isfahan Description To make this drawing, the artist used three colors of ink: black and red for the figures, and gold for the wispy, swaying trees and flowering plants of the outdoor setting. Gold also highlights robe lapels and buttons, trouser hems, turban trim, and the accoutrements of wine drinking—a small cup and a tall-necked ewer. The lining of the woman’s robe is filled in with blue; used together with white, this pigment defines the bowl behind the ewer as a blue-and-white ceramic (likely Iranian-made imitation porcelain). The primary subject of the drawing is one of intimate, private bliss: a man lovingly embraces a woman, hugging her around the waist and lifting her from the ground, while she in turn snatches the turban from his head and carelessly upends her wine cup. Despite its individualized charm, this depiction of a loving couple represents a fairly common type. It shares with other drawings of the period, also classifiable by their human subjects, key elements of artistic execution—sinuous, carefully weighted contour outlines, “check marks” terminating knotted and bunched textiles, and fine stippling applied only to faces and hair—each element showing the artist’s fluency in a particular drafting technique. Lovers Embracing Iran, probably Isfahan, Safavid period, c. 1650 Ink, opaque watercolor, and gold on paper Folio: 33.5 × 22 cm Harvard Art Museums
Voi continua seria miniaturilor persane cu un subiect ce ține cumva de pictura figurativă iraniană din perioada feudală. Câteva precizări sunt absolut necesare. E cunoscut faptul că religia islamic…
