An entirely different challenge came with Carl Nielsen’s Symphony No. 6 (Sinfonia Semplice), a 24/48 download from the B&W Society of Sound. The recording is not just light-textured but multifariously light-textured, with strings, woodwinds, reeds, and tuned percussion vying for space in the upper midrange and high frequencies. The CL-2 did not slur them together or hype them. Instead, each section was distinct, with its own feel and dynamic envelope. In the symphony’s more whimsical segments, Nielsen makes much use of the triangle.