I had the great good fortune to take part in a paste paper* workshop with Larry Lou Foster recently. Larry Lou (Louise Lawrence Foster), a book artist and fine binder, is a respected expert and innovator in paste-paper design. She has studied paste-paper traditions extensively and, over the years, replicated many historical patterns, as well as created new designs. It was a delightful and intense two days of work and study. Larry Lou is as generous as she is knowledgeable, and she was determined to share with us as many of her techniques and insights as our time with her allowed. Printer, paper maker and book artist Frank Brannon, who met Larry Lou while in the MFA in Book Arts program at the University of Alabama, introduced Larry Lou to Laurie Corral, director of Asheville BookWorks, who immediately engaged her for a weekend workshop this spring. Frank is working on an edition of a book that will contain many examples of Larry Lou's paste papers, along with a discussion of her work. He not only designed the book and letterpress-printed the text, but made the paper for it as well. Once he's incorporated Larry Lou's paste-paper samples, which she created for the edition, he'll bind the books and make them available for sale. Here are a few photos from the workshop. All of the paste papers pictured are Larry Lou's, although each of us who took the workshop came home came home with a lovely and ample supply of our own paper for book covers, boxes, cards, collage, etc. * Paste papers are one of the earliest forms of decorative paper, first used in the 17th century for covers and end papers in books. Many of the beautiful and intricate designs of these papers are being used as inspiration by today's paste paper artists, who are also creating wonderful contemporary designs. The "paste" in "paste paper" is usually a wheat- or rice-paste mixture, to which pigment (acrylic paint or ground pigment) has been added. The colored paste is brushed onto dampened paper, then a variety of objects -- kitchen tools, carved brayers, and found objects, -- are used to draw into the paste while it is still wet. For those of you who may not have the convenience of a class, one of the best books on paste papers is Diane Maurer-Mathison's The Art of Making Paste Papers. Larry Lou, using a long dowel to create diagonal lines on the paper, over which she'll draw a design.