Effektpedal für E-Gitarre Devin Townsend Signature Modell zwei separate Delay-Module mit 9 verschiedenen Delay-Typen für jedes Modul insgesamt 15 Delay Typen 0-2.000 ms Delay-Zeit Ping Pong Effekt 9 verschiedenen Halltypen und Shimmer-Effekt programmierbare parallele / serielle Effektkette mit freier Auswahl der Effektreihenfolge Freeze Funktion Tap Tempo Funktion Looper mit bis zu 120 Sekunden Aufnahmezeit anpassbare globale EQ-Einstellungen plus anpassbare Eingangs- und Ausgangspegel True-Bypass oder DSP-Bypass (gepuffert) 2 Betriebsmodi: Play Modus für schnelle Parameterbearbeitung und Patch Modus schnelle Auswahl von Presets 8 Bänke mit je 3 Presets aktualisierte MIDI-Funktion mit Clock Sync, um das Pedal mit anderen MIDI Geräten synchronisieren zu können Reverb Section Regler für Pre-Dly, Decay, Tone und R. Mix Reverb Drehregler zum Wählen zwischen den Reverb Modi: Room / Hall / Plate / Dist-Verb / FL-Verb / Filter / Reverse / Spring / Mod Delay A Section Regler für Feedback A, Time A, Sweep A und DlyMix A Delay A Drehregler zum Wählen zwischen den Delay A Modi: Digital / Analog / Tape / Echo / Liquid / Rainbow / Crystal / Low-Bit / Fuzzy Delay B Section Regler for Feedback B, Time B, Sweep B und DlyMix B Delay B Drehregler zum Wählen zwischen den Delay B Modi: Digital / Analog / Tape / Real / Dyna / Galaxy / Mod / Try-Mod / Mod-Inv Reverb Fußschalter Delay A Fußschalter Delay B Fußschalter Unterstützung für externe Steuerung mit einem kabellosem Fußschalter der MOOER F4 Serie Kontrolltasten für Home, Setting, Store und Looper Menu Drehtaster zum Navigieren des Preset Menüs Status LEDs Metallgehäuse 6,3 mm Monoklinken L/R Eingänge 6,3 mm Monoklinken L/R Ausgänge MIDI in Buchse MIDI thru Buchse 6,3 mm TRS Expression Eingang USB Typ-C Anschluss Stromversorgung via inkludiertem 9V DC Netzteil 2.1 mm x 5.5 mm Hohlstecker, Polarität (-) innen Stromaufnahme: 500 mA Abmessungen (L x B x H): 215 x 127 x 56 mm Gewicht: 1100 g Hinweis: Batteriebetrieb nicht unterstützt Ansonsten hatte ich zufällig,mein verkauftes erstes Gerät,von MOOER ausleihen können. Aus 2018. Damals war ich begeistert,hatte aber dass AXE2 schon. Diesmal,kam ich mit der Bedingung,des eigentlichen Nachfolger,dieser Ocean Maschine,überhaupt nicht mehr klar. Der Efektanteil zum Beispiel ,war mir nicht mehr irgendwie bewusst oder zu verstehen. Meinem Kollegen ging’s genauso und 20 Jahre jünger. Komischerweise ,wohl zu alt…….ich Ich hatte vor einigen Jahren die erste Ocean Machine, habe sie aber in einem Anflug irrationaler Dummheit verkauft und dies sofort danach bereut. Seither habe ich immer wieder mal auf dem Gebrauchtmarkt gesucht, aber nie etwas passendes gefunden (entweder zu teuer oder Zustand zu schlecht). Als ich die neue Ocean Machine gesehen habe, habe ich daher sofort bestellt. Ich habe sie noch nicht lange, bin aber bereits voll begeistert. 2 Delays mit verschiedenen Algorithmen (nur die Klassiker digital, analog und Tape sind gleich), Reverb und ein Looper, die Effektblöcke flexibel anordenbar, ... das alles zum dem Preis ist einfach unschlagbar! The original Ocean Machine offered delays so long and reverbs so deep that the ocean felt as big as the sky. The Ocean Machine II brings them back, but with better control and quality overall. With a quirky blue and white colour scheme the OG OM looked distinctive – if hard to read sometimes – but you could tell it wasn't quite finished, with sub-menus in the default "Roman" font used by Chinese OEMs and some features not quite how you'd expect. Users weren't told how the bypass worked, so a lot of reviews said it lacked a true bypass even after firmware updates addressed the trails on/off control, and the stereo imaging wasn't quite as it should be. Both of these things have been fixed in the Ocean Machine II, the former by just making it really clear that the 'trails on' mode disables true bypass. For anyone using the beat-driven delays and effects, the appearance of MIDI clock sync on the Ocean Machine II is extremely welcome. The original OM never got this promised feature – for a device that plays heavily on tempo and beat-division delays. This is the headline change introduced for the Ocean Machine II for most users, and it makes those five-pin DIN ports really useful as you can sync delays to your sequence AND add parameter changes as well. In a MIDI-driven studio the Ocean Machine II's potential really comes alive. The physical hardware hasn't changed much. The familiar heavy, metal-cased box still has the weirdly flexible LCD screen protector (though the fonts and UI have been polished) and comprehensive array of knurled metal control knobs, but the layout has changed so Delay A and B read left to right, the coloured knobs make it easy to distinguish which effect you are modifying, and at long last, those MIDI ports can receive clock sync as well as a full set of CC controls for really dynamic effects in a studio or live environment (with the right hardware). Weirdly, there's a USB-C port but it is only for firmware updates, not MIDI; the old OM received updates over MIDI and was notoriously fussy, sometimes being 'bricked' by incompatible MIDI hardware, but surely the USB could have been MIDI as well? The choice to keep USB away from power supply and audio makes more sense though, since the Ocean Machine II is reassuringly free of digital noise, clicks and chirps often associated with DSP devices and USB power in particular. Sounds-wise, the delay effects are the same roster, but with slightly softer, wider dynamic range and clarity. You can still find the brittle, shimmering harmonics and artefacts of some effects, but the reverbs are a little nicer, more realistic-feeling. With a much longer looper (it also sounds better, to my ears, though I can't put my finger on why) the potential for a four-minute song over two repetitions is within reach. However, you have to remember that it doesn't have a memory for the recorded backing track – if you want to keep it, pop a little SD-card audio recorder inline with the outputs. Such a trick will also let you 'preload' your looper for future performances. Few owners of the original complained about the sound quality, though – there really is very little on the market like this effects pedal, and what does compete on ability cannot come close on price. There is a true bypass – there always was, but now the manual makes it clear that if you want DSP trails so effects don't suddenly cut off, the bypass is soft. The looper is longer - more twice the time of the original, at 120 seconds (two minutes!) - and still sounds great with intuitive control for overdubbing including 1/2 speed and reverse effects. The C4 Air Switch of the original Ocean Machine doesn't appear to be compatible, you will want the new (smaller, metal) F4, but once again it seems the Looper can't be controlled remotely this way. It can be controlled with MIDI CC though, and there's a handy reference to all MIDI CC parameters in the unit's menus. The new UI is easy to read with signal in/out clearly seen, and the black on silver front panel is also rather friendlier to eyes and challenging lighting environments (if less cool to look at). In some ways it feels like the Ocean Machine II is what happens when your talented but chaotic friends grow up and get real jobs. If you don't have any outboard effects, the Ocean Machine II is a great first-purchase to pair with synths or guitar/bass (I use mine as an external send-return on a DAW) – working with a simple synth such as the Behringer ProVS Mini, and the OM II looper, you can pretty much build a whole track up over two repetitions of that 120-second limit. As an existing, and happy, Ocean Machine user upgrading, I would have liked to see C4 Air Switch support, looper via remote buttons. and USB MIDI. However, the updates to support MIDI clock, better stereo clarity, more stable and polished OS and longer looper times are enough to make the Ocean Machine II an upgrade worth paying for. I miss the funky blue design though! Offering better value than before the Ocean Machine II comes with an appropriate power supply and also has a four-year warranty when registered. I'd wanted one of these for a few years so when the mark 2 arrived, it was a no brainer. I have a number of delay pedals but this has a number of unique algorithms. Unfortunately I wasn't impressed to say the least.