Mit einer Anschaulichkeit, die in der antiken Literatur ihresgleichen sucht, schildert Xenophon den abenteuerlichen Putschversuch des jungen persischen Prinzen Kyros gegen seinen Bruder, den Grosskönig Artaxerxes II. Xenophon, selbst einer der Heerführer im Krieg 401 v. Chr., schildert packend die Vorgänge und beschreibt authentisch Land und Leute, Sitten und Bräuche. Damit legt er den Grundstein zur Memoirenliteratur: Caesars Gallischer Krieg oder Arrians Alexanderzug sind ohne Xenophon nicht denkbar.

Metanoia van Persefone is nieuw in ons assortiment. Check de releasedatum om te kijken of het al leverbaar is.Metanoia#Katabasishttp://mp31.phononet.de/miedemamp3/573/156/7a17e1977072fa51dd098fb86c1be6d2.mp3Architecture Of The I#Leap Of Faith#Aware Of Being Watched#Merkabahhttp://mp31.phononet.de/miedemamp3/573/156/d841a50fee7242e2b43ae716345add55.mp3Consciousness (Pt.3)#Anabasis (Pt.1)#Anabasis (Pt.2)#Anabasis (Pt.3)#

Für seinen Putsch gegen den Großkönig heuerte der persische Prinz Kyros 401 v. Chr. zehntausend griechische Söldner an. Der Athener Xenophon war dabei und beschrieb den Zug in seiner „Anabasis“. Sie wurde zur Weltliteratur.

Die Griechischlektüre bietet sorgfältig ausgewählte Texte aus Xenophons Anabasis und ist auch als Übergangslektüre einsetzbar. Ansprechende Bilder und kompetenzorientierte Aufgaben runden das Werk ab. Die moderne Lektüreausgabe zu Xenophons Anabasis für den Griechischunterricht.

An ancient Greek mercenary soldier’s account of leading an army on a dangerous march from Babylon to the Black Sea. Hired by a Persian prince hoping to take the throne from his brother, Xenophon was one professional soldier in an army of many when disaster struck and their leaders were killed or captured, leaving them stranded. Along with two others chosen by their fellow soldiers, Xenophon would lead the army to safety on the “March of the Ten Thousand.” It was a harrowing journey, and they battled their way through harsh climates and hostile enemy territories—but eventually made it home. This memoir of the adventure, known for its clear language and directness, has become a classic for those interested in ancient Greek history and military culture.

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Anabasis by Xenophon Xenophon (ca. 430–ca. 354 BCE) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian...

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Softcover | 17cm × 23cm | 302 ppArchive Books | 2014 | 9783943620153Anabases is a project initiated by the artist Éric Baudelaire. It was conceived as a conversation between his own practice and the research of the philosopher, Pierre Zaoui and the cinema theorist, Jean-Pierre Rehm. It revolves around the notion of ‘anabasis’, a term used to describe a period of ‘uncertain wandering and without guide’ through unknown lands that ends when one returns home. This book is not for reading but for wandering. Its lines do not roll out continuously but superimpose each other to infinity, creating not a compendium of knowledge but a web of prescience. It does not follow a logical framework but unfurls a grid with multiple entries. It does not assert a set subject or conclusive postulate. At most it invites us to probe the recesses of a mind in motion, and steeps us in the driving material that brings it to life. It reflects the works it exhibits, the documents it discloses and the commentary it generates: it aspires to ubiquity. Anabasis, the very real linking thread that stitches it together, serves not just as an archaeological enigma, but also as an allegorical force. Éric Baudelaire is an artist and filmmaker based in Paris, France. After training as a political scientist, Baudelaire established himself as a visual artist with a research-based practice incorporating photography, printmaking and video. Since 2010, filmmaking has become central to his work. His feature films A Flower in the Mouth, Un film dramatique, Also Known as Jihadi, Letters to Max, The Ugly one and The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images have circulated widely in film festivals (including Locarno, Toronto, New York, FIDMarseille and Rotterdam). When shown within exhibitions, Baudelaire’s films are part of broad installations that include works on paper, performance, publications and public programs.