phresious: IG: cassandrmarouki

Model Rose Freemantle is styled by Dannielle Cartisano in 'Wild At Heart', lensed by Simon Upton for Elle Australia February 2018./ Hair by Richard Kavanagh; makeup by Kiekie Stanners

Polyester is an extremely difficult type of fabric to dye, especially if the garment is 100% polyester. This is because polyester is a synthetic fabric made from petroleum, and due to the manufacturing process, it is essentially plastic....

The November 2017 issue of Harper's Bazaar Vietnam celebrates models with four covers featuring beautiful faces. Photographed by Jingna Zhang, Sunghee Kim, Ji

Via Fashioning Technology. A few weeks ago, I discovered the wonderful work of Jennifer Crupi while visiting the San Francisco Museum of Craft and Design. Part prosthesis, part fine jewelery, the c…

Lovely fashion model Willi Koopman, photographed in 1965 by renown photographer Sid Avery. Perfect to highlight any wall or add some glamour to your home decor. Custom printed on premium canvas and professionally stretched. Limited edition. Authenticated by the photographer's estate. 12x12 Canvas. More information about photographer SID AVERY: (1918 - 2002) In the fifties, a new style of glamour photography was seen. The fans wanted to look behind the façade. There was a desire to know what the stars were like in their private lives. “Candid” was the word in vogue. Periodicals like LIFE and Look set the tone, and The Saturday Evening Post and Photoplay adopted the new trend for their glamour spreads. One of the most successful among the photographers specializing in this new approach was SID AVERY. The established stars, used to the old system, were not easily convinced to let a photographer document them in their unvarnished private lives, but Avery succeeded where others failed—he managed to get in where no one else could—and he soon became the man magazine editors and art directors called on for their candid photo layouts. At an early age, Sid was introduced to photography by his uncle, Max Tatch, a landscape and architectural photographer. “He invited me into the darkroom to watch him print,” Avery remembers vividly. “I stood on a little box so I could see into the tray. I saw him put a piece of paper in what I thought was water, and all of a sudden this magic thing happened—a beautiful image began to appear. That experience stuck with me for a long time.” After graduating from Roosevelt High School, Sid landed a job a Morgan’s Camera store on Sunset Boulevard. Here he felt right in the center of the action. The shop was located near the old NBC studios, and served as a gathering spot for many well-known photographers, including some from LIFE magazine. After taking evening classes at Art Center and working for a period as a darkroom assistant, Sid went out on his own. Among Avery’s first odd jobs was that of taking glamour shots of the chorus girls at Earl Carroll’s Vanities and the Florentine Gardens. Who knows where this road would have taken him, but then Uncle Sam intervened—Avery was drafted into the Army. For most this would have been a setback—for Avery it turned out to be a godsend. He was assigned to the Signal Corps and selected to receive six months of training at LIFE in New York before being sent overseas. Stationed in London, he was placed in charge of the Army Pictorial Service Laboratory, where all the still and combat footage coming out of the European theater passed through his hands. During his stay in London he not only survived Hitler’s bombs, but managed to marry an English girl, Diana Berliner, who eventually became the mother of the couple’s three children, and a much-appreciated partner in Avery’s career as manager and promoter of his talent. When Avery returned to Hollywood after the war, he was ready for the photo journalism boom. While glamour photography in the twenties and thirties would often attain a very high degree of artistic sophistication, this aspect had to give way in the more immediate, less staged—or most often unstaged—approach. This is not to say that Avery’s photographs lack artistic quality. The inference is rather that the candid type of image could never be built in the same deliberate and time-consuming way as the studio shoot. Regardless, Avery’s work displays a remarkably high degree of refinement, effective but subtle lighting, and composition as good as you could expect in the often cramped settings—all ample proof of Avery’s mastery of the craft. But Avery’s most effective tool was not his technical skill as a photographer, but his personality. His friendly, unassuming style put his subjects at ease and made them open up. An anecdote from Avery’s rich memory bank serves to illustrate the point. He had been pleading for weeks with the elusive Marlon Brando to get a few minutes of his time. When he finally agreed, Avery was invited to Brando’s little rented house on Beverly Glen—which was mess. But Avery turned this problematic situation into an opportunity, and the result was one of his most unique images—of the mercurial Brando carrying out his trash. “Understand, I didn’t stage that situation,” Avery remembers. “I didn’t say to him, ‘Hey, will you take the trash out?’ I happened to walk into his kitchen, and it was waist-high in crap—paper, cartons, bottles, ants, roaches, you name it. I didn’t say anything, just kept working with him in other parts of the house. And then I said casually, ‘You know, I’d love to get some shots of you in the kitchen, but it’s such a goddamn mess, I can’t get in there. Would you do me a favor and clean it up?’ So he and a friend he was playing chess with worked for half an hour cleaning up that kitchen. And every time he carried out a box of trash, I took pictures. But he was really doing something. It wasn’t a fabricated situation.” When television finally put the picture magazines out of business in the sixties, Avery decided to switch to advertising photography. At first, he found the going tough, but step by step—with the help of his wife / manager—he began getting assignments, and once he had a foot in the door he never looked back. He eventually became one of the top advertising photographers in Los Angeles. Avery next took the leap from advertising still photography into directing television commercials, a field he soon mastered equally well, receiving numerous awards. Who can forget the Chrysler Cordoba commercials with Ricardo Montalban and his “Corinthian leather” line? In the eighties, Avery redirected his energies toward preserving the history of Hollywood as depicted in still photography, founding the non-profit Hollywood Photographers Archive. Eventually comprising some 150,000 photographs, the archive was in 1987 donated to the Los Angeles County Museum of Art and the Academy of Motion Picture Arts. Avery then began rebuilding the collection under its present name, the Motion Picture and Television Photo Archive (mptv Images), representing over fifty of Hollywood’s best-known photographers. The organization serves the television and publishing industry, making the work of these photographers available for use in books, magazines, advertising and documentaries, as well as offering prints to a growing audience of collectors. His photographs have been exhibited all over the world, from Australia to Japan to England and throughout Europe. less

Size(cm) SpecificationStyle: casualMaterial: polyesterPattern Type: solid colorSleeve Length: sleevelessColor: apricotFriendly Tips1. Please kindly allow 2-3% differences according to manual measurement. 2. Please check the measurement chart carefully before you buy the item. (1 inch=2.54 cm)3. Please note that slight color differences should be acceptable due to the light and screen. Thanks.Package Content1 * topsPromise If the product has any quality problems, please feel free to contact us, we will help you solve the problem as quickly as possible.

thephotoregistry: Paul Bellaart

The Gabriella Tee is a beautiful knit with lace details. The tee is worked top-down, in the round. First the left side of the yoke is worked back and forth, with raglan increases and increases to shape the neckline, followed by the right side of the yoke. The work is then joined in the front. The back neckline is shaped further and once completed, the work is joined at the back. From this point on, the rest of the yoke is knitted in the round. After finishing the yoke, the work is divided into sleeves and body. Stitches are cast on under the arms. The body is knitted in the round until the desired length has been reached. You can choose to work the stitches under the arms in a lace pattern or work the entire body in stockinette stitch. Stitches are bound off using the i-cord bind off. The sleeves are worked in the round, continuing the lace pattern, and bound off using the i-cord bind off. In a final step, stitches are picked up for the neckline to add an i-cord edge. NOTE: Twinning is winning! You can buy the adult & junior version of a design at a reduced price :) (’twinning bundle’) The discount is automatically calculated at the check-out when buying both the adult & junior pattern. The Gabriella Tee is a tee with a positive ease of approx. 10-14 cm 4-4.5 inches compared to the bust circumference. The sizes XS (S) M (L) XL (2XL) 3XL (4XL) 5XL correspond to a bust circumference (of the body) of approx. 74 (84) 94 (104) 114 (124) 134 (144) 155 cm 29.25 (33) 37 (41) 45 (48.75) 52.75 (56.76) 61 inches respectively. Keep in mind that the final measurements of the tee already take these extra 10-14 cm 4-4.5 inches into account. Take the necessary measurements to determine the right size before you start knitting. Size: XS (S) M (L) XL (2XL) 3XL (4XL) 5XL Bust circumference tee: (finished tee): 87 (94.5) 104 (114.5) 125.5 (136) 148.5 (159) 170 cm 34.25 (37.25) 41 (45) 49.5 (53.5) 58.5 (62.5) 67 inches Length: measured from top shoulder: 46 (48) 50 (52) 54 (56) 56 (58) 58 cm 18.25 (19) 19.75 (20.5) 21.25 (22) 22 (23) 23 inches Sleeve length: measured from armhole opening: 12 (12) 12 (13) 13 (13) 14 (14) 14 cm 4.75 (4.75) 4.75 (5) 5 (5) 5.5 (5.5) 5.5 inches Sleeve circumference: measured at armhole opening: 30 (31.5) 36 (36) 38.5 (42.5) 46 (49) 52.5 cm 11.75 (12.5) 14.25 (14.25) 15.25 (16.75) 18 (19.25) 20.75 inches Yoke depth: 16.5 (18) 21 (23) 24.5 (26) 28 (29.5) 31 cm 6.5 (7) 8.25 (9) 9.75 (10.25) 11 (11.5) 12.25 inches Gauge: 10 x 10 cm (4 x 4 inches): 26 sts x 36 rounds (after blocking) with circular needles 3 mm US2.5 in stockinette stitch in the round. Needles: Circular needles 3 mm US2.5 / cables length 40, 60, 80 and/or 100 cm 16, 24, 32 and/or 40 inches OR double pointed needles 3 mm US2.5 if preferred for the sleeves. A tapestry needle. Suggested yarn: ‘Cashmere Lace’ from Gepard Garn (25 g - 350 m), held double: 125 (125) 150 (175) 175 (200) 200 (225) 225 g OR 1 strand of ‘Cottonwool 3’ from Gepard Garn (50 g - 233 m) 200 (200) 300 (300) 350 (400) 400 (450) g OR 1 strand of fingering merino (100 g - 400 m) from for example ‘Olivia & Oliver Fibers’: 200 (200) 300 (300) 300-400 (400) 400 (450) g

Kawaii Coquette Dollette Protect Your Heart Pink Bow Aesthetic Tshirt Measurements S   Bust: 76-88cm/29.9-34.6" Length: 47cm/18.5" M   Bust: 80-92cm/31.5-36.2" Length: 48cm/18.9" L   Bust: 84-96cm/33-37.8" Length: 49cm/19.2" Indulge in the sweet charm of our Kawaii Coquette "Protect Your Heart" Pink Bow Aesthetic T-shirt. This shirt is a delightful embodiment of the coquette aesthetic, and it's an absolute essential for every coquette at heart. Featuring a prominent pink bow design, this shirt captures the essence of coquette fashion with its playful and flirtatious vibes. The message "Protect Your Heart" adds a touch of whimsy, reminding you to keep your heart safe while looking cute and stylish. Whether you choose to pair it with your favorite jeans for a casual, chic look or opt for a skirt to enhance the coquette vibes, this shirt is incredibly versatile. And for the perfect finishing touch, consider accessorizing with Adidas Sambas featuring pink ribbon laces for that blokette look, or balletcore-inspired ballet flats to embrace the graceful and whimsical side of fashion. Let our Kawaii Coquette "Protect Your Heart" Pink Bow Aesthetic T-shirt be your go-to choice for expressing your coquette style. Whether you're dressing up or down, it's the perfect addition to your wardrobe, ensuring you look effortlessly adorable and charming wherever you go. *This product fits true to size.  *Standard shipping time to the US is 9-19 business days. Please consult our shipping page for shipping time estimates for other countries.  *Please check the measurements/size chart very carefully when ordering from The Kawaii Factory. Most of our clothes come in Asian sizes, which are generally 1-2 sizes smaller than US/EU sizes. Buyers shall bear the full cost of return shipping charges unless the product is significantly different from what is described on the product page. *Lingerie and pajamas cannot be returned or exchanged.

more Double Trouble Reworked vintage English Tuscan fine bone china 5" saucers with daisy patterns in lilac and green and framed by a blue striped border.

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Applicable Season : Spring and Autumn Applicable Scene : Daily Place Of Origin : China (mainland) Style : Casual Material : POLYESTER Brand Name : isfriday Gender : MEN Size S for Within 55kg Size M for 55kg ~65kg Size L for 65kg~75kg Size XL for 75kg~85kg Size 2XL for 85~95kg The Mens Casual Tracksuit 2 Piece Set includes a crew neck long-sleeve pullover and casual sweatpants, perfect for daily wear and outdoor activities The relaxed fit is designed to provide you with maximum comfort while still looking stylish. FEATURES - Crafted from high-quality fabric, comfortable, breathable, colorfast, and not easy to deform. - The long-sleeve T-shirt adopts an irregular slit hemline, chic and fashionable, breaking the dull look of traditional crew neck tops. - While the pants feature a stretchy waist and adjustable drawstring, providing maximum comfort and ensuring a perfect fit. - Two-sided pockets offer you enough space to hold the mobile phone, key, and other essentials. - Whether you are going for a casual look or a formal one, this set will be sure to elevate your style. With its timeless design, you can be sure that you will look great no matter the occasion. SPECIFICATION Material: Polyester Color: White, Black, Navy, Gray Size: S, M, L, XL, 2XL Package Includes: 1 * Men’s Loose Fashionable Long Sleeve 2-piece Set NOTE Please allow slight measurement errors due to manual measurement. 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Create your own unique statement with our Customisable T-shirt! Personalise the text according to your choice, making it a one-of-a-kind piece that reflects your personality, sense of humour, or heartfelt message. Choose from various font styles, colors, and sizes to make it truly yours. Wear it with pride and let your creativity shine! The text in the design can be customised. Please enter the list of words you would like to include through the 'Add your personalisation' section.

*As seen on CRAFT MAGAZINE* {Ruffle Necktie Tee Tutorial} Here's what you'll need... tee {mine was Forever 21- $1.50, or use one on hand} tie {thrifted- $2 or use your hubby's old tie!} button {on hand} your trusty sewing machine needle & thread i hate pinning, so i didn't do it! {i know there are some of you that are shaking your head...go ahead & pin if you'd like!} just wing it! it's funner that way ;) {1} starting with the left side of the neckline & the small end of the tie. lay tie on top of neckline & start sewing straight. {2} you will continue sewing a straight line on the left side of the neckline & on the back of the neckline. {3} STOP when you get to the seam on the top right shoulder. {4} to make ruffles: fold tie upward & sew on top. continue folding & sewing so it looks like this... see! ruffles already :) pretty sure my sewing machine was hating me by the time this was over! it takes a lot of work for my poor $60 sewing machine to make it over all those thick ruffles :) maybe you could try a jean needle. it's made for heavy duty sewing, that might make your sewing machine happier. {5} when you get close to the end, just lay the end of the tie flat. continue sewing until you meet up with the beginning stitch on the left side. {you will want to turn your sewing needle to meet up so it will create a "V"} the bottom part of your tie will not be attached to the shirt, so it will want to flap like this. {6} grab that cute button & hand sew it to your shirt. And you're DONE!! So easy & stylish! *I hope these directions made sense. You never know if what makes sense to you in your brain makes sense to others. If you have any questions let me know! ---> I have had a lot of questions on laundering & honestly I haven't washed mine yet (someone ended up wanting to buy both!) This is what a sweet reader said.... "I used to work dry cleaning, and if it's polyester, you'll be fine in general, BUT if it's silk, you might consider washing on delicate with Dawn soap, which is really mild and works well with a lot of hand washables. (except wool... but how many ties are wool?) Cotton is fine, of course. The main reason they want you to dry clean ties is because they can lose their shape when washed, and make the pointed ends all wonky. But, since you're tacking down one end and stitching down the other.... I don't think it'll lose its shape so much." Thanks Carolina! I hope that helps with your washing questions. I loved doing this, I had to make another.... I'd love to see your tees if you decide to make one! Email me a pic of your tees at: [email protected] Linked up to: Tatertots & Jello , Vintage Wanna Bee, Party with my Peeps

Book jacket for the New Metaphysical Library no.003, An easy to read reference for the trans-dimensional traveler, Chapters include: You and Evil You, Getting from Point A to Point -A, 6 Simple Steps for Starting your own Tangent Universe.

I took the day off from studying and house-cleaning to try a patternless, easy-peasy, knit shirt (you already smell disaster coming, don’t you?). I love wearing knits, wanted something easy a…

Today I'll be showing you my favourite neckline finish for knit fabrics. It's my personal method for sewing knit neckline bindings, and I prefer it to the standard method!