DESCRIPTION Part of our Core Collection, the THIENE Turtleneck Pullover is a must have piece this Fall/Winter season. DETAIL Fabric Code: E01 Lightweight Turtleneck Quarter Zip TECH FABRIC & MATERIAL Made with 96% Polyester 4% Elastane Fabric Technologies: Pro-Therm® and Comfort® Do not use softeners Do not dry clean FIT Model is Wearing Size: 42/S Regular Fit
DESCRIPTION Part of our Core Collection, the THIENE Turtleneck Pullover is a must have piece this Fall/Winter season. DETAIL Fabric Code: E01 Lightweight Turtleneck Quarter Zip TECH FABRIC & MATERIAL Made with 96% Polyester 4% Elastane Fabric Technologies: Pro-Therm® and Comfort® Do not use softeners Do not dry clean FIT Model is Wearing Size: 42/S Regular Fit
Bott. veneta sec. XIX, San Gaetano da Thiene e' un opera di bottega veneta. Guarda la scheda di dettaglio su Beweb.
1552 Paolo Veronese - Portrait of Countess Livia da Porto Thiene and her Daughter Deidamia ab. 1555 Paolo Veronese - Portrait of Count Iseppo da Porto and his son Adriano (Portrait of Countess...
Tenere puliti gli ambienti in cui si vive è fondamentale soprattutto finchè il coronavirus continuerà a circolare. Ma secondo il presidente dell’Istituto Superiore di Sanità (Iss) Silvio Brusaferro non bisogna esagerare. “Laddove le superficie sono mantenute pulite il virus è facilmente inattivabile, ma dobbiamo stare attenti a non esagerare. Le disinfezioni possono provocare effetti indesiderati... continua a leggere...
Veronese's majestic, full-length portrait of the countess and her eldest daughter Deidamia, born in 1545, was originally accompanied by one of her husband Count Issepo (Giuseppe) da Porto and their son Leonida (now in the Palazzo Pitti, Florence). These paintings were most likely installed in their palace in Vicenza, which had recently been built by Andrea Palladio (1508-1580). The portraits would have been placed so that it would appear as if the family were standing in niches inside the palace; however, the floor strip below is a later addition. Veronese was famous for his use of color and mastered the rendering of luxurious textures and fabrics, including the marten's fur. The head of gold and enamel is nearly identical to one in the Walters' collection (57.1982). Marten fur was thought to protect women in childbirth, and in 1552 the countess was pregnant with her daughter Emilia.
Oil painting on canvas. North Italian school of the eighteenth-XVIII century. The work of a devotional nature, sees the Madonna, assisted on the clouds and assisted by two angels who support her clothes, is venerated by two saints, on her knees at her feet: on the right the Young woman in princely clothes, at whose feet a royal crown is resting, refers to Elisabetta d'Angheria; On the left, the saint who holds the baby Jesus in his arms is identifiable in San Gaetano to be Thiene. Particular is the game of looks between the various characters, who intertwine together with positions and gestures, to create an almost circular movement. The painting It has been restored and restored. It is presented in a ridiculous ancient frame in the early 1900s, with current different shortcomings (to be restored). This piece is attributed to the mentioned designer/maker. It has no attribution mark and no official proof of authenticity, however it is well documented in design history. I take full responsibility for any authenticity issues arising from misattribution
H. Cajetanus van Thiene (1480-1547), ordestichter Theatijnen en patroonheilige van werkzoekenden en werklozen. Cajetanus (Gaetano) is één van de grote kerkhervormers tijdens de Contrareformatie. Hij stichtte de congregatie van de Theatijnen, genoemd naar Theate, Latijn voor Chieti, waarvan...
Tra i santi della Chiesa qualcuno di loro ha inteso dare alla stessa un nuovo volto soprattutto in relazione alle vicende storiche ed apostoliche che questa andava vivendo.
Op dit werk is een Creative Commons Licentie van toepassing.
Veronese's majestic, full-length portrait of the countess and her eldest daughter Deidamia, born in 1545, was originally accompanied by one of her husband Count Issepo (Giuseppe) da Porto and their son Leonida (now in the Palazzo Pitti, Florence). These paintings were most likely installed in their palace in Vicenza, which had recently been built by Andrea Palladio (1508-1580). The portraits would have been placed so that it would appear as if the family were standing in niches inside the palace; however, the floor strip below is a later addition. Veronese was famous for his use of color and mastered the rendering of luxurious textures and fabrics, including the marten's fur. The head of gold and enamel is nearly identical to one in the Walters' collection (57.1982). Marten fur was thought to protect women in childbirth, and in 1552 the countess was pregnant with her daughter Emilia.
