FRE 8596. An pathfinder B-24 Liberator of the 853rd Bomb Squadron 491st Bomb Group goes down after a direct flak hit during a riad on Harburg 17 January 1945

Simon & Garfunkel ‎– Sounds Of Silence Label: Columbia ‎– CS 9269 Format: Vinyl, LP, Album, Stereo, reissue Country: US Released: 17 Jan 1966 A1 The Sounds Of Silence 3:02 A2 Leaves That Are Green 2:21 A3 Blessed 3:14 A4 Kathy's Song 3:16 A5 Somewhere They Can't Find Me 2:34 A6 Angie 2:15 B1 Richard Cory 2:56 B2 A Most Peculiar Man 2:29 B3 April Come She Will 1:49 B4 We've Got A Groovey Thing Goin' 1:55 B5 I Am A Rock 2:50 Cover and vinyl are VG+ Low on the VG+ scale Some hairline marks cause occasional surface noise

Nurse. Matriarch. Crossword fiend. Tough cookie. Born Oct. 17, 1925, in Moose Jaw, Sask.; died Jan. 7, 2017, Victoria, B.C., of kidney failure; aged 91

Mumbai, Jan 17 (IANS) The finale of the streaming chat show ‘Koffee With Karan’ features guests from the world of digital and social media entertainment. During the course of the episode, Orry, who is

Additional specifications as provided by Mauritshuis website (© Copyright - by Mauritshuis - Mauritshuis) Bequest of jonkheer Jacob Hendrik and jonkheer Wiardus Hora Siccama, The Hague, 1914 (together with inv. nos. 1206 en 1207); on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1215), since 1932 Information about the art product The 17th century piece of art was painted by the baroque painter Michiel van Musscher. The over 330 years old original measures the size of height: 83 cm width: 76 cm | height: 32,7 in width: 29,9 in and was painted on the medium oil on canvas. The painting has the following text as inscrption: "signed and dated: Michiel v. Musscher. Pinxit. Anno M.DC.LXXXVIIbears inscription: Thomas Hees 52 jaar, Jan Hees 16 jaar, Andries Hees 24 jaar en Thomas de neger 17 jaar". It is included in the digital collection of Mauritshuis. With courtesy of: Mauritshuis, The Hague (public domain). The creditline of the artpiece is: Bequest of jonkheer Jacob Hendrik and jonkheer Wiardus Hora Siccama, The Hague, 1914 (together with inv. nos. 1206 en 1207); on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1215), since 1932. On top of that, alignment of the digital reproduction is in portrait format with a side ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Michiel van Musscher was a painter, whose style can primarily be assigned to Baroque. The Dutch painter lived for a total of 60 years and was born in 1645 in Rotterdam, South Holland, Netherlands and deceased in 1705. Select your material variant In the product dropdown lists you can select the size and material of your choice. You can select your preferred material and size between the following alternatives: Canvas: The UV printed canvas mounted on a wooden stretcher frame. A canvas produces a extra look of three-dimensionality. In addition to that, a printed canvas makes a charming, enjoyable effect. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without the help of extra wall-mounts. That is why, a canvas print is suitable for all kinds of walls. Printed acrylic glass: A glossy acrylic glass print, which is sometimes referred to as a an art print on plexiglass, will turn an original artwork into beautiful wall decoration. The great advantage of a plexiglass art print is that contrasts as well as image details will be more identifiable thanks to the delicate tonal gradation. Aluminium dibond print: An Aluminium Dibond print is a print with a true effect of depth. A non-reflective surface creates a contemporary impression. A direct Aluminium Dibond Print is the excellent introduction to the sophisticated world of art replicas with aluminum. The bright and white parts of the original work of art shimmer with a silky gloss, however without glow. Printed poster (canvas material): The poster is a printed cotton canvas with a fine texture on the surface, that reminds the original work of art. It is ideally appropriate for putting your art print with the help of a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin 2-6cm around the print motif, which facilitates the framing. Structured artist metadata Artist name: Michiel van Musscher Additional names: Musscha, M. Mutschert, M. Mutscher, Mucher, Muscher, muscher michel van, M. van Muscher, M. Muscher, M. v. Musscher, Michiel van Musscher, Micheel van Musscher, Muscha, Michiel Musscher, M. Van Musscher, Musscher Michiel van, Musscher, Michael van Musscher, M. v. Muscher, Michiel Muscha, Murscher, Michiel v. Musscher, Michiel Muscher, Michel van Musscher, Musscher Michael van, Michel Muttscher, Van Musscher Gender: male Nationality: Dutch Professions: painter Home country: the Netherlands Artist category: old master Styles of the artist: Baroque Life span: 60 years Born: 1645 Place of birth: Rotterdam, South Holland, Netherlands Year of death: 1705 Died in (place): Amsterdam, North Holland, Netherlands Work of art information Artwork name: "Portrait of Thomas Hees (1634-1692), with his Nephews Jan (b. 1662/63) and Andries (b. 1669/70) Hees, and his Servant Thomas" Artwork classification: painting Category: classic art Time: 17th century Created in: 1687 Age of artwork: around 330 years Painted on: oil on canvas Dimensions of the original artwork: height: 83 cm width: 76 cm Signature on artwork: signed and dated: Michiel v. Musscher. Pinxit. Anno M.DC.LXXXVIIbears inscription: Thomas Hees 52 jaar, Jan Hees 16 jaar, Andries Hees 24 jaar en Thomas de neger 17 jaar Museum: Mauritshuis Museum location: The Hague, South Holland, Netherlands Available at: Mauritshuis License type of artwork: public domain Courtesy of: Mauritshuis, The Hague Creditline of artwork: Bequest of jonkheer Jacob Hendrik and jonkheer Wiardus Hora Siccama, The Hague, 1914 (together with inv. nos. 1206 en 1207); on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1215), since 1932 The product Product categorization: wall art Reproduction method: reproduction in digital format Manufacturing method: UV direct printing (digital print) Origin of the product: made in Germany Stock type: production on demand Intended product use: gallery wall, art print gallery Alignment: portrait alignment Aspect ratio: 1 : 1.2 Implication of the aspect ratio: the length is 20% shorter than the width Available reproduction fabrics: acrylic glass print (with real glass coating), metal print (aluminium dibond), poster print (canvas paper), canvas print Canvas on stretcher frame (canvas print) options: 50x60cm - 20x24" Acrylic glass print (with real glass coating) options: 50x60cm - 20x24" Poster print (canvas paper) size options: 50x60cm - 20x24" Aluminium print: 50x60cm - 20x24" Frame: not included Legal disclaimer: We try our best to depict the art products in as much detail as possible and to display them visually in our shop. Please keep in mind that some colors of the printing material, as well as the print result can differ somehwat from the image on your device's screen. Depending on your screen settings and the nature of the surface, color pigments may not be printed one hundret percent realistically. Given that our art prints are processed and printed by hand, there may also be slight deviations in the motif's size and exact position. © Copyright, www.artprinta.com (Artprinta)

Paris, Louvre

View the comic strip for Kliban's Cats by cartoonist B. Kliban created January 17, 2017 available on GoComics.com

[Liechtenstein Museum, Vienna - Oil on panel, 36 x 45 cm]

The B-17 Flying Fortress was famous for its durability. This B-17, Hang the Expense, of the 100th Bomber Squadron of the USAAF rests in an English airfield after being severely damaged by flak over...

This work allowed Steen to parody the contemporary social phenomenon of female lovesickness, an idea explored by Dutch medical circles at this time. Between 1654 and 1696, seventeen dissertations were written on the phenomenon at the universities of Leiden and Utrecht. The present painting appears to be particularly inspired by popular theatrical productions of the 1660s, in which medical buffoons treated melancholic women. The scene certainly has a farcical quality, with the doctor appearing to have just slung his black robe and hat over a theatrical costume and the merry characters in the doorway laughing and drinking. [Sotheby’s, New York - Oil on panel, 45.7 x 38.1 cm]

(PRESS RELEASE) PARIS, 17-Jan-2022 — /EuropaWire/ — TotalEnergies (EPA: TTE), one of the seven “supermajor” oil companies, has announced the divestmen

Jan Havickszoon Steen (1625/1626–1679) was een kunstschilder uit Nederland in de 17e eeuw. Zijn werk is van ongelijke kwaliteit, maar mensenkennis, humor en uitbundig kleurgebruik zijn belangrijke …

Explore Milton Sonn's 21642 photos on Flickr!

Do you take yourself too seriously? Are you in major need of a sense of humour? A lobotomy may help lighten you up so you can enjoy life, instead of spending the rest of your days as an angry troll! Cruising around the country in his “Lobotomobile,” Dr. Walter Freeman coined the visited mental institutions […]

(b. ca. 1510, Antwerpen, d. 1575, Antwerpen) Judith Oil on panel, 115 x 80,5 cm Koninklijk Museum voor Schone Kunsten, Antwerp

Jan Steen, 1666

Jan Steen. 1625-1679. Leyde. La Haye Haarlem. Repas sous les charmilles. Berlin Gemäldegalerie. Jan Steen. 1625-1679 Leiden. Hague Haarlem. Meal under the charmilles (Hedges). Berlin Gemäldegalerie.

Although it was probably painted in The Hague, this is an outstanding example of the 'tonal phase' of Dutch landscape painting associated with the town of Haarlem. Van Goyen shows a flat landscape, featureless except for the windmill, small figures and distant buildings, as if from the top of a low hill. The sky occupies three-quarters of the picture space in this panoramic view; it is painted in a deliberately restricted palette of grey, brown, black and white enlivened only by a few strokes of yellow and green. The low horizon gives great prominence to the sky and clouds. Jan Josephsz. van Goyen (1596 - 1656) was one of the main pioneers of naturalistic landscape in early 17th-century Holland. His many drawings show that he travelled extensively in Holland and beyond. In 1634 he is recorded painting in Haarlem, in the house of Isaac, the brother of Salomon van Ruysdael, who was another of the pioneers of realistic landscape painting in the north Netherlands. [Oil on oak, 29.4 x 36.3 cm] gandalfsgallery.blogspot.co.uk/2012/06/jan-van-goyen-wind...

Explore *Huismus' 10830 photos on Flickr!