These embroidered veggies are a true feast for the eyes.
PieniSieni（ピエニシエニ）オフフープ(R)立体刺繍作家、日本フェルタート(R)協会理事（Bead Felt Embroidery artist）
Во всех видах - растущий, в букетике, гербарный и вышитый 🌿 мой любимец тысячелистник 🤍 Смотрите полностью ВКонтакте.
Ручные декоративные швы
Друзья, делюсь приятной новостью - в рамках проекта необычного оформления новогодней ели, заметки о ... Смотрите полностью ВКонтакте.
Chou, oignon, salade... L'artiste japonaise Konekono Kitsune crée de délicates et fascinantes broderies de légumes en 3D.
INSTANT DIGITAL DOWNLOAD | Embroidery files for embroidery machines. Interlocking C and A Monogram Embroidery Design Pattern (This design is NOT an entire alphabet) 4 sizes - 3.9” H x 3.4” W (99mm Height x 86.4mm Width) 8,682 stitches 5” H x 4.3” W (127mm Height x 110.8mm Width) 11,141 stitches 6” H x 5.2” W (152.4mm Height x 133mm Width) 14,434 stitches 7” H x 6.1” W (177.8mm Height x 155mm Width) 15,893 stitches ABOUT THESE FILES =================================================== Formats Provided: {.dst} {.exp} {.hus} {.pes}, {.jef}, {.xxx}, {.emb} {.vip} {.vp3} These are machine embroidery files for download. YOU MUST HAVE AN EMBROIDERY MACHINE TO RUN THESE FILES. HOW TO USE =================================================== Simply unzip, and use the format that is compatible with your embroidery machine. Files are made available for download through Etsy's control panel once payment is completed. TERMS OF USE =================================================== Personal use or small business Commercial Use. By purchasing, you agree to these terms. Subject to the Terms Of Use: http://www.etsy.com/shop/anamored/policy Purchase doesn't transfer copyright. All rights reserved. REFUNDS =================================================== Due to the nature of the electronic files provided in this item, no refunds.
Gallery.ru / Фото #38 - 6 - OlgaHS
Siccome avevo promesso che avrei terminato la M delle ghiande entro la fine della settimana, avevo cacciato Alfredo di casa e per venerdì sera tutto ero pronto. Lo stesso venerdì sera, però, l'avevo sconsideratamente riammesso a corte ed era andata a finire che non ero riuscita a fare le foto e a scrivere. Ci provo adesso e non chiedetemi dov'è Alfredo e perché mi lascia lavorare... La settimana è corsa lenta e così pure i punti e i pensieri che si sono insinuati tra le imbottiture. Ci sono eventi che rallentano il tempo, rendono più morbidi i movimenti, dilatano gli spazi tra le azioni e le reazioni. E, se ci ricami sopra, i punti prendono quella forma e registrano ogni istante. A distanza di tempo tu solo sai leggere i ricordi appuntati sulla stoffa, oppure no... Sarebbe curioso indagare e capire se qualcosa traspira e raggiunge, almeno in forma di sottile emozione, anche l'occhio più lontano, che la storia non la conosce. Il disegno originale della M prevedeva l'intrecciarsi della foglia di destra al ramo sinistro della lettera. Ho sempre trovato poco ragionevole lo stacco del punto pieno a favore di foglie e fiori a punto pittura, perché la caduta improvvisa del rilievo non riesce a rendere il sormonto degli elementi originalmente suggerito. Tempo fa avevo provato a rendere più tridimensionali le foglie con l'uso dei feltrini, come fanno nel ricamo in oro. Qui ho fatto di peggio: ho ricamato il ramo a punto pieno, come se della foglia non me ne importasse affatto, e poi ho applicato il feltrino (panno lenci sintetico) sopra al ramo. L'effetto tridimensionale funziona e non ha fatto scalino come ipotizzavo. Purtroppo il punto pittura ne risente leggermente: la tensione è meno regolare (o va adattata e io ancora non ci sono riuscita). Mi sono voluta molto male (o molto bene, dipende dai punti di vista): mi sono costretta a ricamare tutte le linee, anche le più sottili, a cordoncino. Non mi erano bastati tutti quei circolini per i quali serve un unico un filo di imbottitura?! Mi erano bastati. Ma li avevo trovati anche molto belli. Mannaggia.
This is a digital drawing titled "Peaceful Birds". I think perhaps it could be improved with smaller leaves and bigger birds....ha ha. and this is the sketch of the original idea. I liked the design even as a really rough drawing. These are pen and ink drawings which were originally designed for handmade greetings cards but I never got around to putting them on the cards. I think they look nicer as a montage of coloured trees in a very surreal landscape. This is a pen and ink drawing with a bit of digital red. It took ages to do all those feathers. Stripey Hats - a very quirky digital drawing I love this gorgeous pastel. It is called Butterfly Boy and is by Sharon Yamamoto. I met Sharon some years ago at a craft fair. She is a Japanese American artist whose work is delightfully mystical and magical. She produces some of her images on ceramic art tiles and the colours are vivid and vibrant and much more intense than paintings. I recommend a visit to her lovely website here. Sunrise Voyage - Sharon Yamamoto Some tulips and apple blossom to get us in the mood for spring. I am hoping the apple blossom will be out soon as I want to take some new photos. The forecast predicts a very cold week though, so perhaps we shall have to wait a little longer for spring to arrive. It is March the first today so it must be St. David's Day. So to all the Welsh people all over the world - Cyfarchion - which I hope, translated, says greetings. I found these delightful geese on the internet the other day. They are the work of mixed media artist Kathleen Mattox who has a blog here. I had a lovely gift in the post from Catriona Millar. You may remember that she was my featured artist on December 13th 2008. She emailed me about the blog post and said she would send me a copy of the recipe book which features her artwork. I received it the other day and it is a wonderful book called Fun with Spinach by Mike Robson. It has lots of beautiful paintings by Catriona. So thank you very much Catriona and the best of luck with your delightful art. Catriona's website is here if you want to pop over and have a browse. I have decided that this is my absolute favourite of Catriona's paintings. I just love the theme and the pastel colours she has used. The embroideries and artwork below are all the work of English textile artist Audrey Walker. She is the daughter of a Cumbrian embroideress and produces textile work which is almost painted on the cloth by her stitches. She originally trained as a painter in Edinburgh and has always been particularly interested in figurative work. Her work is layered with fabric and millions of machine or hand stitches. Her sense of colour, shade and tone is incredibly subtle and beautiful. I have met Audrey at the Knitting and Stitching Show in London in the past and have also visited exhibitions of her work and it is truly lovely. Some of her pieces are huge and you have to stand back quite a distance to appreciate them fully. It must take hours and hours of painstaking work to put in so many tiny stitches but what she produces is well worth the effort. I love the way her subjects gaze at each other and into the distance; speaking without words. There is a quality of mystery and stillness about them. Most of the pictures are from a Ruthin Craft Centre book that I bought some time ago and also the superb Diana Springall book called Inspired to Stitch which has to be one of my favourite books - but that is another story. Temptation Study for Woman at Window Adam and Eve Hear No Evil Who's There Beach Woman Study For Temptation Gaze 1v This image shows the detailed stitching in Audrey Walker's work. Close up the stitching is very visible but she has such an comprehensive knowledge of shades and tones, that if you stand away from the art, it all gells together to make sense of the form. You will probably need to enlarge the image to see the stitching properly. I have had a good week drawing on the computer. Birds have made their appearance again...don't they always. If it wasn't for birds my repertoire would be very much smaller. After posting a picture of an Anita Jeram kitty last week I am now thinking about drawing cats. Cats are easy to draw in pointillism but that style takes months to do so I will have to think of a different technique of making a cat look like a cat, or I may just draw a stylised cat. The wonderful thing about stylising images is that no one can look at them and say they are wrong. They can be whatever you want them to be as long as they vaguely resemble felis catus. Having two cats in our house and family and neighbours with cats, there is no shortage of inspirational material.
