Flora conspicua London :Longman, Rees, Orme, Brown, and Green,1826. biodiversitylibrary.org/page/7372004
High-End AD/DA Wandler & Kopfhörerverstärker: High-End AD/DA-Wandler in professioneller Studioqualität Doppelter Kopfhörerverstärker in echter High-End-Qualität 2-AD/4-DA 768 kHz Multiformat-Konverter (AES, SPDIF, ADAT) mit Monitoring DSD-Aufzeichnungs- und Wiedergabelösung SPDIF/ADAT-Wiedergabesystem Klassenkonformer Modus SteadyClock FS Inkl. Fernbedienung DC-gekoppelte Ausgänge Maße: 215 x 44 x 160 mm Gewicht: 1,2kg Das RME ADI-2/4 Pro SE ist aus der Weiterentwicklung der preisgekrönten ADI-2-Serie entstanden. Neben einer neu entwicklelten Platine, verbesserten Spezifikationen und schnellerem DSP bietet der Hochleistungswandler extrem leistungsstarke Kopfhörerverstärker , eine extrem rauscharme 4,4-mm-Pentaconn-symmetrische Verbindung, eine Trigger-Out-Funktion zum Ein- und Ausschalten externer Geräte sowie einen RIAA-Modus zum direkten Digitalisieren von Schallplatten in höchster Qualität. Der Hochleistungswandler ist ein 2-Kanal-Analog-Input-to-Digital- und 4-Kanal-Digital-to-Analog-Output-Konverter , verbaut in einem stabilen Gehäuse. Ein leistungsstarker DSP fügt alle Arten nützlicher Audioverarbeitung hinzu, von parametrischem 5-Band-EQ, schneller Bass-/Höhenanpassung bis zu einem neuen Konzept in der Lautstärkeregelung. Das ADI-2/4 Pro SE ist mit leistungsstarken Kopfhörerausgängen ausgestattet. Alle drei Kopfhörerausgänge verfügen über Stummschaltrelais , Steckererkennung und DSP-Steuerung wie automatische Lautstärkezuweisung, Lautstärkeerhöhung und einiges mehr. Der neuste True Balanced Mode von RME realisiert dabei einen symmetrischen Kopfhörerbetrieb unabhängig von den XLR-Ausgängen. Im True Balanced Modus steigt der maximale Ausgangspegel des ADI-2/4 Pro SE auf +7 dBu für IEM, +13 dBu für Low Power, +25 dBu für High Power. Das Signal-Rausch-Verhältnis bleibt unverändert. Die grafische Bedienoberfläche mit hochauflösendem IPS-Panel erleichtert die Bedienung und zeigt zahlreiche Funktionen übersichtlich an. Im Lieferumfang ist ein externes Schaltnetzteil enthalten, ein USB-Kabel und ein digitales Breaktout-Kabel sowie eine Fernbedienung , die eine umfassende Steuerung ermöglicht. Anschlüsse: 2 x Phono/Line-Eingang 1 x ADAT-E/A 1 x SPDIF-E/A 1 x AES-E/A RME-USB 2.0 1 x Telefone oder symmetrische Pentaconn 4 x Line-Ausgang + keepdrum Mikrofasertuch: Entfernt effektiv Fingerabdrücke, Öl-Schmierer, Staub und Schmutz Reinigt schonend, streifen- und fusselfrei Ideal für Smartphones, Tablets, Bildschirme, Musikinstrumente, Brillen uvm. Gezackter Rand verhindert Ausfransen Lieferumfang: RME ADI-2/4 Pro SE Fernbedienung Externes Schaltnetzteil Digitales Breakout-Kabel USB Kabel keepdrum Mikrofasertuch.
RME's newest version, the ADI-2 DAC FS, is ready to deliver your music in its purest form and detail! The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, new MRC remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback. Features RME USB 2.0 Two Headphone Outputs Class Compliant Mode One Line Output Two SPDIF Input One Stereo Chinch SteadyClock FS Remote Control The ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities. The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs. The DAC Packed into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS. As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface. Improving DA The updated ADI-2 DAC uses AKM's AK4493 in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values. Even the IEM output, with -118 dBu already the world's lowest noise headphone output, improves to a sensational -121 dBu. In addition, there is 4 dB of digital headroom, so that even high intersample peaks do not produce any audible distortion. Finally, the device now also offers a clear reserve in volume setting. +2.5 dB result in a still undistorted analog output signal. All these improvements are completely transparent in the previous menu navigation. There are no changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. The only difference: with 'Low Dispersion' another digital filter is available for selection. Explanations for this filter can be found in the detailed manual of the ADI-2 DAC. Super Low Noise for IEM lovers The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home. Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs. Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs. RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it! Lights Out! A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off / on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it! Special features The ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices. New extended Multi-Remote Support (MRC) The ADI-2 DAC remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access to 32 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control! Note for owners of the previous remote: the new MRC is also available separately as an accessory. It can be used with all ADI-2 DACs, even older ones, if they are equipped with the latest firmware (at least version FPGA 27, DSP 33). SteadyClock FS The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC. With SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS. Bit Test A bit test is used to check the playback path for unwanted changes in the playback data. Playback software can cut bits, add dither, or change the level - without these changes becoming noticed easily. A poorly programmed driver can manipulate bits, and a playback hardware could be both badly designed and defective (hanging bits, swapped bits). Even such features as proper channel assignment, left/right synchronicity and polarity can be tested by a well-made bit test. With a bit test, such errors can be detected and - more importantly - excluded. Specifications DIGITAL INPUTS General Lock Range: 28 kHz – 200 kHz Jitter suppression: > 50 dB (2.4 kHz) Jitter when synced to input signal: < 1 ns Accepts Consumer and Professional format SPDIF coaxial 1 x RCA, according to IEC 60958 High-sensitivity input stage (< 0.3 Vpp) AES/EBU compatible (AES3-1992) SPDIF optical 1 x optical, according to IEC 60958 ADAT compatible ANALOG OUTPUTS XLR Output level switchable +19 dBu, +13 dBu, +7 dBu, +1 dBu @ 0 dBFS Signal-to-noise ratio (SNR) @ +7/+13/+19 dBu: 120 dB RMS unweighted, 123 dBA Signal-to-noise ratio (SNR) @ +1 dBu: 117 dB RMS unweighted, 120 dBA Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz Frequency response @ 384 kHz, -1 dB: 0 Hz – 115 kHz Frequency response @ 768 kHz, -3 dB: 0 Hz – 109 kHz THD @ 0 dBFS: < -120 dB, 0.0001 % THD+N @ 0 dBFS: -116 dB, 0.00016 % Channel separation: > 120 dB Output impedance: 200 Ohm balanced, 100 Ohm unbalanced Cinch As output XLR, but: Output: 6.3 mm TS jack, unbalanced Output level 6 dB lower than XLR (-5 dBu to +13 dBu @ 0 dBFS) Signal-to-noise ratio (SNR) @ +13 dBu: 120 dB RMS unweighted, 123 dBA Signal-to-noise ratio (SNR) @ +1/+7 dBu: 116/119 dB RMS unw., 119/122 dBA Signal-to-noise ratio (SNR) @ -5 dBu: 112 dB RMS unweighted, 114 dBA Phones As Cinch, but: Output: 6.3 mm TRS jack, unbalanced, stereo Output impedance: 0.1 Ohm Signal-to-noise ratio (SNR) @ +22 dBu: 120 dB RMS unweighted, 123 dBA Signal-to-noise ratio (SNR) @ +7 dBu: 118 dB RMS u
The ‘90s was a glorious decade filled with widespread fads that had endearing, yet questionable, attributes. Hats were best worn backwards, denim looked better on denim, and chokers were part of every girl’s outfit. But if you’re a diehard ‘90s…
RME Multi Remote Control Replacement Remote for ADI-2 DAC FS and ADI-2 Pro FS R Black Edition The ADI-2 DAC FS and ADI-2 Pro FS R Black Edition comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices. The MRC remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access for up to 52 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!
Brand RME Model ADI-2 AD/DA Converter Finish Silver/Blue Year 2010s Made In Germany Categories AD/DA Converters Bit Depth 24-bit Digital Input Format ADAT/Optical AES/EBU S/PIDF Digital Output Format ADAT/Optical AES/EBU S/PIDF Electronics Analog Digital Solid State Format Half Rackmount Number of Analog Inputs 2 Number of Analog Outputs 2 Number of Channels 2 Number of Digital Inputs 4 Number of Digital Outputs 4 Number of Headphone Outputs 1 Number of MIDI Inputs 0 Number of MIDI Outputs 0 Sample Rate 192 khz Show More
RME ADI-2 AD/DA 2 channel audio converter. Two channel analog to digital and digital to analog converter. Has 2 line inputs and 2 line outputs. Digital outputs are through either SPDIF or ADAT. Great way to add 2 channels to your current audio interface. Also includes 2 SPDIF cables and power supply. Below are the specs from RME:
Algemeen RME is een begrip in de wereld van conversie en audio interfaces en de Babyface Pro heeft zijn sporen al lang verdiend. Echter, deze Babyface Pro FS heeft zo mogelijk een flink aantal verbeteringen aan boord! Zo is bijvoorbeeld het SteadyClock FS circuit, dat ook te vinden is in de ADI-2 Pro FS, geïntegreerd in de nieuwe Babyface Pro FS en dit zorgt voor de laagste 'jitter' mogelijk. Ook is het vermogen van de hoofdtelefoonuitgang verhoogd van 70 mW naar 90 mW en zijn de op-amps eveneens overgenomen van de ADI-2 Pro FS. Tevens is de latency verder verlaagd met 6 samples en zijn de signaal/ruisverhoudingen verbeterd ten opzichte van de vorige Babyface Pro. Alle verbeteringen zijn doorgevoerd zonder dat het totale stroomverbruik is verhoogd. Verbeterde microfoon- en line-ingangen Om ruimte te besparen is gekozen voor een XLR 'socket' voor de belangrijkste in- en uitgangen. De twee preamps worden digitaal aangestuurd en bevatten beide schakelbare fantoomvoeding. Ze zijn tevens voorzien van een bescherming tegen overbelasting. De Babyface Pro FS heeft geen externe voeding nodig vanwege zijn efficiënte ontwerp en dit betekent dat hij zijn voeding verkrijgt via de computer of laptop. Ook ontbreekt het niet aan Toslink i/o die je zowel kunt inzetten als ADAT met SMUX ondersteuning of als S/PDIF voor sessies die ondersteuning bieden aan sample rates tot 192 kHz. Multi-tracking is geen probleem in combinatie met de externe ADAT converter zodat je 12 analoge in- en uitgangen tot je beschikking hebt. Mixen en routen met TotalMix FX en TotalMix Remote Zoals reeds bekend van de meest recente RME interfaces, is ook de Babyface Pro FS uitgerust met TotalMix FX. Deze digitale real-time mixer stelt je in staat onafhankelijk van de in- en uitgangskanalen mixages en routings te maken naar alle fysieke uitgangen. Zo kun je elke stereo submixages monitoren in ongeëvenaarde flexibiliteit. De op FPGA-gebaseerde DSP mixer bezit tevens een flexibele 3-bands parametrische equalizer voor elke in- en uitgang plus reverb en delay effecten. Verder is TotalMix te bedienen vanaf je iPad, iPhone, PC of Mac. Voer simpelweg het IP-adres in van je computer en je kunt starten. Op deze wijze is het kinderlijk eenvoudig om op afstand wijzigingen door te voeren in je hoofdtelefoonmix, routing of anderzijds.
High-End DA Converter & Koptelefoonversterker Samplerates: 44,1 kHz tot 768 kHz High-Resolution weergave van PCM, DXD en DSD tot 768 kHz SteadyClock FS LCD AutoDark-functie voor verlichting Signaal-ruisratio (SNR) @ +7/+13/+19 dBu: 120 dB RMS unweighted, 123 dBA IEM-uitgang met -120 dBu Class Compliant Mode Extended Remote Control (knoppen voor stand-by aan/uit, aanpassing van volume, balans, bas en treble, ingangsselectie (optisch, coaxiaal, USB), mute, aan/uit-schakeling van de loudness, bass/treble en EQ) SPDIF-ingangssignaal kan worden opgenomen via USB. 4-traps aanpassing van het uitgangsniveau van de hardware-uitgangen Desktop-behuizing Afmetingen: 215 x 52 x 52 x 150 mm Gewicht: 1,0 kg Incl. MRC-afstandsbediening, USB-kabel en netvoedingseenheid Verbindingen: 1x S/PDIF-ingang coaxiaal 1x ADAT of S/PDIF-ingang optisch 2x lijnuitgang Cinch ongebalanceerd (stereo L/R) 2x lijnuitgang XLR gebalanceerd (stereo L/R) Extreme Power Stereo koptelefoonuitgang 6,3 mm Jack Super Low Noise IEM-uitgang 3,5 mm mini-aansluiting USB 2.0-poort (compatibel met USB 3.0) 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds November 2019 artikelnummer 478603 verkoopseenheid 1 stuk Amount Of Channels 2 AD Conversion No DA Conversion Yes Max. Resolution 32 bit Max. sampling rate 768 kHz S/PDIF Connecor Yes AES/EBU Connector No ADAT Yes Word clock No Number of analog inputs 0 Number of Analog Outputs 4 Headphone connection Yes Number of stereo channels 1 Output Level Adjustment Per Channel 1 Amount Of Inputs 2 Special Features Conversion from DSD and Direct DSD, SteadyClock FS, LCD-Display, incl. Remote Toon meer
This item resides in our New York,NY store. Message Us if you would like more information. The ADI-2 is a both compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5" unit offers top notch AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected! Key features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and its capability to run on a wide range of power supplied. The ADI-2 is equipped with a balanced stereo line input via two Neutrik XLR/phones combo jacks, a balanced stereo line output with XLR plus separate and simultaneously active phone jacks, as well as an adjustable headphone output. The analog inputs and outputs use the same circuit design as RME's famous ADI-8 DS, guaranteeing outstandingly low noise and distortion. Three different settings for the input and output levels each provide perfect compatibility on analog domain. A further highlight is SteadyClock??ñ??, a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 uses the latest generation of AD/DA-converters capable of up to 192 kHz sampling frequency at S/N ratios up to 119 dBA. But the ADI-2 has more to offer than tremendous sound, it also gives you exciting digital connectivity. Its transformer-balanced coaxial (RCA) SPDIF I/O has switchable Channel Status to make it fully AES/EBU compatible. The optical TOSLINK I/Os can handle up to 192 kHz and also serve as ADAT I/O with up to 96 kHz sample rate. You can even use SPDIF input and ADAT output or vice versa in AD/DA mode. The clear layout and the distinct labeling of the front panel with its functional buttons, the informative status displays, a 6 LED level meter as well as the tidy functional back panel make it easy to operate the unit right out of the box. Protective rack handles and a strain-relief for power cord and audio cables are further useful details that make the ADI-2 even more unique. Specifications: ??ç?? Input AD: 1/4" TRS jack and XLR via Neutrik combo jacks, servo-balanced, completely symmetrical, DC-coupled signal path ??ç?? Output AD: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible ??ç?? Input DA: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible ??ç?? Output DA: 1/4" TRS jack and XLR, servo-balanced, DC-coupled signal path ??ç?? Dynamic range AD: 110 dB RMS unweighted, 113 dBA ??ç?? THD AD: < -110 dB (< 0.00032 %) ??ç?? THD+N AD: < -104 dB (< 0.00063 %) ??ç?? Crosstalk AD: > 110 dB ??ç?? Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted) ??ç?? THD DA: < -103 dB (< 0.0007 %) ??ç?? THD+N DA: < -100 dB (< 0.001 %) ??ç?? Crosstalk DA: > 110 dB ??ç?? Input/Output level, 0 dBFS @ Hi Gain: +19 dBu ??ç?? Input/Output level, 0 dBFS @ +4 dBu: +13 dBu ??ç?? Input/Output level, 0 dBFS @ -10 dBV: +2 dBV ??ç?? Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz ??ç?? Sample rate externally: 28 kHz - 200 kHz ??ç?? Frequency response AD/DA, -0.1 dB: 5 Hz - 21.5 kHz (sf 48 kHz) ??ç?? Frequency response AD/DA, -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz) ??ç?? Frequency response AD/DA, -1 dB: < 5 Hz - 70 kHz (sf 192 kHz) ??ç?? Accepted power supply voltage DC 8 V - 28 V, AC 8 V - 20 ??ç?? Dimensions 215 x 44 x 130 mm ??ç?? Warranty: 2 years
Discover and share the most famous quotes from the movie Prey (2022).
He has written 17 books, out of which 11 have been adjusted into films.
The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analogue circuitry, new , Extreme Power headphone output and a very special IEM output. It has all the goodies that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal centrepiece from home listening up to studio reference playback. The ADI-2 DAC is the home and hi-fi optimised version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities. The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analogue output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs. The updated ADI-2 DAC uses ESS's ES9028Q2M in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values, and allows the IEM output to reach a sensational low noise level of -121 dBu. In addition, there is +2.5 dB of digital headroom, so that high intersample peaks do not produce any audible distortion. The reserve in volume setting results in a still undistorted analogue output signal even at a volume setting of +2.5 dB. Found Sound Australia Pty Ltd. 110 Albert St Brunswick East, VIC 3057 Australia
The ‘90s was a glorious decade filled with widespread fads that had endearing, yet questionable, attributes. Hats were best worn backwards, denim looked better on denim, and chokers were part of every girl’s outfit. But if you’re a diehard ‘90s…
The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, new MRC remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback.Connectivity and FeaturesRME USB 2.02 x Phones OutputClass Compliant Mode1 x Line Output2 x SPDIF InputRemote1 x Stereo CinchSteadyClock FSDC-coupled OutputsThe ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities.The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs.The DACPacked into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.Improving DAThe updated ADI-2 DAC uses ESS's ES9028Q2M in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values, and allows the IEM output to reach a sensational low noise level of -121 dBu. In addition, there is +2.5 dB of digital headroom, so that high intersample peaks do not produce any audible distortion. The reserve in volume setting results in a still undistorted analog output signal even at a volume setting of +2.5 dB.There are no significant changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. All differences are explained in the detailed manual of the ADI-2 DAC.Super Low Noise for IEM loversThe headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs.Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs.RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!Lights Out!A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off / on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!New extended Multi-Remote Support (MRC)The ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.The ADI-2 DAC remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access to 32 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!Note for owners of the previous remote: the new MRC is also available separately as an accessory. It can be used with all ADI-2 DACs, even older ones, if they are equipped with the latest firmware (at least version FPGA 27, DSP 33).SteadyClock FSThe ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC.With SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS.Bit TestA bit test is used to check the playback path for unwanted changes in the playback data. Playback software can cut bits, add dither, or change the level - without these changes becoming noticed easily. A poorly programmed driver can manipulate bits, and a playback hardware could be both badly designed and defective (hanging bits, swapped bits). Even such features as proper channel assignment, left/right synchronicity and polarity can be tested by a well-made bit test.With a bit test, such errors can be detected and - more importantly - excluded.
The RME ADI-2 DAC FS includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, new MRC remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback. Connectivity and Features RME USB 2.0 2 x Phones Output Class Compliant Mode 1 x Line Output 2 x SPDIF Input Remote 1 x Stereo Chinch SteadyClock FS The ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities. The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs. The DAC Packed into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS. As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface. Improving DA The updated ADI-2 DAC uses AKM's AK4493 in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values. Even the IEM output, with -118 dBu already the world's lowest noise headphone output, improves to a sensational -121 dBu. In addition, there is 4 dB of digital headroom, so that even high intersample peaks do not produce any audible distortion. Finally, the device now also offers a clear reserve in volume setting. +2.5 dB result in a still undistorted analog output signal. All these improvements are completely transparent in the previous menu navigation. There are no changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. The only difference: with 'Low Dispersion' another digital filter is available for selection. Explanations for this filter can be found in the detailed manual of the ADI-2 DAC. Super Low Noise for IEM lovers The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home. Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs. Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs. RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!
Image 2 of 17 from gallery of BF House / OAB + ADI. Photograph by Joan Guillamat
Enjoy the best quotes by Anton Chekhov about writing, life, and love. "No one wants to love the ordinary people in us."
2-channel Digital-to-analog Converter with SteadyClock FS, Extreme Power Headphone Output, Super Low Noise IEM Output, AutoDark Feature, and Remote Control
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The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, new MRC remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback.Connectivity and FeaturesRME USB 2.02 x Phones OutputClass Compliant Mode1 x Line Output2 x SPDIF InputRemote1 x Stereo CinchSteadyClock FSDC-coupled OutputsThe ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities.The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs.The DACPacked into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.Improving DAThe updated ADI-2 DAC uses ESS's ES9028Q2M in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values, and allows the IEM output to reach a sensational low noise level of -121 dBu. In addition, there is +2.5 dB of digital headroom, so that high intersample peaks do not produce any audible distortion. The reserve in volume setting results in a still undistorted analog output signal even at a volume setting of +2.5 dB.There are no significant changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. All differences are explained in the detailed manual of the ADI-2 DAC.Super Low Noise for IEM loversThe headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs.Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs.RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!Lights Out!A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off / on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!New extended Multi-Remote Support (MRC)The ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.The ADI-2 DAC remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access to 32 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!Note for owners of the previous remote: the new MRC is also available separately as an accessory. It can be used with all ADI-2 DACs, even older ones, if they are equipped with the latest firmware (at least version FPGA 27, DSP 33).SteadyClock FSThe ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC.With SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS.Bit TestA bit test is used to check the playback path for unwanted changes in the playback data. Playback software can cut bits, add dither, or change the level - without these changes becoming noticed easily. A poorly programmed driver can manipulate bits, and a playback hardware could be both badly designed and defective (hanging bits, swapped bits). Even such features as proper channel assignment, left/right synchronicity and polarity can be tested by a well-made bit test.With a bit test, such errors can be detected and - more importantly - excluded.
The RME ADI-2 DAC FS includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, new MRC remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback. Connectivity and Features RME USB 2.0 2 x Phones Output Class Compliant Mode 1 x Line Output 2 x SPDIF Input Remote 1 x Stereo Chinch SteadyClock FS The ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities. The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs. The DAC Packed into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS. As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface. Improving DA The updated ADI-2 DAC uses AKM's AK4493 in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values. Even the IEM output, with -118 dBu already the world's lowest noise headphone output, improves to a sensational -121 dBu. In addition, there is 4 dB of digital headroom, so that even high intersample peaks do not produce any audible distortion. Finally, the device now also offers a clear reserve in volume setting. +2.5 dB result in a still undistorted analog output signal. All these improvements are completely transparent in the previous menu navigation. There are no changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. The only difference: with 'Low Dispersion' another digital filter is available for selection. Explanations for this filter can be found in the detailed manual of the ADI-2 DAC. Super Low Noise for IEM lovers The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home. Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs. Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs. RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!
Image 2 of 17 from gallery of BF House / OAB + ADI. Photograph by Joan Guillamat
Enjoy the best quotes by Anton Chekhov about writing, life, and love. "No one wants to love the ordinary people in us."
2-channel Digital-to-analog Converter with SteadyClock FS, Extreme Power Headphone Output, Super Low Noise IEM Output, AutoDark Feature, and Remote Control
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30-Kanaals PCI Express Audio-Interface 192 kHz / 24 bit ADI-2 Pro converter AK5572 en 2 x AK4490 Het volledige analoge ingangsbereik maakt gebruik van het circuitontwerp van de ADI-2 Pro (+24 / +19 / +13 / +4 dBu) Mute-relais ook voor XLR/RCA-uitgangen om ruis te voorkomen bij het inschakelen van de computer Referentieniveau voor de gebalanceerde uitgangen: +24 / +19 / +13 / +4 dBu Referentieniveau voor de ongebalanceerde uitgangen: +19 / +13 / +4 / -2 dBu SteadyClock FS Koptelefoonuitgangsniveau: +19 dBu / +7 dBu (high / low power) 2x Standard D-Sub voor breakout-kabel met 2x Line-input cinch, 2x Line-output cinch Stereo-koptelefoonaansluiting: 6,3 mm Jack AES / EBU SPDIF coaxial MIDI-in- en -uitgang ADAT / SPDIF optische in- en uitgang Word Clock Module (WCM) en breakout-kabel met gebalanceerde XLR connectoren optioneel verkrijgbaar (niet bij de levering inbegrepen) Let op: geen ondersteuning voor optionele AI4S-192/AO4S-192 uitbreidingen van het vorige model RME HDSPe AIO! 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds September 2020 artikelnummer 500503 verkoopseenheid 1 stuk Converter 24 bit/192 kHz Microphone Inputs 0 Phantom power No Number of instrument inputs 0 Line Inputs 2 Digital Inputs ADAT, AES, S/PDIF MIDI interface Yes SYNC Yes Analogue Outputs 2 Digital Outputs ADAT, AES, S/PDIF Headphone jack Yes Zero latency monitoring Yes
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Algemeen Nadat RME in 2016 de Pro-versie van de ADI-2 uitbracht, is hier nu de ADI-2 DAC die een aantal features van zijn Pro-wederhelft heeft geërfd. Zo is de ADI-2 gebouwd op de technologie van de Pro-versie, maar vereenvoudigd. Naast dat de AD-conversie van studiokwaliteit is, is met de ADI-2 DAC nu ook meer tegemoet gekomen aan HiFi-gebruikers. Dit betekent dat naast twee exceptioneel goede hoofdtelefoonuitgangen en een afstandsbediening nu ook een heuse IEM-uitgang beschikbaar is. Het lage ruisgehalte van de IEM-uitgang van ADI-2 DAC is voor de audiofiele luisteraar ultiem. Tevens is de DAC uitgerust met een functie genaamd 'AutoDark'. Wanneer ingeschakeld, gaat alle LED-verlichting uit na 10 seconden wanneer er geen handelingen zijn van de gebruiker. Geen afleiding dus tijdens luistersessies! Bovendien is de DAC uitgerust met SteadyClock FS. De zogenaamde 'jitter' wordt verworpen en de digitaal-naar-analoog conversie is te vergelijken met die van mastering clocks. Tips of opmerkingen over dit product Let op: Het gaat hier om de RME ADI-2 DAC-editie met de originele afstandsbediening.
High-End AD/DA Wandler & Kopfhörerverstärker: High-End AD/DA-Wandler in professioneller Studioqualität Doppelter Kopfhörerverstärker in echter High-End-Qualität 2-AD/4-DA 768 kHz Multiformat-Konverter (AES, SPDIF, ADAT) mit Monitoring DSD-Aufzeichnungs- und Wiedergabelösung SPDIF/ADAT-Wiedergabesystem Klassenkonformer Modus SteadyClock FS Inkl. Fernbedienung DC-gekoppelte Ausgänge Maße: 215 x 44 x 160 mm Gewicht: 1,2kg Das RME ADI-2/4 Pro SE ist aus der Weiterentwicklung der preisgekrönten ADI-2-Serie entstanden. Neben einer neu entwicklelten Platine, verbesserten Spezifikationen und schnellerem DSP bietet der Hochleistungswandler extrem leistungsstarke Kopfhörerverstärker , eine extrem rauscharme 4,4-mm-Pentaconn-symmetrische Verbindung, eine Trigger-Out-Funktion zum Ein- und Ausschalten externer Geräte sowie einen RIAA-Modus zum direkten Digitalisieren von Schallplatten in höchster Qualität. Der Hochleistungswandler ist ein 2-Kanal-Analog-Input-to-Digital- und 4-Kanal-Digital-to-Analog-Output-Konverter , verbaut in einem stabilen Gehäuse. Ein leistungsstarker DSP fügt alle Arten nützlicher Audioverarbeitung hinzu, von parametrischem 5-Band-EQ, schneller Bass-/Höhenanpassung bis zu einem neuen Konzept in der Lautstärkeregelung. Das ADI-2/4 Pro SE ist mit leistungsstarken Kopfhörerausgängen ausgestattet. Alle drei Kopfhörerausgänge verfügen über Stummschaltrelais , Steckererkennung und DSP-Steuerung wie automatische Lautstärkezuweisung, Lautstärkeerhöhung und einiges mehr. Der neuste True Balanced Mode von RME realisiert dabei einen symmetrischen Kopfhörerbetrieb unabhängig von den XLR-Ausgängen. Im True Balanced Modus steigt der maximale Ausgangspegel des ADI-2/4 Pro SE auf +7 dBu für IEM, +13 dBu für Low Power, +25 dBu für High Power. Das Signal-Rausch-Verhältnis bleibt unverändert. Die grafische Bedienoberfläche mit hochauflösendem IPS-Panel erleichtert die Bedienung und zeigt zahlreiche Funktionen übersichtlich an. Im Lieferumfang ist ein externes Schaltnetzteil enthalten, ein USB-Kabel und ein digitales Breaktout-Kabel sowie eine Fernbedienung , die eine umfassende Steuerung ermöglicht. Anschlüsse: 2 x Phono/Line-Eingang 1 x ADAT-E/A 1 x SPDIF-E/A 1 x AES-E/A RME-USB 2.0 1 x Telefone oder symmetrische Pentaconn 4 x Line-Ausgang + keepdrum Mikrofasertuch: Entfernt effektiv Fingerabdrücke, Öl-Schmierer, Staub und Schmutz Reinigt schonend, streifen- und fusselfrei Ideal für Smartphones, Tablets, Bildschirme, Musikinstrumente, Brillen uvm. Gezackter Rand verhindert Ausfransen Lieferumfang: RME ADI-2/4 Pro SE Fernbedienung Externes Schaltnetzteil Digitales Breakout-Kabel USB Kabel keepdrum Mikrofasertuch.
Algemeen Deze remote, met zijn 22 knoppen voor het toewijzen van functies, is geschikt voor de ADI-2 DAC FS en ADI-2 Pro FS R Black Edition converters. De duidelijke labels en en is zelfs bij niet-optimale lichtcondities uitstekend leesbaar. Perfecte ergonomie en een duidelijke indeling van de knoppen maken deze remote bijzonder toegankelijk en gebruiksvriendelijk. Ook zal de remote niet storen op andere apparatuur in je huishouden. Een aantal knoppen zijn programmeerbaar waardoor er maar liefst 52 verschillende functies zijn toe te wijzen voor een maximale flexibiliteit. Deze remote is te gebruiken als reserve afstandsbediening of als vervangende remote voor de genoemde converters.
