135 appearance(s) of Melinda May (Earth-199999) 3 appearance(s) in handbook(s) of Melinda May (Earth-199999) 1 minor appearance(s) of Melinda May (Earth-199999) 2 mention(s) of Melinda May (Earth-199999) 99 image(s) of Melinda May (Earth-199999) 5 quotation(s) by or about Melinda May (Earth-199999) 5 victim(s) killed by Melinda May (Earth-199999) Melinda May on Wikipedia.org
Ramblings, Reblogs, and Renner. (And other Avengers, Trek, and fandom related nonsense. Especially if it concerns hot guys who may or may not be shirtless.) I'm currently shipping C/C. Fervently. My fic is at AO3.
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The Fourth Generation Three Generations Grace Revisited In Her Loving Arms I In Her Loving Arms II In My Footsteps Baby’s Breath Tea Party Romance Novel Sister’s Bible Study When I Grow…
ARTIST MELINDA TIDWELL BUNNY CIRCLES 2 MIXED MEDIA COLLAGE MODERN LIBRARY MIXED MEDIA COLLAGE BESSIE LANGFORD BOOK OF CHANGES 2013 BUILD BOOST MAKE MIXED MEDIA COLLAGE 120218: THE THEORY OF KNOWLEDGE OK CLASSICS SUMMER READING NUMBER 2 EDSEL FICTION PLANET FASCINATING PROTRACTED INVESTIGATION RETURNING TO THE PRESENT THE MEMORY STARTS HERE BOOKSHOP WEBSTERS RASTA ARTIST MELINDA TIDWELL Melinda was born in 1959, in a small town in the Rocky Mountains of northern Utah. She attended university in Salt Lake City and graduated with honors in Mathematics. Her first career, in computer graphics, was an ideal blend of the mathematical and the visual. Her lifelong interest in abstraction and visual language now finds expression in her work as a fine artist. Melinda lives in the Santa Fe, New Mexico with her husband, two cats and two dogs. http://melindatidwell.com/bio ARTIST STATEMENT My work begins with the formal aspects of design and a fascination with the balance of visual elements in composition. Using simple geometric shapes and rectilinear alignments, I focus on the coherence and juxtaposition of color, pattern, placement and size. My background in mathematics, computer graphics, and design informs my predilection for the geometric. this rational foundation serves as the basis for my departure into what is not rational: the way colors activate each other, how size and position muddle or enhance visual unity, the simple grace of worn and tattered surfaces. The picture plane becomes a dialogue of vibrant, abstract voices unifed by a logic one can feel but not fully understand. This, to me, is wonderfully mysterious and enlivening. Using discarded books as my primary material adds both seriousness and levity to my work. I like working with words, pieces of text, the odd string of numbers. Cut away from their original context, they operate as texture and shape and also as a kind of code, or pieces of memory. The abstraction of this information into bits of non-sense, hopes to tease the mind into the wilder lands of free association and one’s own imagination. The peculiar sensation of a world slightly askew gives me no end of delight. http://www.asgallery.com/Melinda%20Tidwell/melindatidwellst.php
by Millie Clinton
