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Bring a new look to your walls; wallpapers come in a range of patterns and colors, so it is easy to find one that suits the style of any room.
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Description The first 3 outfits from the character sheet commission for Lucki13ear! It was really cool to design some outfits for her OC Lea I´m always open for outfit sheet commissions! Send me a note if you´re interested!
Aloïse Corbaz, known as Aloïse (1886 - 1964), was born in Lausanne (Switzerland) to a large family of modest means; at thirteen, she lost he
O literárním díle brněnského malíře a sochaře Aloise Mikulky, jednoho z nejpopulárnějších ilustrátorů knih pro děti.
Food tour guide Lauren Aloise from Devour Madrid Food Tours shares her personal favourite foodie spots in Madrid.
Oficiální popis TV Barrandov: Nová zábavná show Josefa Aloise Náhlovského, Josefa Mladého, Miloše Knora a Petra Vydry. Humor od první do poslední minuty tak,...
Oryginalne schronisko z wieżą widokową zostało zbudowane w 1893 roku. Niestety nie było w stanie pomieścić wszystkich gości, dlatego z okazji 70-lecia urodzin pisarza Aloise Jiraska w 1921 roku położono...
Praha/Ostrava - V závěru minulého roku zemřel v 96 letech Alois Denemarek, soused a kamarád Jana Kubiše. Byl aktivním členem domácího odboje a jeho rodina schovávala parašutistu Františka Pospíšila. „Odešel poslední žijící aktér období, které označujeme jako heydrichiáda,“ uvedl historik Jaroslav Čvančara. Denemarkovy poválečné osudy byly neméně dramatické, komunistický režim ho pronásledoval a odseděl si dva roky ve vězení. Život se nemazlil ani s jeho nejbližšími - jeho rodiče zahynuli v koncentračních táborech a jeho bratra popravili. Portrét Aloise Denemarka s názvem Šil jsem u Kubiše, který vznikl v Televizním studiu Ostrava, mohou diváci vidět v sobotu 4. 1.2014 ve 14:45 na ČT2.
Nick Blinko draws intensely dense and detailed compositions of faces, figures and obsessive patterns, which at times also incorporate fragmented phrases. Diagnosed as suffering from schizophrenia, and in the past hospitalized, Blinko creates his pictures when not taking therapeutic medication that adversely affects his ability to work. His art conjures a nightmarish, anxiety-ridden world where inner demons might be exorcised through repetitive graphic marks. Out of thousands of tiny flecks and dashes emerge elaborate visions of skeletons, mysterious symbols and religious figures. Reminiscent of the macabre images of Goya or James Ensor, Blinko creates a personal iconography that evokes the magic and menace of a rich imagination. Blinko's artwork is currently included in a major touring show 'Ecriture en Delire'. After traveling from The Collection de l'Art Brut this exhibition will be displayed at the Museum Halle Saint Pierre, Paris, then on to Gand in Belgium, at the Museum Dr Guislain, from November 2006 to May 2007. Other prominent outsider artists featured are Aloise, Carlo, Adolf Wolfli and Henry Darger. His work is represented in The Collection de l'Art Brut, Lausanne and The Outsider Collection and Archive, London
(Paris c. 1600–1669 Turin) Portrait of Electress Henriette Adelheid of Bavaria, née Princess of Savoy, oil on canvas, 96 x 77 cm, framed We are grateful to Arabella Cifani for confirming the authenticity of the present painting. A certificate is available. In 1637, Philibert Torret was called to the court of Turin by Charles Emmanuel I of Savoy. He painted elegant portraits of the members of the royal family in the international Baroque style. The present painting depicts one of the most prominent electresses in Bavarian history of whom surprisingly few contemporary portraits have survived. On 8 December 1650, Henriette Adelheid was married by proxy to Prince Ferdinand Maria of Bavaria, heir to the throne and future elector, in a festive ceremony in the cathedral of Turin, with her brother, Charles Emmanuel II, stepping in for the absent bridegroom. The marriage had been initiated by Cardinal Mazarin, who, in 1647, had suggested the wedding project in a message to the Bavarian envoys present at the Spanish court. For a long time, the princess’s mother had hoped that Henriette Adelaide would marry the French crown prince, the future king Louis XIV. Before the marriage settlement was signed on 14 May 1650, the Munich court had collected detailed information about the Savoyan ducal family via their spy Ferdinando Egartner, who had been sent to Turin under the name of Aloise Rizzi. These secret reports, which also confirmed Henriette’s legendary beauty, prompted the Bavarian elector Maximilian I to insist on his son’s marrying Henriette Adelheid instead of her sister, Margherita. Due to his father’s early death, Ferdinand Maria succeeded him as Elector of Bavaria only one year after the wedding, so that Henriette Adelheid became the electress of a country she had never set foot on by then. On 25 June 1652, the couple was married again in Munich. Adelheid was an important advisor of her husband. She was prominently involved in the construction of Nymphenburg Palace and of the Theatine Church and invited foreign artists to the Munich court. Adelheid also strongly influenced Bavaria’s policy in favour of France, which finally resulted in an alliance between Bavaria and France against the House of Habsburg. The festivities she organised were famous for their great splendour.
