Robert Motherwell Motherwell / Frankenthaler home 1967 via Wary Meyers Robert Motherwell and Myron Stout Robert Motherwell via A Long Time Alone Motherwell home via Divine Distractions Robert Motherwell via A Long Time Alone Robert Motherwell via A Long Time Alone Robert Motherwell via A Long Time Alone Robert Motherwell Robert Motherwell Robert Motherwell via A Long Time Alone Robert Motherwell Robert Motherwell via The Jewish Museum Abstract Expressionist painter and printmaker, Robert Motherwell (1915 - 1991)--husband of Helen Frankenthaler--
Stanley Spencer, (English painter, 1891 – 1959) Workmen in the House 1935 Stanley Spencer, (English painter, 1891 – 1959) Workmen in the House 1935 Stanley Spencer painted men working for decades. He was an Official War Artist in both World Wars. His great cycle of wall paintings in the National Trust Sandham Memorial Chapel, Burghclere commemorate his experiences in the RAMC and infantry during the First World War. Stanley Spencer, (English painter, 1891 – 1959) Shipbuilding on the Clyde The Imperial War Museum in London loaned paintings to augment an exhibition of Stanley Spencer's series on WWII British shipbuilding in 2012. An introduction to the exhibition written by Stanley Spencer Gallery's Curator, Carolyn Leder, explains... Stanley Spencer, (English painter, 1891 – 1959) Garage 1929 In 1939, Spencer urged his dealer Dudley Tooth to find him 'a war job, some sort of official art employment.' The art market was slack and as Tooth noted Spencer was 'terribly in debt all round'. On Tooth's writing to Sir Kenneth Clark, Director of the National Gallery, and Chairman of the War Artists' Advisory Committee (WAAC) under the Ministry of Information, Spencer was interviewed and appointed. His initial suggestion of a Crucifixion with predella panels to show the Nazi conquest of Poland was rejected. Stanley Spencer, (English painter, 1891 – 1959) Instead, he agreed to depict a shipyard, paying his first visit to the suggested 'Kingston' yard, owned by Sir James Lithgow, at Port Glasgow on the river Clyde in May 1940. He responded to the place with enthusiasm...The strong sense of community reminded him of Cookham: 'many of the places in and corners of Lithgow's factory moved me in much the same way as I was by rooms in my childhood.' Stanley Spencer, (English painter, 1891 – 1959) During WWII, Spencer depicted all the major trades involved in the building of the ships, including developments in technology, such as the use of welding, which gradually superseded riveting as a method of joining steel plates...They fully engaged his creative imagination: 'The point is that whatever may be thought of these shipbuilding pictures of mine, I am much moved by what I see up here and experience joy in attempting to express the feeling I have about it all…' Stanley Spencer, (English painter, 1891 – 1959) The Builders Stanley Spencer, (English painter, 1891 – 1959) Plumbers Stanley Spencer, (English painter, 1891 – 1959) Laundry Stanley Spencer, (English painter, 1891 – 1959) Filling Tea Urns Stanley Spencer, (English painter, 1891 – 1959) Shipbuilding on the Clyde Burners Stanley Spencer, (English painter, 1891 – 1959) Shipbuilding on the Clyde Riveters 1946 Stanley Spencer, (English painter, 1891 – 1959) Shipbuilding on the Clyde Riveters Stanley Spencer, (English painter, 1891 – 1959) Shipbuilding on the Clyde Welders Stanley Spencer, (English painter, 1891-1959) Mending Cowls, Cookham 1915 Stanley Spencer, (English painter, 1891-1959) Bedmaking 1927-32
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Refreshing greens for a summer day... Above: Sonia Delaunay, watercolor on paper, 1924 Above: Henri Matisse "Trivaux Pond" 1916/1917, Collection of the Tate Museum Above: Henri Matisse "Seated Nude" 1925, Private collection, photograph by Marina Schinz Above: Richard Serra "Untitled" 1971, Private collection, photograph by Marina Schinz Above: by Lucio Fontana, Concept Spatiale. Above: Via bldgspace Above: Henri Matisse "Laurette in a Green Robe (Black Background)", 1916, Metropolitan Museum Above: Cy Twombly "Untitled Parts III and IV" 1988, oil and water based paint on wood panel. Above: From World of Interiors "The House of Whispers". Located in Tangier, designed by architect Roberto Peregalli. Photo by Roland Beaufre. Above: Gustav Klimt "Pond at Schloss Kammer on the Attersee", 1909, Private collection Above: Peacock Above: Joan Mitchell "After April, Bernie", 1987 Above: Claude Monet, "Water Lilies", 1906, Collection Art Institute of Chicago Above: Photo by Miguel Flores-Vianna Above: Mossy forest Above: David Hockney painting in Woldgate Wood, East Yorkshire, May 17 2006. Photo by Jean-Pierre Goncalves Above: Neil Jenney "Here and There", 1969 Above: Pages from E. Seguy's "Code Universal Des Couleurs" Above: Fibers dyed by Australian botanical alchemist India Flint. Above: Weaving made from Liriope strands and string Above: Alice Neel "Priscilla Johnson", 1966, Collection The Speed Art Museum. Above: Paul Gauguin "Still Life With Three Puppies", 1888 Above: Freshly picked olives in a bucket Above: Kitchen in Senegal Above: Maira Kalman from her NY Times blog "And the Pursuit of Happiness". Above: Pablo Picasso, "Green Still Life", 1914 Above: Joan Miro, "Gentleman", 1924 Above: "Green Interior", 2002, photo by Michael Eastman Above: Attributed to Fyodor Petrovich Tolstoy (1783-1873), "Interior with Woman Sewing", 1820s. From the Metropolitan Museum Show "Room With a View, The Open Window in the 19th Century". Above: Attributed to Martin Drolling (1752-1817), "Interior With View of Saint Eustache", 1810. From the Metropolitan Museum Show "Room With a View, The Open Window in the 19th Century". Above: Balenciaga Salon photographed by Mark Shaw, 1954 Above: Kees van Dongen "Lady in a Black Hat", 1908 Above: Piece by Eileen Quinlan Above: Green mineral found on tumblr Above: Helen Frankenthaler "Spring Veil" 1986, Etching, aquatint, and drypoint on paper. Above: Aurora Borealis Above: Reinhard Pantke, Iceland Above: James McNeill Whistler, "Nocturne: Blue and Gold - Old Battersea Bridge", 1872-1875 Above: Sir John Everett Millais (1829-1896), " Ophelia", 1852, Collection Tate Museum Above: James McNeill Whistler, "Nocturne in Black and Gold: The Falling Rocket" 1875 Above: Peter Doig "Grande Riviere", 2001-2002 Detail Above: Milton Avery "Dog by the Sea", 1941 Above: Claude Monet "The Green Wave" 1866-67, oil on canvas, collection Metropolitan Museum. Above: Edouard Manet "The Balcony" 1868-1869 Above: Canal in Amsterdam Above: Bamboo forest in China Above: Villa hotel Dar Louisa, Palmeraie area, Marrakech, Morocco Above: Ken Price from show at Brooke Alexander April 2010 Above: Maira Kalman from her NY times blog "And the Pursuit of Happiness" Above: Maira Kalman, from her NY Times blog "And the Pursuit of Happiness". Above: Charles Burchfield "Road and Sky", 1917 Above: Sheila Hicks, "Fallen Tree, Floating (green, gold)", 2009 Cotton, silk Above: Henri Matisse detail from "The Eskimo" 1947, gouache on paper.
Tra Design, moda e artigianato. La Wiener Werkstatte e la Secessione viennese. Oggi voglio portarvi un po’ indietro nel tempo e catapultarvi in un mondo in pieno fermento artistico, un ambien…
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Spring & Summer are the perfect time to celebrate the rebirth of Earth's Beauty & Bounty. Flowers gave beauty & inspiration to mankind's basic struggle to live & to populate & to protect his home-base, The Earth. Holding on to The Sweet Divine - The Lord God took man & put him in the Garden of Eden to work it & to keep it...Genesis 2:15. The expression came into popular modern use in the 1960s & is a rephrasing of a sentiment found in an autobiography written by the golfer Walter Hagen: “Don’t hurry. Don’t worry. And be sure to smell the flowers along the way.”
I love me some some Herbert Bayer. Everyone knows his seminal Bauhaus graphic and photo work, and as great as that material is, ...
Mark Rothko. Orange, Red, Orange. Oil on paper. Mark Rothko. Untitled. Oil on canvas. Mark Rothko. White stripe. Oil on canvas. Mark Rothko. Untitled. Oil on canvas. Mark Rothko. Mauve and Orange. …
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Mark Rothko. Orange, Red, Orange. Oil on paper. Mark Rothko. Untitled. Oil on canvas. Mark Rothko. White stripe. Oil on canvas. Mark Rothko. Untitled. Oil on canvas. Mark Rothko. Mauve and Orange. …
In the late 1960s and 70s, America’s big corporations could see the psychedelic writing on the wall and they knew they had to do something. A wave of psychedelia was taking over pop culture and the LSD-infused hippie aesthetic was huge. The influence of drug culture on some of the most iconic brands saw everyone…
