A random survey of self-portraits created by women through the centuries American photographer Imogen Cunningham (1883-1976) 1. Self portrait, c.1910 / Gelatin silver print / National Galleries of …

fawnvelveteen: Frida Kahlo by Imogen Cunningham, 1931

Photograph by Imogen Cunningham (1883-1976). For more on this photographer and her work, see www.imogencunningham.com/.

Exhibition dates: 8th March – 12th June 2022 Imogen Cunningham (American, 1883-1976) On Mount Rainer 1915 Platinum print 18.4 × 23.4cm (7 1/4 × 9 3/16 in.) Getty Museum © Imogen…

Exhibition dates: 18th September 18 2012 – 20th January 2013 Imogen Cunningham exhibition poster This is the first posting on one of my favourite photographers of …

En el cuarenta aniversario de su muerte, dos exposiciones –una de ellas en Madrid– celebran la extensa obra de Imogen Cunningham (1883, Portland, Oregon-1976, San Francisco), una de las fotógrafas fundamentales del siglo XX.

Through the Tree, Humboldt, 1968 Dorothea Lange and Paul Taylor 2, 1939 Tuberose, 1920s Aiko's Hands, 1971 Brett Weston, 1922 Water Hyacinth, 1920s Roi Partridge and Horse's Skull, 1975 Calla Leaves, late 1920s Two Girls in Shadows, 1944 Ruth Asawa, Sculptor, 1963 Stapelia Flower, 1928 Stuart…

Showcasing the range of photographer Imogen Cunningham (1883–1976), this exhibition displays about 35 works from the Lane Collection and the MFA’s own holdings. A major figure in 20th-century American photography, Cunningham was a co-founder of Group f/64, joining forces with Edward Weston, Ansel Adams, and other San Francisco Bay Area photographers who shared an aesthetic of sharply-focused images and natural subjects.

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Showcasing the range of photographer Imogen Cunningham (1883–1976), this exhibition displays about 35 works from the Lane Collection and the MFA’s own holdings. A major figure in 20th-century American photography, Cunningham was a co-founder of Group f/64, joining forces with Edward Weston, Ansel Adams, and other San Francisco Bay Area photographers who shared an aesthetic of sharply-focused images and natural subjects.

1883–1976 Agave Design, 1920 Gelatin silver print 9½ × 7½ in | 24 × 19 cm

When I was researching this list and considering the history of photography in Seattle, I immediately thought of Imogen Cunningham. Born in Portland in 1883, Cunningham came to Seattle in the first years of the 1900s to attend the University of Washington. When she graduated, in 1907, she went to work in the local studio of Edward Curtis. Curtis was a prominent shooter, and the job was a plum beginning for an aspiring photographer. But...

Stay up to date with Imogen Cunningham (American, 1883 - 1976) . Discover works for sale, auction results, market data, news and exhibitions on MutualArt.

Showcasing the range of photographer Imogen Cunningham (1883–1976), this exhibition displays about 35 works from the Lane Collection and the MFA’s own holdings. A major figure in 20th-century American photography, Cunningham was a co-founder of Group f/64, joining forces with Edward Weston, Ansel Adams, and other San Francisco Bay Area photographers who shared an aesthetic of sharply-focused images and natural subjects.

An exhibit of photos from '60s-era Paris opens this Saturday at the Harvey Milk Photo Center.

Few women chose to become photographers at the beginning of the 20th century, yet Cunningham’s images – from female nudes to Hollywood portraits – smoothed the way for countless female artists that followed

liquidnight: “Imogen Cunningham Veiled Woman, 1910-1912 From Imogen Cunningham 1883 - 1976 ”

Imogen Cunningham, (12 de abril de 1883 - 24 de junio de 1976) fue una fotografa americana. Se inicio muy joven, en 1901, en la tecnica fotografica, capacitandose en quimicos, sobre todo en platinotipia y en el retoque de fotografias mientras trabajaba para Edward Sheriff Curtis y luego con una beca en la Escuela Superior de Dresde. En 1910, luego de recibir influencias de Alvin Langdon Coburn y Alfred Stieglitz, abre su propio estudio en Seattle y se convierte en fotografa profesional, obteniendo rapidamente el reconocimiento publico por la calidad de su trabajo, mayormente de estilo pictorialista. En los años 20, su estilo evoluciono, con mas preocupacion por el detalle y fotografiando temas botanicos, fundamentalmente flores. En los años 30, sus intereses volvieron a cambiar y se dedico al cuerpo humano, fundamentalmente manos. Trabajo en esos años para Vanity Fair. En los años 40, siempre en evolucion, se dedico a la fotografia de calle y ocupo un puesto en la California School of Fine Arts. Desde 1913, año de su primera exposicion, no paro de trabajar y exponer hasta su muerte en 1976. Su popularidad se mantiene intacta hasta la fecha, con una posicion destacada entre los grandes maestros de la fotografia.

Through the Tree, Humboldt, 1968 Dorothea Lange and Paul Taylor 2, 1939 Tuberose, 1920s Aiko's Hands, 1971 Brett Weston, 1922 Water Hyacinth, 1920s Roi Partridge and Horse's Skull, 1975 Calla Leaves, late 1920s Two Girls in Shadows, 1944 Ruth Asawa, Sculptor, 1963 Stapelia Flower, 1928 Stuart…