Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 7 also. This is part 8 of a 10-part series on the works of J. C. Leyendecker: 1940 The Saturday Evening Post December 21 1940 1942 "Baby New Year at War" The Saturday Evening Post January 2 1943 1941 "No Trespassing" The Saturday Evening Post January 3 1942 1944 U.S.A War Bonds poster 1946 Thanksgiving American Weekly magazine November 24 1946 1947 "Father's Day" The American Weekly June 15 1947 1947 "Memorial Day" The American Weekly May 25 1947 1947 "Thanksgiving" The American Weekly November 23 1947 1948 "Easter" The American Weekly March 28 1948 1948 "Thanksgiving 1648" The American Weekly November 21 1948 The American Weekly November 21 1948 1948 The American Weekly December 19 1948 1949 "Thanksgiving" The American Weekly November 20 1949 Note: I do not have dates for the remainder of the images in this series. A Real Happy New Year Arrow Collar Company study Arrow Collar Company Arrow Collar Company Arrow Collar Company Arrow Collar Company Arrow Collar Company Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts artwork Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts artwork Arrow Collars and Shirts artwork Arrow Collars and Shirts Arrow Collars and Shirts for Dress Arrow Collars Hampton's Magazine Advertiser Arrow College Shirts artwork Arrow College Shirts Arrow Dress Collars and Shirts Arrow Silk Shirts and Arrow Collars Boys of Summer Caught in the Act of the Plan artwork Chesterfield Cigarettes Christmas Cluett Shirts Collier's magazine Cream of Wheat Downed lithograph 71.1 x 55.9 cm Drum Major artwork oil on canvas 67.3 x 52.1 cm The Saturday Evening Post Drum Major studies oil on canvas 67.3 x 52.1 cm The Saturday Evening Post Gillette Razors lithography on die-cut tin hanging sign
In December of 1950, Saturday Evening Post cover artist J.C. Leyendecker outlined his basic method in a letter to a student. “My first step...
Joseph Christian Leyendecker was a German-American illustrator. He is considered to be one of the pre-eminent American illustrators of the early 20th century. Leyendecker was born on March 23, 1874, at Montabaur in Western Germany, a tiny village 18km east of the Rhine. In 1882, the Leyendecker family emigrated to Chicago, Illinois. After working in late adolescence for a Chicago engraving firm, J. Manz & Company, and completing his first commercial commission of sixty Bible illustrations for th
Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators
3 Mar — 16 Apr 2017 at the J. Cacciola Gallery W in Bernardsville, United States
MY BRAND PROMISE I am a US-based painter. (Most sellers use artists in Eastern Europe or China) Every portrait is painted by me, A.J. Alper (Some sellers farm out the work) Each portrait is produced in oils by hand. No digital processing or printing is used in my work (Not true with most sellers) Every portrait comes with a 100% money-back guarantee (I stand behind my work) I use quality archival materials in my portraits (The work is intended to last centuries) 100% GENUINE HAND-PAINTED PORTRAIT Every one of my paintings is produced with oil paint, painted on a blank surface. No printing, digital painting, or photocopying process is used. Watch the video in this listing and see for yourself. If you are looking for a 100% Genuine Hand Painted Portrait, you have come to the right place. Unfortunately, most portrait artists on Etsy are just printing digitized photos, with a filter applied to look like a watercolor or oil painting. Etsy allows them to advertise as handmade. They are neither paintings or handmade. HOW I PAINT I use a traditional oil painting technique called "alla prima" which captures the sense of spontaneity of the oil painting process. Simply, it means that the brushwork and the process of painting is evident in the finished product. It looks like a painting because you can see the paint and brushstrokes I paint on gesso primed archival panels, using time-honored materials and techniques. I don’t use photomechanical techniques to create something that looks like a painting. I draw and paint from the photo resource, which is a refined skill that takes decades to develop and is slow to produce the finished work. What you receive is a product that is produced in the same manner as portraits that you would find in a museum, thus having lasting value. WHICH PHOTOS CAN WORK I can work from all types of photos, including selfies and family photos. Photos need to be at least well-lit and clear enough to see small facial features. If you aren't sure, just send it to me, and I will let you know. CHOOSING THE SIZE I paint at life-size so please see the size scale on the second slide for size considerations. The smallest size is just the face and the largest size is the head, neck, shoulders, and torso. Contact me and I will show you a mock-up of different sizes. HOW LONG DOES A PORTRAIT TAKE? It takes about a month between receiving reference photography till shipping the finished artwork. I am often overbooked and I am a one-artist shop, so please let me know if your request is time sensitive and I will let you know what is possible. FRAMING SERVICE If you would like to have your portrait framed and ready to hang, please let me know. I have a wide range of styles to choose from. I would be happy to give you a quote for the size of your portrait. QUALITY SERVICE I develop a relationship with my clients so that what I am creating meets your needs. If you have any questions regarding a commission, please ask me. I will be happy to clarify any information. ADDITIONAL NOTE: Some countries charge additional tariffs and taxes in customs. Please be aware of those additional costs when purchasing.
Начало здесь . J.C. LEYENDECKER American Art Archives Today’s Inspiration A Different Drummer Vintage et cancrelats Erik Johnson Illustrator Clinton T. Hobart Midnight Pine Large Size Paintings The Arting Blog Comics Book Stories The Saturday Evening Post The Pictorial Arts
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 3 also. This is part 4 of a 10-part series on the works of J. C. Leyendecker: 1918-19 Kuppenheimer Clothing Style Booklet 1918c Order Coal Now lithographic poster 1919 "April" The Saturday Evening Post April 5 1919 1919 "Lifeguard" The Saturday Evening Post August 23 1919 1919 "Thanksgiving" The Saturday Evening Post November 29 1919 1919 Chesterfield Cigarettes 1919 Chesterfield Cigarettes 1919 The Saturday Evening Post May 10 1919 artwork 1919 The Saturday Evening Post May 10 1919 1919 The Saturday Evening Post WW1 Soldier and Civil War Veteran 1920 "Easter 1920" The Saturday Evening Post April 3 1920 1920 "Graduate" oil on canvas 61.6 x 50.8 cm The Saturday Evening Post June 5 1920 The Saturday Evening Post June 5 1920 1920 "The Candidate" The Saturday Evening Post oil on canvas 71.1 x 55.9 cm 1920 Arrow Shirts The Saturday Evening Post November 16 1929 1920 Kuppenheimer Clothing artwork 1920 The Saturday Evening Post July 3 1920 1920 The Saturday Evening Post December 25 1920 1920 The Saturday Evening Post November 27 1920 artwork 1920 The Saturday Evening Post November 27 1920 1920c Arrow Shirts 1920c Kuppenheimer Good Clothes oil on canvas laid on board 67.9 x 50.8 cm 1920s Arrow Dress Collars and Shirts 1920s Arrow Dress Collars and Shirts study 1921 "1922" The Saturday Evening Post December 31 1921 artwork 1921 "1922" The Saturday Evening Post December 31 1921 1921 Interwoven Socks advertisement 1921 Interwoven Socks The Saturday Evening Post June 4 1921 1921 Kuppenheimer Clothing The Saturday Evening Post October 8 1921 1921 Kuppenheimer Clothing The Saturday Evening Post August 13 1921 1921 Kuppenheimer Clothing The Saturday Evening Post April 23 1921 1921 Kuppenheimer Good Clothing 1922 "Easter" The Saturday Evening Post April 15 1922 1922 "Thanksgiving" The Saturday Evening Post November 25 1922 1922 Kuppenheimer Clothing The Saturday Evening Post September 9 1922 1922 Kuppenheimer Clothing The Saturday Evening Post February 25 1922 1922 Kuppenheimer Clothing 1922 The Saturday Evening Post October 14 1922 1922 The Saturday Evening Post December 23 1922 1922 The Saturday Evening Post December 23 1922 1922 The Saturday Evening Post June 24 1922 1923 Kuppenheimer Good Clothes oil on canvas 71.1 x 53.3 cm The Saturday Evening Post June 14 1923 1923 The Saturday Evening Post October 6 1923 1923 The Saturday Evening Post March 17 1923 artwork 1923 The Saturday Evening Post March 17 1923 1923 The Saturday Evening Post December 22 1923 artwork 1923 The Saturday Evening Post December 22 1923 1923 The Saturday Evening Post August 25 1923 artwork 1923 The Saturday Evening Post August 25 1923 1923 The Saturday Evening Post October 27 1923 1923 "Easter" The Saturday Evening Post March 31 1923 Easter artwork 1923 "Easter" The Saturday Evening Post March 31 1923 1923 The Saturday Evening Post June 2 1923 studies 1923 The Saturday Evening Post June 2 1923
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 9 also. This is part 10 of a 10-part series on the works of J. C. Leyendecker: Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing oil on canvas laid on panel 76.2 x 54.6 cm Kuppenheimer Clothing studies Kuppenheimer Clothing studies Kuppenheimer Clothing studies Kuppenheimer Clothing study Unknown Unknown Unknown Unknown Unknown study Unknown Unknown Unknown artwork Unknown artwork Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown study Unknown study Unknown Unknown Unknown Unknown Sailor Girl oil on canvas laid on board 58.4 x 50.8 cm Soldier at Home oil 48.3 x 48.3 cm Studies Study Studies Studies Studies Study Studies Studies Study Study Study The Consolation oil on canvas The Pierce-Arrow Motor Car Company U.S. Navy Recruitment Poster oil on canvas 101.4 x 71.1 cm U.S. Navy Recruitment Poster WW2 General
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 5 also. This is part 6 of a 10-part series on the works of J. C. Leyendecker: 1929 Kuppenheimer Clothing 1929 Kuppenheimer Clothing 1929 "June" oil on canvas The Saturday Evening Post June 8 1929 1929 "June" The Saturday Evening Post June 8 1929 detail 1929 "June" The Saturday Evening Post June 8 1929 1929c Arrow Shirts 1930 "1776" The Saturday Evening Post June 28 1930 1930 "Easter" artwork The Saturday Evening Post April 19 1930 1930 "Easter" The Saturday Evening Post April 19 1930 1930 "Forging a New Year" 1931 oil on canvas 81.3 x 61 cm The Saturday Evening Post December 27 1930 National Museum of American Illustration, Newport, Rhode Island The Saturday Evening Post December 27 1930 1930 "Tally Ho" Kuppenheimer Clothing 1930 Kuppenheimer Clothing The Saturday Evening Post April 12 1930 1930 The Saturday Evening Post December 20 1930 1930 The Saturday Evening Post July 26 1930 1931 "1776" The Saturday Evening Post July 4 1931 1931 "Queen of Spring" oil on canvas The Saturday Evening Post May 23 1931 1931 "Queen of Spring" The Saturday Evening Post May 23 1931 studies 1931 "Queen of Spring" The Saturday Evening Post May 23 1931 1931 "Yule" The Saturday Evening Post December 26 1931 1931 The Saturday Evening Post March 14 1931 1931 The Saturday Evening Post November 28 1931 1932 "1933" The Saturday Evening Post December 31 1932 1932 "September Morn" The Saturday Evening Post September 24 1932 1932 "Thanksgiving" The Saturday Evening Post November 26 1932 1931 Illustration for The Saturday Evening Post January 2 1932 1931 Illustration for The Saturday Evening Post January 2 1932 detail 1931 The Saturday Evening Post January 2 1932 1932 The Saturday Evening Post July 2 1932 1932 The Saturday Evening Post September 3 1932 1932 The Saturday Evening Post June 4 1932 1932 The Saturday Evening Post March 5 1932 1932 The Saturday Evening Post August 6 1932 1932 The Saturday Evening Post May 14 1932 1932 The Saturday Evening Post December 24 1932 1932 The Saturday Evening Post December 24 1932 1932 The Saturday Evening Post March 26 1932 artwork 1932 The Saturday Evening Post March 26 1932 1932 The Saturday Evening Post November 26 1932 1933 "1934" The Saturday Evening Post December 30 1933 1933 "Carnival" artwork The Saturday Evening Post February 25 1933 The Saturday Evening Post February 25 1933 1933 "Thanksgiving" The Saturday Evening Post December 2 1933 1933 The Saturday Evening Post July 1 1933 1933 The Saturday Evening Post November 4 1933 1933 "Easter" The Saturday Evening Post April 15 1933 1933 The Saturday Evening Post December 23 1933 1933 "Summer" artwork The Saturday Evening Post August 26 1933 The Saturday Evening Post August 26 1933 1934 "Easter" The Saturday Evening Post March 31 1934 1934 "Holy Night" The Saturday Evening Post December 29 1934 The Saturday Evening Post December 29 1934
Начало здесь , продолжения тут , тут и тут . J.C. LEYENDECKER American Art Archives Today’s Inspiration A Different Drummer Vintage et cancrelats Erik Johnson Illustrator Clinton T. Hobart Midnight Pine Large Size Paintings The Arting Blog Comics Book Stories The Saturday Evening Post The Pictorial…
Artist J Louis American, 1992, Karlsruhe, Germany
Explore Jon Williamson's 17588 photos on Flickr!
얼굴설명한것을 찔끔
Explore Halloween HJB's 19614 photos on Flickr!
Dwyer è diplomato alla Scuola d'Arte di Milwaukee, dove ha studiato belle arti, pittura e incisione. Dwyer ha mostrato il suo lavoro in numerose gallerie in tutto gli USA e altre collezioni d'arte pubbliche e private a Monaco, Germania, a Barcellona, Spagna. Charles Dwyer ha padroneggiato, disegnando e dipingendo, la figura femminile.
Explore soul71's 2247 photos on Flickr!
I recently visited the Reynolda House Museum of American Art in Winston Salem, NC, which is currently hosting a wonderful retrospective of J.C. Leyendecker's work. This exhibit covers J.C.'s career through a selection of 42 original paintings, and more than 100 vintage Saturday Evening post cover
It amazes me that I could of missed someone like J.C. Leyendecker (1874-1951) when I was in art school. (I'm sure some of my teachers must of mentioned him but I was probably daydreaming of other things) His work is so incredible! But now that I have found him and
J Louis’ fascination with moments of human connection exhibits itself in his work through cleverly posed subjects and his use of texture and color amid abstracted space.
Earlier this week we looked at how to solve the “string mop” problem by using big brushes, keeping the masses simple, and softening edges. I...
%%caption%
I wish I were in a position to drop everything and fly off to take in something like last Sunday's lecture at the Norman Rockwell Museum. Ah well... But since most of us can't always attend these excellent events, at least the Internet make it possible to get a taste of them! Joyce K. Schiller, Ph.D., the curator of the Rockwell Center for American Visual Studies sent a note today summing up Dr. Jennifer Greenhill's Sunday lecture. Joyce wrote, "Jennifer Greenhill's lecture on Sunday was terrific. The material was well-researched and the push-pull, give and take between the two artists was stimulating. With careful comparisons, it was easy to see Dr. Greenhill's premise: Leyendecker's style was rooted in its compositional elements and more decorative in nature;" "Rockwell's was focused on telling a recognizable story for the broad American audience." "Leyendecker's approach was clearly more in tune with the early Saturday Evening Post..." "... and Rockwell's focused on the more contemporary American public. We had an enthusiastic audience so all in all it was an enjoyable day." Joyce continues, "I hope that Dr. Greenhill will use the lecture presented at Norman Rockwell Museum as the foundation of a published article or even a future book on American illustration art, which is what we hope will evolve from the work done for and under the auspices of the Rockwell Center." She concludes, "Dr. Greenhill's lecture is just the first of a yearly three-part series. These will be comprised of a lecture by a new young scholar; a lecture by a contemporary illustrator; and a lecture by an illustration blogger. Through this series, the Rockwell Center hopes to appeal to and address issues of interest to a broad sweep of people interested in and dedicated to American illustration art." Check out The Rockwell Center and see what's happening in the field of American illustration art. * Many thanks to Bill Wray for providing the Leyendecker scans in today's post! The Rockwell scans in today's post are courtesy of the Norman Rockwell Museum: "Freedom from Fear," Norman Rockwell. 1943. Oil on canvas Story illustration for The Saturday Evening Post, March 13, 1943 From the permanent collection of Norman Rockwell Museum ©1943 SEPS: Licensed by Curtis Publishing, Indianapolis, IN (S569) "Family Tree," Norman Rockwell, 1959 Oil on canvas, 46” x 42” Cover illustration for The Saturday Evening Post, October 24, 1959 Norman Rockwell Art Collection Trust, NRACT.1973.7 ©1959 SEPS: Licensed by Curtis Publishing, Indianapolis, IN
I just love the ribbon like hair on this little boy.... and that gooey cheek under the hand. WOW!
러프
Watch my HD video of this painting at ChrisOatley.com/jcl Detail image of a J.C. Leyendecker painting from the 'Illustrating Modern Life' exhibit at Pepperdine University. March 2013.
It amazes me that I could of missed someone like J.C. Leyendecker (1874-1951) when I was in art school. (I'm sure some of my teachers must of mentioned him but I was probably daydreaming of other things) His work is so incredible! But now that I have found him and
Art just feels more arty when it's on canvas,Custom hand-stretched for your order,Vibrant colors on gallery-grade canvas,Printed image wraps approximately 1/4 inch (6mm) over the edges; the sides are white,Hanging hardware included for both portrait and landscape orientations
J.A.W. Cooper deftly constructs her compositions and narratives with a majestically flowing line which is simultaneously filled with both an unwavering...