About Peggy Bacon drypoint The Bridge Party, signed, dated (Nov. 1918) and titled (Bridge) in pencil by the artist. Flint 3. In generally ok but rough condition as befits an early working proof pulled by Bacon herself, with diagonal folds upper and lower right, with margins (1/2 inch top and sides, 1 inch bottom, pencil mark right margin. 4 1/8 x 5 inches, archival mounting. A very fine impression of this rarity (we've seen only one other impression in 30 years). In this early impression, the burr from the drypoint work creates a brilliant satiny black. Bacon (1895-1987) was influenced by the new modernist/cubist movements in art in her earliest prints; The Bridge Party is one of her finest efforts working in this idiom. The composition is based on a scene at The Elms, an inn at Ridgefield Connecticut, owned by the artist's mother.
About Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x 11 3/4 inches). Signed, titled and dated in pencil. In excellent condition with deckled edges, and with the artist's tack-holes for drying, near the edges, all around.
Design, musica, fotografia, humor, tecnologia, arte e muito mais. Sua revista digital para curtir e compartilhar nas Redes Sociais.
Joan Miró (1893-1983), Painting (1933), oil on canvas, 162.9 x 130.5 cm. Collection of Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA. Via Artsy.
Week 5 | July 12–16 | Grades 9–12 | Morning
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An artist best known for his wood engravings that accompany Robert Frost poems, Nason blended classic and modern styles to capture a vanishing rural landscape.
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