Zagreb, Yugoslavia (Croatia) - 1940 Photo by Tošo Dabac
Disclaimer: This book is for serious readers only, and was not written with the pulp fiction 6th-grade-level reader in mind. Pick up Hamam Balkania at your own risk. (And enjoy every word lovingly spilled onto the pages by award-winning author Vladislav Bajac and translator Randall A. Major.) \"One of the most ambitious novels of our time.\" - Goffredo Fofi, Internationale \"A whole new way to tell a story...\" - John Ralston Saul, President of PEN International \"Zen work, historical novel, philosophical diary, superb exercise of modesty...\" - Fabio de Propris, Il Manifesto \"A work of stunning intellectual, structural and narrative complexity, written in clear, engaging and witty prose.\" - Drew Adamek, Valley Advocate \"A meticulously structured tale of friendship and redemption.\" - Marcus Agar, Wild Rooster, London Vladislav Bajac's novel Hamam Balkania has won five awards, been printed in seven bestselling editions, and is finally coming to North America. In the tradition of great modern Serbian novelists, Bajac twists and weaves a tale between old and new, modern and rusted, East and West, water and fire. It's not hard to see why this historical novel has been translated into 15 languages and become a bestseller in its home country. Bajac's tale dances between its two plots and threads as if it were a couple dancing with no space between them. His prose is at times convoluted, and at times poetic, but always gripping, and fiercely organized. The author's home country of Serbia is fascinated with its Ottoman roots, and this novel is no exception. Bajac takes the lives of ancient figures and weaves them together with flashing, real, and dirty characters from Western society's recent past - his stories at times dipping their pen into the well of memoir. Bajac has rubbed elbows with Leonard Cohen, and shared words and stages with literary greats - none of that is lost on the reader here. Two stories collide in the reader's mind, not on the pages, as if learning two different histories from two separate professors. This is at once a story of friendship, and a book of warning: do we really know that which we believe we know so well? Hamam Balkania received the Balkanika Award for the best novel in the Balkans for 2007/2008, the \"Isidora Sekulic\" Award for the best book in 2008 and the \"Hit Liber\" Award for the bestselling book in the same year.
This DIY walking tour of Skopje's historic marketplace, Stara Carsija, shows you the best things to do in Old Bazaar Skopje – including what to eat, where to shop, and what to buy. When I first arrived in Skopje, North Macedonia's quirky yet loveable capital city, I was under the…
From all-night parties in Belgrade to the maze-like markets of Skopje, here's what not to miss.
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Traditional sheep fur worn by shepherds during winter
The Srebrenica massacre took place 20 years ago, in July 1995. But despite trials in The Hague that produced unequivocal evidence of the planned, deliberate elimination of men and boys from the enclave, there are still those who dispute the basic facts. Only this week, Russia blocked a United Nation Security Council resolution defining the killings as genocide, as established at the Hague tribunal. In Bosnia, the divide on the issue matches the political divisions between Serb and Bosniak/Croat administrations established by the 1995 Dayton agreement.
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Hello All, Today I will venture into yet another new country, Serbia. It is more difficult to find material on Serbian Folklore than it is for Croatia, for example. I am not sure why this is the case. Serbia has been a very forward looking country since they emerged from under the Ottoman Empire. I will be covering the most common Serbian costume, that of central Serbia, or Šumadija. This is the heart of Serbia, extending from Beograd south along the Morava river.This costume comes in several forms, varying mostly in the type of skirt. As in most of my posts, I will not be able to cover every variation. This photo above shows one of the more common versions. http://en.wikipedia.org/wiki/Serbia http://en.wikipedia.org/wiki/%C5%A0umadija The basic garment, as in the rest of the Balkans and much of Eastern Europe, is the chemise. Typically there is a band collar and no cuffs. One typical feature of the Serbian chemise is that the sleeve is gathered just above the elbow. Very often a red garter or ribbon is tied around the arm at this point, as in the photo above. There is embroidery around the sleeve opening, around the neck opening, often on the lower part above the hem, and very often a spot design on the upper sleeve, above the gathered area. There is very little material on the traditional designs used. Today what is seen in almost all cases is multicolored cross-stitch floral designs which are very reminiscent of Berlin Work. This is of recent origin, not going past the mid 19th cent at most. There are various cuts used for the chemise, here is one version. There are also versions in which the sleeves are set in perpendicular to the body. The pieces used are narrow because the constraint of a hand-loom does not permit wider pieces to be woven. There are various vests or bodices worn with this costume, called pamuklija, djudica, grudniak, zubun, etc. The most commonly seen today is the one called jelek. Each of these vests has a different cut. The jelek is short, coming just to the waist, it hooks closed in front, with a point in the center and a curved opening on either side. It is usually red or black, and typically has rich ornamentation consisting of couched gold braid. For young women the neckline is low, functioning as a bustier, but for older women the neckline may be considerably higher. There are various types of skirts worn with this costume. One of the oldest and simplest is the two apron version. This has two aprons of a single panel each, the front apron being ornamented and the rear apron mostly plain, with ornamentation just along the bottom. This is common over much of eastern Europe. Here is a painting by the artist O. Benson showing a young woman from the village of Kumodraž near Beograd. On the left is a rear apron, on the right is a front apron. This is part of a painting by the artist Carol Pop de Szathmari, of a scene in a market in Beograd in the mid 1800's. What is most commonly seen today is a closed skirt woven in narrow stripes or plaid, often of two widths of cloth sewn together horizontally, with the plaid deliberately not matched. This is pleated finely, and usually has a black velvet hem and lace sewn onto it above that. See the image at the top of the article. Some forms of the skirt were plain in color with a decorated hem, either wide or narrow. Here is another part of the same painting by Carol Pop de Szatmari. The artist has painted himself into the scene at right. He was apparently a Hungarian Orthodox Priest. Below is another painting by Benson showing a young woman from the village of Kusadak. Some contemporary versions of the skirt in particular communities have become quite short.The first photo is from Užice. The second is from southern Pomoravlje. The most spectacular version of the skirt is basically the same as the narrow pleated one, but is not sewn closed in front, and is worn with the corners tucked into the waistband behind. This gives the outfit a lot of movement. Typically the hem that shows is ornamented with crochet and embroidery. See some of the images above. Here are a couple more images of that type of skirt. The kerchief wrapped around the torso seen in these last three images was commonly worn in the mid 1800's, under influence of Western fashion of the day. This has died out and is no longer seen. The last image is of a painting by Nikola Arsenović, who also painted in the mid 1800's. The apron is traditionally woven in tapestry technique, with colorful geometric motifs. Today it is more commonly made of red or black wool with floral cross-stitch or crewel embroidery. In the past, unmarried girls and brides often wore embroidered linen aprons, as you can see in this painting by Arsenović This is rarely seen today, however. There is often a striped sash tied around the waist. The stockings are hand knitted, either with geometric, or more often, floral designs either knitted into or embroidered onto them. The traditional footwear are moccasins, which are called opanci, They have thin goatskin strips woven on the uppers, and stereotypically in Serbia have curled toes. This is not traditionally true for all communities, but they have become somewhat of a symbol of Serbia. This last painting is by the celebrated Jugoslavian artist Vladimir Kirin. Thank you for reading, I hope that you have found this interesting and perhaps inspiring. Here is a website showing how a Serbian community in France made a 'parade giant' figure in Serbian costume named Bela Rada. There are many photographs of the finished figure, of the details of her costume and how she was made. Quite fascinating. http://belarada.canalblog.com/ A couple of Serbian groups performing traditional dances. Serbian dances are famous for small precise intricate footwork. http://www.youtube.com/watch?v=rUlnyX-ijxM&feature=related http://www.youtube.com/watch?v=NBHMgfJAB4g&feature=related This video shows the winged skirt. http://www.youtube.com/watch?v=tVaUo-DApwo&feature=related Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals. I also choreograph and teach folk dance. Roman K. [email protected] Source Material: Mitar Vlahovic et al, 'National Costumes of Serbia - Watercolours by N. Arsenovic', Beograd, 1954 Erina Shobich, 'Odezhda i Ornament Serbii', Beograd, 1956 Vladimir Kirin, 'Narodne Nosnje Jugoslavije', Zagreb, Mirjana Prosic-Dvornic, 'Narodna Nosnja Sumadije', Zagreb Nikola Pantelic, 'Traditional Arts and Crafts in Yugoslavia', Belgrade, 1984 Vladimir Salopek, 'Folk Costumes and Dances of Yugoslavia', Zagreb, 1989 Kaoru Tanaka, 'World Folk Costumes in Natural Color', Osaka, 1961
I have decided to post and dedicate this thread to Macedonian Folklore,(Македонскиот фолклор). Macedonian Folklore is a big part in Macedonian history,culture and identity that has been pasted down from generation
