“Come unto me, all ye that labour and are heavy laden, and I will give you rest. Take my yoke upon you, and learn of me; for I am meek and lowly in heart: and ye shall find rest unto your souls. For my yoke is easy, and my burden is light.” (Matt. 11:28–30.) Though it takes a LOT of prompts with just the right wording to get just the right image, we've found AI image prompt engineering to be a great tool for birthing some of the most sacred religious art we've found. Our hope is to shape these powerful tools to spread SACRED beauty, and the joyful, loving message of Jesus Christ. This AI artwork was lovingly selected to portray the comfort Jesus offers the weary, the discouraged, the lonely, the fearful, the anxious, the tired, the poor, the fainting, and any in need of a little love and help.
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Edited: June 15, 2021 The most stressful part of getting bathing suit ready is hair removal -- especially for redheads! Those with red hair can be allergic to razors, unable to get laser hair removal and are commonly sensitive to products. It can get complicated. And, let's admit it; just when you think you've gotten rid of all that unwanted hair, there's a missed spot. Grrr! Luckily, redheads do have many options when getting rid of unwanted hair. Let's look your best this season by the pool or beach: 1. Shaving: Of course, the most com mon way is to shave.
The Lord, the Lord, a God merciful and gracious, slow to anger and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty. Exodus 34:6-7 “Well, you say, but though God is able to help me, I fear that God is not willing to help me, and therefore I am discouraged. But be of good comfort, says the Lord, for my name is Merciful, and therefore I am willing to help you. But you say, though the Lord is willing to help me, yet...
I'm way too busy learning who I am first and being happy with me to worry about a boyfriend.
On The Time it Takes, Goldmund's newest book of aural polaroids, Kenniff somehow manages to deepen the emotionality of his already affecting project, creating a space in which to unfold the sorrows of a troubling age and revel in the hope and beauty that follow thereafter. In this sense, The Time it Takes tackles grief head-on, unadorned by themes of escapism or pastorality, and marks another entry in an impressively consistent body of work. From the first murmurs of it's opener Day in, Day Out, The Time it Takes calls to mind the cascading nature of mourning. There's the first tragedy, the loss itself, then the second one, the dissipation of the memory of the thing lost. We start out grieving for a loss directly; years later, sorrow reappears not only for that loss, but for the idea that it's meaning is slipping away with each turn of the calendar page. An aged piano thumps gently just beyond an impassable moat of time, it's operator's presence is evidenced by the shuffling of pedals and the shifting of mechanisms, and seraphic choirs seep in from places unseen. It's a miniature diagram of how the outer world transitions to the inner, and vice versa. Memory Itself follows suit with earthy textures that become slowly buried by celestial ones as the seconds pass. Kenniff's kindling of piano is gradually set ablaze with synth, choir, and trilling strings provided by his equally emotive labelmate Christopher Tignor. The track is a crescendo that imparts an equal amount of dread and relief depending on the mood of the listener.Like much of The Time it Takes, Respite is true to it's title, but not because it leans on New Age aims of comfort and relaxation. Deeply fervent, it instead reflects the kind of emotional relief that can bring someone to tears if they're lucky enough to stumble upon it mid-crisis. Conversely, the subsequent Rivulet crouches in subdued concern and uncertainty amid deteriorated synths that howl down darkened hallways. The One Who Stands By approaches a similar sense of subtle menace. With it's lilting arpeggio, pulsing bass, and scraping drones, the piece anxiously marches toward some severe and unresolved dilemma. Earlier in the sequence, tracks like For Old Times investigate the serene sides of woe and yearning that form the core sentiments of the album: missed chances to share things with people who've passed on and are forever lost to the past; small internal battles quietly won or lost, but never spoken of; a heavy rain followed by sideways afternoon sunlight that imparts just enough awe to make you feel okay with your unnoticeable role in it all.As if we needed convincing, Kenniff further proves his skill of crafting sound-design vignettes that are personal, private, and hushed, yet simultaneously grand, colossal, and profound. Nostalgia sometimes suffers the role of low hanging fruit for the marketing world, or worse, a symptom of the stunted development of a generation facing backward in a world that moves unrelentingly forward. B
Spotted in the corridor of The Saga Centre building down the road, this photo of Lonneke Engel (above) by Juergen Teller. I remember the Jigsaw campaign it was for and I found two more pics online&…
CITYMOM LOVES SUMMER
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Over 10 Years of Moonsong Daily Magick. Join me for your magickal journey. Merry Meet. I’m most excited to bring you Moonsong Daily Magick. I am a New England Witch, Professional Psychic and …
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Read these mental health quotes anytime you're feeling alone. Remove the mental health stigma and embrace it instead with these awesome quotes.
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