In this case, dishes (and my wiring cabinet for all the tv/voice/data wiring in my house.) Or, possibly, Marcellus Wallace’s soul. Either way. When I was setting up my concept-that-was-made-of-fail yesterday, I noticed that my kids had left the light on in the china closet in the dining room, and liked the way the light was spilling out of the not-quite-closed door. Tonight I decided to clean up that corner of the dining room and try to capture that. To get the light the way I wanted it here, I set the camera up on a tripod, and dialed in a wide aperture and long exposure, so that with the room completely dark except for the closet light I'd get the light spilling across the floor the way I wanted it. I triggered my flash (by hand) during the long exposure through my diffusion panel from the adjacent room to provide enough fill to get the colors of the wall and woodwork. I also played with a tighter crop of this shot, but it eliminated the pictures on the walls, which I kind of like in the composition (all the pictures on the dining room walls are wedding photos of our parents, grandparents, great-grandparents, and some great-aunts and uncles), Nikon D7000 with Nikkor 18-200 @ 18mm, 30s @ ƒ/3.5, ISO 100. Flash at 1/16th power about 15 feet off camera right, through a large diffusion panel.
Here you will find the latest updates on Michael Frith's recent work and upcoming projects.
As someone who crafts every single day, I hear the same two questions over and over. First: "How do find time to do so much crafting?" (Here's how I 'find' time.) The second question: "What do you use as your scrap space?" I have a dedicated scraproom. We have a 4 bedroom house: Steve and I share the master bedroom, Trevor has a bedroom, Steve has an office, and I have a scraproom. My computer/office area is on a desk in the hallway. It is far more important to me to have a private scrap area than a private office area. I know for a fact that I would not do as much crafting as I do if I didn't have dedicated space. I'm able to leave a work-in-progress where no one will disturb it. (Neither Steve nor Trevor enter my scraproom without permission... which makes it a handy place to store presents for them as well!) The last time I did a thorough scraproom cleaning, I took some pictures. Here's the view of my paper storage, one of two work surfaces, and one of two pegboards. The dresser was my old childhood dresser, which I reinforced, stripped and painted white. I added the silver hardware. The drawers hold: punches, ink pads, acrylic stamps, cross-stitch supplies (which I haven't used in eons), extra adhesives, gift bags, gift wrap, tissue paper, ribbons, and bows. Across the top of the dresser, I have stackable paper trays (five high, four stacks across). The two stacks on the left hold cardstock, divided by color. The two stacks on the right hold loose sheets of patterned paper. Some are organized by color and others by manufacturer. The rest of my patterned paper is stored in 12x12 plastic envelopes, which I stack on a shelf. You can see my childhood desk under the pegboard. It is usually piled high with pages that need scanning, or supplies that need to be put away. I tuck gifts that need wrapping under the desk. Directly across from the dresser is my main work table and my main pegboard. Steve framed and installed my two pegboards. I love them! I can fit so many supplies on the pegboard, and it is great how easy it is to move things around as I get new stuff. I tape Design Team assignments to the bottom of the pegboard. (You can see three sketch assignments in this picture.) Perhaps the best part of my scraproom is the shelving that Steve built to fit behind the door. The shelves are 2.5 inches deep, which is perfect for storing rubber stamps, mists, embossing powders, inks, and border punches. The entire structure is 5 ft. tall by 25 inches wide. The heights of the shelves vary from 2.25 inches to 6 inches. I absolutely love it. What was once wasted space now is now a wonderful storage solution. Stay tuned for Part Two tomorrow!
This is a digital file artwork that reminds you that we should always be faithful and pray when we are broken and hurt inside of us. This art explains a sorrowful woman kneeling down praying and behind the door is Jesus light.
Inquisitiveness Knocking on Heaven's Door?
Completely concealed sliding door system, for hidden wall niches, passage doors & storage solutions. Order before 12pm for next day delivery!
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Riccardo Guasco "Dietro la porta" (Behind the door) Digital illustration 2013
Behind the door
MAN caves are the ultimate sanctuary for blokes to just get away from it all. But some of these dens are so incredible we’re surprised they’d ever leave. These fellas have taken lad pad…
Throughout history, light has been used as a medium for navigational aid not only in a literal and spatial sense but also metaphorically. In metaphorical terms, light is identified as a medium that conveys content, both informative and informational. Thus, designing with light offers immeasurable creative scope, as the design process is ultimately just the […]
Moonlight shining through my bedroom window.
A seven-story home designed by Juan Pablo Molyneux on the Upper East Side is up for sale
Very strange vampire rabbit above a doorway on a building behind the Cathedral in Newcastle news.bbc.co.uk/1/hi/england/tyne/4306217.stm
'It was both better and worse than I expected.'
"Suddenly there was silence behind the closed door. She knew better than to go in!" Good Housekeeping 1955"
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retracing my mother's footsteps
Download this Free Photo about Door opening to new world composition, and discover more than 48 Million Professional Stock Photos on Freepik. #freepik #photo #lightbackground #opendoor #bright
Starting April 26 and running till May 25 is a fascinating new show, by painter Pete Hawkins, that gives us a glimpse of what's behind closed doors. At
About The Artwork No Ceiling . . . . Inspired by Joyce Rupp's "Open the Door Original Created:2012 Subjects:Light Materials:Paper Styles:Figurative Mediums:Pastel Details & Dimensions Drawing:Pastel on Paper Original:One-of-a-kind Artwork Size:22 W x 28 H x 1 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.
No nonprofit can afford to be an island. As tempting as it may be to stay in your comfort zone, wearing blinders that enable you to forge straight ahead without noticing what’s going on around you, this is a dangerous practice. Because sometimes the landscape changes dramatically. And when it does,…
freedom-calling
