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The enduring impression of the 18th century Windmill ruin outside Derrinturn village is one of an elegant, flawed but impressive stone tower where its elevated aspect emphasises its vertical proportions. The proposal is for a continued use to help conserve and maintain the building and to clarify and preserve the ruin by furnishing it with a contrasting but complimentary natural material which distinguishes the contemporary whilst promoting the stone ruin as the primary feature. In proposing a continuing use thought was given to the defining characteristics of the existing singular tall space with minimal openings, an introverted dark space. In attempting to strengthen the windmillʼs connection with the village, physically and socially, the potential of its primary characteristics as a tall dark space is utilised in the proposal of a taller dark space, camera obscura. The Latin name describes two of its three main components: camera, room; obscura, dark. The third requirement for a functioning camera obscura is to let light into the dark room through a small aperture. Light projecting inside the dark room will display an inverted view image of the external space on a concave surface facing the pinhole. With reference to the Windmillʼs original purpose of providing sustenance and connecting folk to work and place, the camera obscura proposes to re-establish this connection by promoting the understanding of the physical relationships created by interaction of place, work and people through close observation. The observer, from a dislocated position, experiences and witnesses the local living landscape and its relationship within the wider environment and informs their outlook through an “Outlook Tower” as championed by the Scottish biologist and socialist, Patrick Geddes. Native larch is proposed to clad the housing for the camera lens which sits within the enclosure of the stone structure. Existing stone indents are use to spring the structural larch beams which are off centred and stacked to spiral upwards, inspired by windmill sails, to gain the height required and create the central opening for the light projection.
Encore Architects: Broadstone Clarendon, Seattle, WA. Bridging History and Modernity in Uptown. Clarendon draws its influence from the nearby Space Needle and the wonderfully crafted structures of the 1962 Seattle World’s Fair, while responding to the energy of Denny Way, and the quiet, tree-lined neighborhood of Warren Ave North.
Encore Architects: Broadstone Reveal, Pearl District, Portland, OR. A Modern Homage to the Pearl District’s Past. As a former industrial district, its working past visually echoes through historic facades, street-facing loading docks, and pioneer-era rail yard sites.
Encore Architects: Broadstone Anthem. A building that bridges historic and industrial Portland neighborhoods. Mixed-Use, East Burnside.
Ad Light Group fabricated and installed interior and exterior signage for Broadstone on 9th, a multi-family property in Denver.
1400 Raleigh
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This group now has a Discord! https://discord.gg/QC8vCNfzKaI would encourage everyone to join as it will become a primary hub for book-of-the-month disc...
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Design, Bitches is an award integrative architecture and design studio. We create spaces and experiences where people want to be. We are equal parts creative r…
Miles Davis
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