Pillows were for girls, lying down was dangerous and invalids should nap standing up! MS images of the Birth of Louis VIII of France in the 1180s According to medieval and Tudor beliefs about beds and sleeping, modern practices are opening us up to all sorts of spiritual and physical dangers. Between seven and nine hours of sleep were recommended but this depended upon individual body types; with all people categorised according to the Galenic four humours, too much or too little sleep could cause dangerous imbalances and lead to illness. Nor did children require more sleep: one late fifteenth century manual suggested seven hours was sufficient. This would roughly equate to summer time daylight hours, with an extra hour in the winter. In the mid Sixteenth century, physician Andrew Boorde was recommending two periods of sleep at night, with people rising briefly between them. This was also supposedly the best time to conceive children. Sleepers should lie first on one side then the other, in dry rooms to which snails, spiders, rats and mice had no access. All windows should be closed and a fire should be kept burning to drive away the pestilence and foul sleeper’s breath. Those who were ill or unable to sleep well at night should try to nap during the day, according to Boorde but this was best done standing up, leaning against a wall or cupboard. MS image of Philip IV of France in bed c1314 Medieval beds were comparatively simple. Peasants would literally “hit the hay” wrapped only in a cloak or single blanket; nor did most people have separate rooms for sleeping in. Actual bedframes were cause for much pride and passed down in wills to family or friends. In 1540, Margery Wren left her son Geoffrey a red and green bed canopy; apparently he already had the bed. But this in itself was a sign of wealth, when the bed would have been the largest and most expensive possession in the house. Rich and poor alike took pride in this expression of their status and might save up for a bedstead for years. The Elizabethan traveller William Harrison reflected on past practices: "... straw pallets, covered onelie with a sheet, under coverlets … and a good round log under their heads in steed of a bolster, or pillow. If it were so that our fathers or the good man of the house, had within seven years after his mariage purchased a mattress or flockebed, and thereto a sacke of chaffe to resh his head upon, he though himself to be as well lodged as the lord of the town, that peradventure laye seldome in a bed of downe or whole feathers; so well were they contended, and with such base kind of furniture..." Reconstruction of beds c1465 at the Walraversijde medieval village in Belgium Four poster beds developed during the Tudor period. Before then, canopied and half testers were known in upper class circles, with their richly embroidered hangings made out of warm velvets and taffetas. Curtains were hung from the ceiling and beds were raised up on platforms or legs. The medieval merchant’s house in Southampton contains an impressive example of such a bed with hangings attached to the ceiling. All sorts of colours and combinations were used in the outer bedding and drapery; rich reds, greens, yellows and blacks being popular, along with cloth of silver and gold and many coloured tassels and fringes. Joanna of Castile’s book of hours of around 1500 includes a picture of a large bed draped and covered in emerald green. Edgings of fur were common to keep in warmth; ermine for the King and squirrel for the middle classes. Quilts were made from linen and padded with wool like the white and brown Tristan Quilt in the Victoria and Albert Museum, dating from 1360-1400. Full scale tales and legends as well as Biblical and heraldic images were often depicted in embroidery as on this work. Wooden headpieces were elaborately carved, often with the owner’s coat of arms and personal motifs: the finest examples, made for royalty took months to make, such as the one Henry VIII commissioned for his bedroom at Whitehall in the 1530s. An inventory of wealthy gentleman Thomas Offley’s bedroom, made in 1582, listed a plain bedstead dressed with wool mattress, feather bed and bolster, white and red blankets, a green coverlet embroidered with letters and flowers, canopy and curtains of yellow and blue dyed canvas as well as a trundle or truckle bed for his servant. The late Elizabethan Great bed of Ware Mattresses were stuffed with whatever material was available, from feathers or wool, down to moss and rags; these were laid across a framework of tightly knotted ropes, which needed to be retied regularly as they were prone to sagging in the middle. Hence the expression “sleep tight.” The poorest slept on mattresses of straw on the floor; servants had simple wooden beds on wheels which were stored away out of sight during the day, often under the beds of their masters. Beds were warmed by placing a hot brick or stone from the fire among the sheets or copper saucepans full of coal, which evolved into the more familiar bedpan. Pillows or beres were considered unmanly, reserved for the old, young girls and pregnant women, yet there was also a belief that it was necessary to sleep propped up to prevent devils entering the open mouth and stealing away your soul. Real men rested their heads on logs! Green canopied bed from the Book of Hours owned by Joanna of Castile c1500, British Library Clean white linen from Rennes was the most desirable material for sheets but this would need a lot of care. The usual method was “bucking”- soaking it in lye, made from ashes and urine to cleanse and whiten it. It was a lengthy and physically hard process, to scrub and wring out all the sheets several times over. For the richest, laundry women were employed but levels of hygiene would decrease significantly the further down the social scale. Washing was spread out flat to dry rather than hung, pictured lain out on Goodman’s field and Tower Hill on old maps of London. Lice were a common problem and only removable by regular washing and combing. Many people from all ranks of society were used to sharing their beds with lice but fleas were unthinkable and carried the stigma of uncleanliness and immorality. The public occasion of Henry VII's death at Richmond, 1509 Henry VIII on his impressive death bed, 1547 Beds were social places. The richest met guests and conducted meetings from them. Key events of birth and death had far greater public significance for royalty and the wealthy, often being witnessed by friends, family and interested parties, with privacy being far less common. Co-sleeping was very common, especially in inns where travellers were expected to share beds with strangers, each lying on their own half, with rules existing for being a considerate bedfellow. In the poorer establishments, sleeping arrangements consisted of a simple wooden bench with a rope hung horizontally about chest height. Travellers would cram along the bench and hang their arms over the rope for support; in the morning they would be cleared out and the area washed down. Other inns and monasteries offered simple straw mattresses with sheets, raised off the floor on boards or woven rushes. The most famous example of a large bed is that of the late Elizabethan great bed of Ware, designed to attract customers to the inn where it stood, referred to by Shakespeare and Jonson. Sleeping fifteen people at once, it is typical of four poster beds of its time in everything but its size. The most lowly servants slept communally in the Great Hall or in large servants dormitories, with men and women usually separated, although this did not stop determined wooers, such as Catherine Howard’s history proved. Beds were also places of courtship, with some communities allowing unmarried couples to practise “bundling”- spending time together in bed whilst separated by a bolster placed down the middle! Beds were often portable too, with those of royalty being dismantled and transported between palaces as they travelled, ensuring a good night’s sleep when they arrived. Who they might be sharing it with though, was quite another matter…
Completed in 2016 in Spain. Images by Javier Bravo, Koldo Fdez. Gaztelu. Castile and León (Spain) is one of the regions with more cultural and natural heritage in the world, thanks to its history and its big area. Many of...
They seemed invincible, but, in reality, they struggled daily with health conditions
A behind-the-scene look at the life of Peter of Castile.
Store New Arrivals Feedback Contact Castile Liquid Soap Base 1 Litre - Organic SLS SLES Sulphate and Paraben Free Make your own liquid soap at home without using dangerous chemicals! Made with organic oils. SLS, SLES, suphate and paraben free! Our liquid castile soap base is a brilliantly easy way to make your own liquid soap at home. Simply add your chosen fragrance and colourant and you're ready to go! If you prefer it a little thicker you can add some table salt. Unit count 1000 millilitre Package Weight 1.14 Kilograms Scent Name Unscented Is discontinued by manufacturer No Package dimensions 24.4 x 8 x 8 centimetres Size Name 1 l (Pack of 1) Format Liquid Brand The Soapery Special features Organic, Paraben Free Special feature Organic, Paraben Free Package Dimensions 24.4 x 8 x 8 cm; 1.14 kg Material Type Free Paraben Free Item package quantity 1 Manufacturer reference CASTILE000 Item form Liquid Speciality Fragrance Free, Certified Organic, Sulfate Free, Cruelty Free, Free from Syntheti
Explore Hiroshi Nakanishi's 51 photos on Flickr!
Fort Boyard is a fort located in the west coast of France and is the filming location for the TV gameshow of the same name. Though a for...
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Gothicstyle Cathedral of Saint Mary in Burgos, Castile and Leon, Spain, 13th16th century De Agostini Picture Library Santini DAlessio Bridgeman Images The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface. Paper Type: Giclee Print Finished Size: 16" x 24" Arrives by Fri, May 3 Product ID: 36996987153A
Brick Bay House's L-shaped plan has a number of benefits - sheltering from winds, blocking road noise and embracing the ocean view.
Taken AUG 22, 2009 in Decatur, TX . El Castile— This imposing home sits on a hill scarcely a tenth of a mile east of US-81 as the highway reaches downtown from the south. It has been confused with the courthouse. The following information is courtesy of Decatur Main Street: "The Castle" was built in 1883 by cattle baron Dan Waggoner and was once headquarters to the vast Waggoner ranching empire in North Texas. The house boasts 16 rooms and a full basement with 8 wood-burning fireplaces. It is constructed of fossibiferous limestone decorated with hand hewn wrought iron on the roof and balconies. The entrance hall has a grand staircase winding to the second floor with Texas star motifs decorating the walnut & oak stairway and other woodwork throughout the house. Massive interior doors stand 16 feet tall, 3 have stained glass. The Victorian library displays wrought iron isinglass fixtures from Denver. The house has a large dining room, 8 bedrooms, 5 marble bath and a huge kitchen with a copper sink and fixtures. The house was the model for the home in the movie "Giant". The home Thistle Hill in Fort Worth was a wedding present to Dan's Daughter Electra in 1902. El Castile was purchased by Phil Luker Sr. in 1944 and remains in the Luker family to this day. It is privately owned and not available for public viewing.
Falkenstein Castle (Austria)
France
This item works with LED bulbs (not included)
Castile soap is a great natural cleaner you can use in a dizzying number of different ways. Here are 22 of my favorite uses for castile soap!
Don't miss these impressive Spanish castles of Spain on your trip. Castles in Spain bring you through key historic events and legends
Image 46 of 46 from gallery of Vigilance Pavilions for Heritage of Cultural Interest in Castile and León / Gaztelu Jerez. Cross Elevation 2
Coghlan Castle is a beautiful hidden castle in North Dakota that's full of history and certainly worth seeing up close and in person.
I am a Texan I collect sea glass and hearts I am a cancer survivor....every day is a good day
Stop by this Bottineau restaurant for a delicious meal from a menu of favorites.
La château de Castille se prête depuis toujours et avec grâce aux fantaisies de ses acquéreurs successifs. Une histoire de styles à découvrir alors que le lieu, dans son décor des années 1980, s'apprête à changer de propriétaire.