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Shop music_box's closet or find the perfect look from millions of stylists. Fast shipping and buyer protection. Artist: Tempo Dominicano Title: Chulisima Format: LP, Album Label: PDC-8504 Media condition: Good Plus (G) Cover condition: Good (G) Plastic or paper inserts/envelopes/sleeves are not graded, only cover/jacket and vinyl itself are. Original Record in G+ Condition with Original Cover. Vinyl, LP, Record, Music, Songs, Musician, Singer, Artist, Band, Rare LP, Rare Vinyl, Rare Record, Old Music, Music Album, Old Vinyl
Este curso estreno cartera, es un regalo de mi amiga Elena ¿a que es chulisima?
O Carrisima (Dear Darling in Latin) Dan: What were the elements in the inspiration pin that you carried forward in your pin? Christine: "First of all, the message. I interpreted the piece as a broken heart. A deep crevice in the shape of a lightening divides the left and right sides. The feeling of dislocation is accentuated by colour and pattern contrasts. On close observation, the two sides touch but don't seem attached to each other and I imagined them worn with a gap in between. I wanted to enter in a dialogue with the inspiration piece rather than 'take dictation.' This dialogue got me thinking in the opposite direction. What caused the rupture? Could it be mended? What would 'reconciliation' look like? What do we do in these situations? We ask forgiveness or we give a second chance. I was fiddling with a little strip of clay as I was cogitating; as I twirled it, it made me think of a handwritten character. The 'A-ha' moment came. My pin was going to be a long-hand letter of a reconciliation, a restoration of calm after the storm. The second element I carried forward in my pin was the stepped profile. I thought this was unusual and would be a challenge to interpret. It would also add depth to the piece. The image of a well came to mind, its roundness echoing the cursive writing." D: What do you see as the difference between copying someone's work and being inspired by it? C: "The polymer clay community seems to be redefining the meaning of 'inspired by.' Too often you see 'inspired by so and so under a piece that reads like a copy. The difference between inspiration and copy is the amount of personal interpretation the author puts in. You recognise a true artist when you see continuity in their body of work. You see that that are grappling with an idea and exploring it from various angles. I believe that when a true artist gets inspiration from another one, you barely notice similarities between the original and the inspired work." D: Has anyone ever copied your work? How did that make you feel? C: "When my work is copied by beginners or people who are just learning, I just acknowledge it and move on. When a more accomplished artist does it, they lose my respect." D: I’ve been noticing a rapidly growing trend of artists ‘reverse engineering’ other artists' work they see online and then presenting this technique on their own website or in their own tutorial. Have you seen examples of this? C: "Yes" D: Do you have an opinion about this? C: "Yes, I do have an opinion. Our 'sharing' culture is wrong. You surf Pinterest and other sites and you see 'inspiration boards' of work done in other media with a post 'How about doing this in polymer clay?'' Why? This creates a culture that condones the notion that finding inspiration in the work of others is okay when we should find inspiration in the world around us and within ourselves. And so, people think it's ok to create a tutorial based on the ideas of others simply because they 're-invented' the execution. This is blatantly wrong. Often the hardest part is coming up with the idea and not the implementation. I wouldn't use the term 'artist' in this context but perhaps something like 'photocopier.' You see genuine artists coming up with a technique evolving out their personal journey, and then some schmuck steals it, makes it part of their repertoire, and gets hailed by the community as a true creative genius."