You will receive 1 Bare Root plant with a healthy root system. Vidal Blanc is a white wine grape variety that is popularly used to produce dry and sweet wines. It’s a hybrid grape, created in France in 1935 by Jean Louis Vidal, and is a cross between Ugni Blanc and an unknown hybrid variety. It is a hardy grape, able to withstand cold temperatures and resistant to many grape diseases. Vidal Blanc is a popular variety for winemakers due to its ability to produce wines with good body and structure, and its versatility in producing a range of styles from dry to sweet. Vidal Blanc is a popular grape variety for growers in many parts of the world, including France, Canada, the United States, Australia, and New Zealand. It is a hardy variety that can withstand cold temperatures and is resistant to many grape diseases. It is a vigorous grower and produces large clusters of grapes with a high sugar content. For growers looking to plant Vidal Blanc, the ideal climate is a cool to moderate one with good drainage. The vine prefers full sun and is drought tolerant. It is best planted on a trellis system and can be planted with other white wine grapes such as Chardonnay, Sauvignon Blanc, or Riesling. When planting Vidal Blanc, it’s important to ensure that the soil is well-drained and that the vines have plenty of room to spread out. It is best to plant the vines in spring, as this is when the buds will have the best chance of taking root. Plant the vines with a spacing of 6-8 feet between each one and support with a trellis system. Prune the vines in winter to encourage healthy growth and make sure to water regularly. Vidal Blanc is a popular and versatile grape variety that is easy to grow and produces a range of wines. With the right planting and care, growers can produce high quality wines with good body and structure. 1. Choose a sunny spot in your yard that gets at least 8 hours of direct sunlight per day. 2. Prepare the soil by loosening it to a depth of at least 12 inches. 3. Plant the grapevines 6-10 feet apart, depending on the variety. 4. Water the plants regularly, making sure to keep the soil moist but not soggy. 5. Fertilize the plants with a balanced fertilizer once or twice a year. 6. Prune the vines regularly to ensure healthy growth and fruit production. 7. Harvest the grapes when they are ripe, usually in late summer or early fall. By following these simple guidelines, you can enjoy a bountiful harvest of sweet, juicy grapes each year. With proper care and attention, these grapes can produce a delicious crop for many years to come. Grape Color Blue, Black Primary Use Wine Wine Color White, Sparkling, Ice Wine Variety Origin J.L. Vidal Zone Range: 5-12 Growth Habit Semi-Upright Suggested Distance Between Vines 6 ft, 7 ft, 8 ft Vine Training System Top Wire Cordon SATISFACTION GUARANTEED. Please let us know immediately upon arrival if you have any questions about your order, we are here to help you through your growing journey! :) All plant's that are shipped are inspected prior to leaving our facility to ensure that the highest quality plants arrive to your front door! Shipping to areas that are experiencing extreme cold or extreme heat will be at buyer's risk. Any concerns please message prior to order placement! :)
In her latest series of paintings, Barcelona-based artist and illustrator Cinta Vidal Agulló defies gravity and architectural conventions to create encapsulated scenes of intersecting perspectives. Painted with acrylic on wood panels, Vidal refers to the paintings as “un-gravity constructions” and says that each piece examines how a person’s internal perspective of life may not match up with the reality around them. The intersecting planes on many of her paintings are somewhat reminiscent of drawings by M.C. More
Автор - ЯННА_КОТ . Это цитата этого сообщения Eugene Vincent Vidal (1850-1908) Оригинал записи и комментарии на LiveInternet.ru
Etsy's system did not allow me to change shipping on some lighter items, like most jewelry, to less expensive shipping options rather than Priority shipping. If you want to purchase something and would like to pay less for shipping, please message me before you buy and if it's something I can send less expensively, I will revise before you buy it. Thanks! Here's an interesting cross pendant in Guy Vidal's distinctive brutalist style, where the cross is a negative space surrounded by rays incised in the pewter. The rays evoke a powerful sense of spirituality. The pendant is a good size--large enough to be noticed but not overwhelming. The chain, which I believe is original to the piece, is included. This pendant is shown in Vidal's catalog from the 1970s--it is design P105--see photo 4. Suitable for men or women... Size: Pendant measures 1 5/8" x 1 3/16", chain measures @ 21 1/2". Marks: Signed with what I believe is his earlier mark--"gv" Condition: Excellent vintage condition. Inv # 158448
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Reproductions of Medieval and Renaissance Illuminated Manuscript Vidal Mayor, c. 1310 Vidal de Canalas, Spanish Full Size Reproduction: Image: 15 x 9.8 inches Fine Art Reproduction This reproduction is a new, individually printed and proofed, superior quality, giclee* process, fine art print using archival pigment inks to ensure permanence. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence. Created for collectors, this reproduction IS NOT A POSTER on low quality, inexpensive paper. Unique to the Middle Ages and early Renaissance, illuminated manuscripts were handcopied books on parchment, vellum or paper. Supplemented by decorated initials, elaborate borders and miniature illustrations in shining gold and colorful brilliant paints they were reserved for special books like prayer books and altar Bibles. Original Medium: Tempera, gold and ink on parchment. Reproduction - Colored inks on Fine Art Paper. Image Size: full - image: 15 x 9.8 inches printed on larger 18 x 13 inch paper to allow ample borders for matting and framing Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
Georgia Aquarium designed by Alexander Vidal. Connect with them on Dribbble; the global community for designers and creative professionals.
There is no such thing as "off duty" when you're Lady Gaga.
PETE JENSON AT THE NOU CAMP: For a half Las Palmas lived with the mighty Barcelona but they eventually succumbed, the away side nearly always does at the Nou Camp, it is just a matter of when.
Find out the latest news, stage reports, race scores and expert analysis from the 2016 UCI Cyclo-cross World Championships Elite Men. Cyclingnews.com: The world centre of cycling.
Etsy's system did not allow me to change shipping on some lighter items, like most jewelry, to less expensive shipping options rather than Priority shipping. If you want to purchase something and would like to pay less for shipping, please message me before you buy and if it's something I can send less expensively, I will revise before you buy it. Thanks! Here's an interesting cross pendant in Guy Vidal's distinctive brutalist style, where the cross is a negative space surrounded by rays incised in the pewter. The rays evoke a powerful sense of spirituality. The pendant is a good size--large enough to be noticed but not overwhelming. The chain, which I believe is original to the piece, is included. This pendant is shown in Vidal's catalog from the 1970s--it is design P105--see photo 4. Suitable for men or women... Size: Pendant measures 1 5/8" x 1 3/16", chain measures @ 21 1/2". Marks: Signed with what I believe is his earlier mark--"gv" Condition: Excellent vintage condition. Inv # 158448
Rosary Tau Arms Crsss for Man .Jesus Crucifixion - Heavy cross for a man who fights against evil . Made in Canada Solid Bronze metal One of kind
Σταυροθήκη με τεμάχιο Τιμίου Ξύλου. Περίπου 1210-1220. Σήμερα στο Μουσείο Καλών Τεχνών της Λιλ, Γαλλία. Διαστάσεις: 38,4 Χ 17,9 Χ 1,6 εκ. Πρόσφατα στη Γαλλία πραγματοποιήθηκε σε δύο μουσεία από κοινού μία έκθεση με τίτλο "Une renaissance. L’art entre Flandre et Champagne 1150-1250" (Μία αναγέννηση. Η τέχνη μεταξύ Φλάνδρας και Καμπανίας 1150 -1250). Η Φλάνδρα και η Καμπανία είναι περιοχές του Βελγίου και της Γαλλίας αντίστοιχα σήμερα. Η αφίσα της έκθεσης του Εθνικού Μουσείου Μεσαιωνικής Τέχνης στο Παρίσι. Τα μουσεία ήταν: το Εθνικό Μουσείο Μεσαιωνικής Τέχνης στο Παρίσι (από 17 Απριλίου έως 15 Ιουλίου) και το Μουσείο Σαντελέν (Musée de l'hôtel Sandelin) στην πόλη Saint-Omer (Pas-de-Calais) της Βόρειας Γαλλίας (από 7 Απριλίου έως 30 Ιουνίου 2013). Χάρτης της Φλάνδρας και της Καμπανίας του 12ου-13ου αιώνα με τα κυριότερα κέντρα καλλιτεχνικής παραγωγής, αργυροχρυσοχοΐας, παραγωγής χειρογράφων (scriptoria) κτλ. Η έκθεση αφορούσε στην πραγματικότητα αντικείμενα εκκλησιαστικής τέχνης και όπως δήλωσαν οι διοργανωτές, η μεταφορά καλλιτεχνικών θησαυρών από το Βυζάντιο στη Δύση ως αποτέλεσμα των σταυροφοριών προκάλεσε με τη σειρά της ισχυρή επιθυμία καλλιτεχνικής μίμησης στους τοπικούς τεχνίτες και αργυροχρυσοχόους, ώστε να δημιουργηθεί ανάμεσα στο 12ο και στο 13ο αιώνα στην Καμπανία και στη Φλάνδρα μία καλλιτεχνική αναγέννηση στην εκκλησιαστική τέχνη. Δείγματα λειψανοθηκών. Περίπου 1220-1230. Μέρος του θησαυρού του αββαείου Saint-Riquier. Ανάμεσα στα εκθέματα της έκθεσης υπήρχαν μερικές πολύ υψηλού καλλιτεχνικού επιπέδου λειψανοθήκες, αλλά και σταυροί ή σταυροθήκες με Τίμιο Ξύλο, που εικόνες των η λειψανοθήκη συγκέντρωσε και σας παρουσιάζει εδώ: Το τρίπτυχο των Alton Towers. Κάποτε περιείχε τεμάχιο Τιμίου Σταυρού ή και άλλα λείψανα. Περίπου 1150-1160. Σήμερα στο Mουσείο Βικτώρια και Άλμπερτ του Λονδίνου. Τρίπτυχη σταυροθήκη με τεμάχιο Τιμίου Σταυρού και άλλα λείψανα του Πάθους του Χριστού. Περίπου 1165-1175. Σήμερα στο Μουσείο Petit Palais του Παρισιού. Τρίπτυχη σταυροθήκη με τεμάχιο Τιμίου Σταυρού και άλλα λείψανα του Πάθους του Χριστού. Περίπου 1165-1175. Σήμερα στο Μουσείο Petit Palais του Παρισιού. Τρίπτυχη σταυροθήκη με τεμάχιο Τιμίου Σταυρού και άλλα λείψανα του Πάθους του Χριστού. Η σταυροθήκη, όπως μπορείτε να δείτε, περιέχει πολλά μικρολείψανα από το Πάθος του Χριστού μέσα σε μικρές γυάλινες θήκες. Ανάλυση αυτής της σταυροθήκης θα γίνει σε μελλοντική μας ανάρτηση. Η τρίπτυχη σταυροθήκη με Τίμιο Ξύλο επονομαζόμενη και τρίπτυχο de Florennes. Περίπου 1210-1230. Σήμερα στο Βασιλικό Μουσείο Τέχνης και Ιστορίας των Βρυξελλών. Η τρίπτυχη σταυροθήκη με Τίμιο Ξύλο επονομαζόμενη και τρίπτυχο de Florennes (κλειστή) Περίπου 1210-1230. Σήμερα στο Βασιλικό Μουσείο Τέχνης και Ιστορίας των Βρυξελλών. Σταυρός με τεμάχιο Τιμίου Ξύλου (σε μια μικρή θήκη σε σχήμα σταυρού πάνω από το κεφάλι του Χριστού). Περίπου 1205. Σήμερα στο Μουσείο του Λούβρου. Σταυρός με τεμάχιο Τιμίου Ξύλου. Περίπου 1210-1220. Σήμερα στο Μουσείο Σαντελέν. Σταυρός με τεμάχιο Τιμίου Ξύλου (η πίσω πλευρά). Περίπου 1210-1220. Σήμερα στο Μουσείο Σαντελέν. Σταυρός με τεμάχιο Τιμίου Ξύλου. Περίπου 1210-1220. Σήμερα στην Εκκλησία Blanchefosse (Ardennes). Σταυρός με τεμάχιο Τιμίου Ξύλου και λείψανα αγίων σε μικρές θήκες. Περίπου 1220. Σήμερα στo θησαυρό του Καθεδρικού της Αμιένης. Σταυρός με τεμάχιο Τιμίου Ξύλου. 13ος αιώνας. Σήμερα ιδιοκτησία της κοινότητας Douchy-les-Mines. Αποδείχτηκε ότι προέρχεται από τη λεηλασία της Κωνσταντινούπολης το 1204. Η αριστουργηματική λάρνακα λειψανοθήκη της Notre-Dame Flamande στη Τουρνέ, που περιέχει λείψανα των αγίων Eloi και Amand. Θεωρείται ένα από τα επτά θαύματα του Βελγίου. Κατασκευάστηκε το 1205. Λειψανοθήκες που περιέχουν την κάρα (αριστερά) και τα οστά (δεξιά) του αγίου Regnobert de Bayeux (πεθ. 627). Περίπου 1200. Λειψανοθήκη που περιέχει δόντι του Αγίου Νικολάου. Αρχές 13ου αιώνα. Βρίσκεται στο θησαυρό του Καθεδρικού της Arras που εκτίθεται στο Μουσείο Καλών Τεχνών της πόλης Arras, στη Γαλλία. Πρωτότυπη λειψανοθήκη - σταυροθήκη που περιέχει: Τίμιο Ξύλο και μικρολείψανα της Μαρίας της Μαγδαληνής, του πρωτομάρτυρα Στέφανου και των αποστόλων Ιακώβου, Φιλίππου και Βαρθολομαίου. Περίπου 1230. Σήμερα στο Εθνικό Μουσείο Μεσαιωνικής Τέχνης του Παρισιού. Λειψανοθήκη του τύπου phylacterium. Στη θήκη μπροστά διατηρείται ένα δάχτυλο της Marie d'Oignies. Περίπου 1226-1230. Σήμερα στο Βασιλικό Μουσείο Τέχνης και Ιστορίας των Βρυξελλών. Λειψανοθήκη χεριού του Αγίου Landelin (613-686). Περίπου 1223-1230. Ιδιοκτησία της κοινότητας Crespin. Λειψανοθήκη Ιεράς Άκανθας του Ακάνθινου Στέφανου του Χριστού. Περίπου 1250-1260. Άγνωστο αν η Ιερά Άκανθα βρίσκεται ακόμη εκεί. Couvent des Dames Augustines, Arras. Λειψανοθήκη. Περίπου 1200-1210. Σήμερα στο Εθνικό Μουσείο Μεσαιωνικής Τέχνης του Παρισιού. Ο πολύ ωραίος κατάλογος της έκθεσης: Une renaissance. L’art entre Flandre et Champagne 1150-1250.
Trinity Cross sterling silver cross Solid sterling silver The Trinity Cross is a beautiful symbol of faith for oneself or as a special gift for a loved one. Its elegant, geometric design is inspired by the Holy Trinity and expresses it from every angle. The spiritual message embodied in the Trinity Cross is belief in the love and compassion of Christ’s atonement and His promise of Eternal Life. The Trinity Cross solid silver pendant is made by the lost wax method, and is hand cast and hand polished. The design's first incarnation was in clay in 2011 when I made a free-standing ceramic. I then transformed the design into fine jewelry using the lost wax method In 2012, the Trinity Cross pendant won First Place in the category of Inspirational Jewelry Design at the JCK Jewelers' Choice Awards international design competition. The sacred geometry of the Trinity Cross visually represents the pointing to and meeting of two directions: God's divine love for humanity and humanity's love for God. The front view is a triangle that is wide at the bottom and thin at the top; the side view is a triangle that is thin at the bottom and wide at the top. But, although the Trinity Cross appears simple and geometric, it is actually organic. Two integrated forms made up of eight triangles that include subtle curvature in their planar surfaces create the unique, harmonious Trinity Cross design. Letter from the Vatican Pope Francis has acknowledged the unique commemorative Trinity Cross pendant that designer Charles Sherman created for him. A copy of the Vatican letter comes with every order. Petite and Small Trinity Cross pendants come with choice of a beautiful, 8-sided 16, 18, or 20 inch length sterling silver chain. Medium and Large Trinity Cross pendants come with a Certificate of Authenticity and choice of a beautiful, 8-sided 16, 18, 20, 22, or 24 inch length sterling silver chain. Free domestic shipping from Los Angeles, California. See the Trinity Cross from all angles. Watch the Trinity Cross video on YouTube. Copy and paste the link below into your browser: https://www.youtube.com/watch?v=Jokoe6MXL5c Petite ............. 5/8" ....... $129 Small ........... 1 1/8" ...........145 Medium ....... 1 5/8" ........ 315 Large ........... 2 3/8" ....... 509 Earrings in the Petite 5/8" size ....... $219 ~ in the Small 1 1/8" size....... $255 - see additional Etsy listing Ring, sizes 5 - 10 ... price depends upon the size - see additional Etsy listing American Trinity Cross 1 5/8" size, jeweled version with ruby, diamond and sapphire........$1000 ~ see additional Etsy listing. Trinity Cross may be cast in gold and include a diamond or birth stone. Please contact me. Trinity Cross cremation keepsake pendant 1 1/8" size ......... $190 ~ see additional Etsy listing
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Ai lutti e al dolore, si aggiunge l'angoscia della ricostruzione...ma vogliamo fortemente credere che essa saprà ridare la struttura già conosciuta che ha a lungo accompagnato la fisionomia della città.
Reproductions of Medieval and Renaissance Illuminated Manuscript Vidal Mayor, c. 1310 Vidal de Canalas, Spanish Full Size Reproduction: Image: 15 x 9.8 inches Fine Art Reproduction This reproduction is a new, individually printed and proofed, superior quality, giclee* process, fine art print using archival pigment inks to ensure permanence. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence. Created for collectors, this reproduction IS NOT A POSTER on low quality, inexpensive paper. Unique to the Middle Ages and early Renaissance, illuminated manuscripts were handcopied books on parchment, vellum or paper. Supplemented by decorated initials, elaborate borders and miniature illustrations in shining gold and colorful brilliant paints they were reserved for special books like prayer books and altar Bibles. Original Medium: Tempera, gold and ink on parchment. Reproduction - Colored inks on Fine Art Paper. Image Size: full - image: 15 x 9.8 inches printed on larger 18 x 13 inch paper to allow ample borders for matting and framing Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
