Laurits Andersen Ring At Breakfast 1898

Paul Gustav Fischer

Peter Ilsted var en dansk maler, uddannet på Kunstakademiet 1878-1884. Peter Ilsted begyndte som realist med skildringer fra dagliglivet, men efterhånden blev hans billeder mere enkle og poetiske, bl.a. under påvirkning fra svogeren Vilhelm Hammershøi og symbolismens interesse for det sjælelige og tidløse, hos Peter Ilsted båret af en raffineret lysbehandling, inspireret af Rembrandt.

Roy G. Krenkel ~ Tarzan and the Tarzan Twins by Edgar Rice Burroughs От http://thegoldenagesite.blogspot.ru/ Rawsthorne Street, All Soul’s Church, Bolton Brian Barlow (b. 1934) Oil on canvas, 74.5 x 65 cm, c.1971. Bolton Library & Museum Services Oscar Kleineh (1846-1919), Clair de Lune Alfred…

Carl Holsøe (Danish, 1863-1935), Interior. Canvas, 47.5 x 42 cm.

Sólo son tres los pintores daneses que se atreven a buscar nuevas formas de enfrentar el Lienzo, a finales del siglo XIX, con una mirada y una paleta diferente al tradicional academicismo que inf…

Anna Maria Elisabeth Lisinska Jerichau-Baumann (Warsaw, November 21, 1819 - Copenhagen, July 11, 1881) was a Polish-Danish painter. She was married to the sculptor Jens Adolf Jerichau. [National Gallery of Denmark, Copenhagen - Oil on canvas, 107 x 142.5 cm]

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CARL HOLSOE

Peder Severin Krøyer portrayed the life of the artists. Scenes such as walking along the beach, dining together, and the magnificent atmosphere of the evenings in the moonlight was Krøyer’s chosen motifs. Krøyer was 14 years old when he first enrolled to the Royal Academy of Fine Arts. He was quite talented as an artist, and he was respected as a portrait painter, which by this time was a very prestigious genre.

Carl Christian Frederick Jacob Thomsen (Danish 1847-1912)

Air de Capri (1923). Gerda Wegener (Danish, 1889-1940). Oil on canvas. After moving to Paris in 1912, she found much success both as a painter and as illustrator for Vogue, La Vie Parisienne,...

Mother and Child Little Brother Lunch In The Garden Elise And Soren Entertaining Grandmother Evening Prayer Sunlight In The Blue Room A Funeral Sheep Shearing A Sewing Class In Skagen Two Girls At …

Lili Elbe, a Danish-born transgender woman, famously transitioned in the early twentieth century. What did her spouse, Gerda Wegener, think about it?

Signed lower left, 'Clement' for Gad Frederick Clement (Danish, 1867-1933) and painted circa 1920. Titled, verso, on old exhibition label, 'Fra Haven' (From the Garden). Additionally signed, verso, on stretcher bar and titled, 'Vesterby, Skagen'. Exhibited: Skagen Museum, circa 1920, from label, verso. 'Helsinki Art Gallery, 1928', from label, verso. 'Danish Art Convention Forum, 1929', from label, verso. Gad Clement created this radiant painting in the garden of the Vesterby beach house where he and his wife, the artist Martha 'Tupsy' Clement, summered from 1908-1920. This substantial and exhibited work shows Tupsy at her easel with their daughters, Bitten (b.1912) and Lillemor (b.1909). Fusing the ideal and the personal, Clement lyrically expresses both the bonds of maternity and the dreamland of childhood, achieving a sublime level of emotional complexity.  Gad Clement first studied at Copenhagen's Technical School (1883–1885) before attending the Académie des Beaux-Arts in Paris (1885-1888). Returning to Denmark, he continued his studies under Laurits Tuxen and Kristian Zahrtmann. In 1892, Clement spent time with Gauguin and Serusier in Brittany and this Symbolist influence was evident in his earliest exhibits at Copenhagen's Charlottenborg Palace. From 1890, his annual visits to Italy led him to the works of the Italian masters, particularly those of Masaccio and Lorenzo di Credi. The handling of light and purity of color he admired in these early Renaissance paintings can increasingly be seen in his works after 1894. Towards the end of the century, Clement evolved a more relaxed and naturalistic style that combined Realism and Impressionism. Over the course of a long career, Clement exhibited internationally with success including, from 1890, at the Charlottenborg Palace and, from 1893, at the Salon des Artistes Français. He was the recipient of numerous prizes, medals and juried awards including an honorable mention at the Paris Universal Exposition (1900), and a Gold Medal from the Munich Academy (1909).   Reference: Vera Rasmussen, "G. F. Clement", Kunstindeks Danmark & Weilbachs Kunstnerleksikon; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 3, p. 699; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 79-80; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; The tower, feb. 1894; Pole. 17.4.1909 (N. Lützhøft); 24.4.1909; Kr. Zahrtmann, En; E. Hannover, Danische Kunst des 19. Jajrj., Leipzig 1907, p. 135; Kat. der Munchener Glaspal.-Ausst. 1909; "Kunstbladet" 1898 p. 149; et al. less