Una de las características principales del arte es su capacidad para discernir la separación entre lo representado en la imagen y su existencia en la realidad. El espectador enseguida se da cuenta …

While we've now seen our share of hyperrealistic sculptures, Sam Jinks' are in a league of their own. An Australian sculptor who used to work in

Tristan Pigott is an artist based in London, UK. Tristan creates ambiguous work, which draws the viewers in, allowing them to spend time working out the different connotations of the surreal narratives. It plays with people’s perceptions of a situation by using fashion models who help represent the socially constructed front or ambiguity of the situations painted as their jobs in fashion help show the superficiality of a persons front. Tristan’s paintings are simple explorations of human characteristics, depicted and enhanced with the use of proportion and surreal ideas. His interest in how people perform in every day life informs his work: he exploits characteristics of a person’s self-projection such as the use of fashion, which he makes poignant in his paintings, whether in a humorous approach, or by use of composition. Tristan’s painting also has an interesting relation to photography, keeping a distance from photographic realism. Keeping a division between the two enables an important detachment from realism, creating space and leaving the viewer a chance to connect with the work.

We first featured freelance artist Irakli Nadar a few years ago because we fell in love with his beautiful hyper-realistic digital art. More

Hiperrealismo en pintura Normalmente se suele hacer mucho hincapié en los artistas del pasado, sobre todo los clásicos. Yo misma soy una gran amante de aquellos pero, es cierto, que también en la actualidad podemos encontrar una amplia variedad dentro del campo artístico que, en pocas ocasiones, son nombrados. Fue mi padre quien me habló de éste artista, Imán Maleki. Es un pintor iraní, nacido en 1976 en Teherán que, desde pequeño, mostró su vocación por la pintura, instruído por otro pintor importante dentro del hiperrealismo iraní, Morteza Katouzian. Muestra una técnica impecable, propia del realismo casi fotográfico. De hecho, hablan los críticos de que "sus dibujos compiten con las cámaras digitales de 10 Megapíxeles". Es por ello que se le aplica el prestigioso nombre de pintor del hiperrealismo. Sus obras reflejan la realidad de su pueblo, con toques poéticos y surrealistas en ocasiones, donde muestra ese carácter mimético que lo caracteriza, dotando de vida sus cuadros. Está considerado por algunas personas como el mejor pintor del arte realista actual, y no lo pondría en duda. Además ha sido galardonado con el premio William Bouguereau y el "Chairman's Choice" en la II Competición Internacional de Art Renewal Center. Sin mucho más que añadir, deberíais verlo por vosotros mismos. Es asombroso. Espero que lo disfrutéis. ¡Hasta pronto!

Jantina Peperkamp is a self-taught artist from Holland, painting incredibly realistic portraits. In her works the final result is established by the e

Illustration Art By Aykut Aydoğdu Aykut Aydoğdu, Turkey is an artist born in 1986 in Ankara. Aydoğdu, who has worked on art in both his high school years

Para ajudar ainda mais os iniciantes no Desenho Realista, hoje quero trazer para você, mais um grande trabalho do meu amigo Charles Laveso. Dessa vez ele criou um e-book que traz muita informação de qualidade sobre Desenhos Realistas. O título desse e-book é 7 Princípios Básicos para fazer Desenhos Realistas. E o melhor de tudo […]

While we've now seen our share of hyperrealistic sculptures, Sam Jinks' are in a league of their own. An Australian sculptor who used to work in

Buy art from Angelika Lomako (Free Shipping, Secured direct purchase): Drawing titled "Moment"

Tristan Pigott is an artist based in London, UK. Tristan creates ambiguous work, which draws the viewers in, allowing them to spend time working out the different connotations of the surreal narratives. It plays with people’s perceptions of a situation by using fashion models who help represent the socially constructed front or ambiguity of the situations painted as their jobs in fashion help show the superficiality of a persons front. Tristan’s paintings are simple explorations of human characteristics, depicted and enhanced with the use of proportion and surreal ideas. His interest in how people perform in every day life informs his work: he exploits characteristics of a person’s self-projection such as the use of fashion, which he makes poignant in his paintings, whether in a humorous approach, or by use of composition. Tristan’s painting also has an interesting relation to photography, keeping a distance from photographic realism. Keeping a division between the two enables an important detachment from realism, creating space and leaving the viewer a chance to connect with the work.