a girl with a wild imagination who loves to create with Paper and Paint, drink Tea and go on adventures in Great books!
Vintage Erte art fashion print for Art Deco decor. By world famous French artist, Erte. You will receive the original vintage book plate. Not a modern copy. Print: Ebony and White Artist: Erte Type: Lithograph Style: Art Deco Pub: 1987 Size: 13 1/2" x 10" Image size: 11" x 8 3/4" SAVE 12%!!! and get FREE SHIPPING ******************************** With a purchase of $40.00 or more of any combination of my prints. Enter coupon code at checkout. CODE: BUY40SAVE12 ******************************** View all of my Art Deco prints. CLICK BELOW: https://www.etsy.com/shop/katsvintageprints ?ref=seller-platform-mcnav§ion_id=20957725 **************************************************** This is the original book plate print. Sourced from an out of print volume of Erte artwork. Printed on high quality, heavy weight paper with a glossy finish. Assuring your art print will last. This vintage Erte print was carefully removed from a very high quality first edition publication. Produced from the original art for a print you can proudly display or present as a gift. There is another print on the reverse side. No show through. Highly suitable for framing. Border all around for ease of matting/framing. Name of the Erte image is on the border at the bottom of page. This classic Erte art makes stunning wall decor hung singly, or hang several in a group for a vibrant, lively display. ARTIST INFO: Romain de Tirtoff (1892-1990) Russian born artist, known as "Erte". World famous for his colorful, flamboyant work. Known as a French artist and designer. Erte flourished in a wide variety of fields. His art and ideas still influence fashion into the 21st century. CONDITION: Very good. Clean, colors bright. May have minor wear on border. Only one available: Make it Yours Now! ******************************************* Shipping Notice: I combine shipping on multiple prints. Pay shipping for first print, all additional prints ship free. Ships promptly ( 1 to 3 business days.) Packaging: I package my prints in archival safe material. Secured between heavy cardboard for protection. Water proof packaging. Insured against damage. Always handled with great care. ******************************************** Thanks for looking at my item! My guarantee to you: If for any reason you are not satisfied, please contact me I will work with you to make things right. In case of a damaged print, you will get 100% refund.
Великий князь мюзик - холла и зеркало моды в течение 75 лет ( так стали называть Романа Петровича Тыртова после его смерти в 1990 году) родился в семье старинного дворянского рода (берущего своё начало от хана Тырта). Роман был единственным наследником генерал -…
Explore ondiraiduveau's 47583 photos on Flickr!
Erte Alphabet from andrejkoymasky.com
Erté (Romain de Tirtoff) 1892-1990 | Russian-French Cheveux noirs (Dark Hair) Signed “Erté” (lower center) Inscribed "Cheveux Noirs / 1 mannequin / n°18.16 / Composition originale" (en verso) Gouache on paper This original gouache from the creative mind of Erté entitled Cheveux noirs embodies the Art Deco glamour and cheeky sensuality for which the artist’s works are so beloved. Created for Roland Petit, one of Erté’s closest confidants, this costume design showcases the oft-called "Father of Art Deco’s groundbreaking creativity and daring sense of fashion. Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage. In Cheveux noirs, Erté fashions an elaborate costume from what appears to be only black hair. The dancer’s profusion of onyx-hued locks are gathered into a striking ponytail and she holds the voluminous and curly mane out like a fur stole. A scant layer of thin strands falls over the model’s face, creating a sheer veil-like effect. While her chest is entirely bare, Erté includes a curly tuft of hair that resembles a traditional fig-leaf covering in the figure’s lower region. Both shockingly risqué and fashionably clever, this artful and over-the-top costume epitomizes the Art Deco drama and daring sensuality of Erté‘s oeuvre. Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies Bergère, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Circa 1969 Paper: 13 3/4” high by 9 1/2” wide Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep Exhibitions: M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024 Provenance: Private collection, Paris M.S. Rau, New Orleans
Authentic, ERTÉ ART DECO Print taken from a first edition book. Published in 1982 by E. P. Dutton, New York This is a genuine vintage print (NOT A COPY OR MODERN REPRODUCTION). The condition of the Book Plate is excellent, sourced from a first edition book and printed on quality, coated paper. The colours are still bright and vivid and it will look superb framed, either alone or in a group, for any discerning Erte or fashion and design aficionado! Print Size 10" x 13 1/4" with the image measuring approx 8 3/4" x 7 1/2". White border round print with title and number bottom margin allows entire image to be displayed when framed. ******** ** MULTIPLE ITEM SHIPPING DISCOUNT: I WILL COMBINE ANY NUMBER OF PRINTS IN ONE PACKAGE AND CHARGE ONLY ONE SHIPPING FEE *** ALL ERTE PRINTS ARE DISPATCHED IN STURDY POSTAL TUBES - NO CREASES OR DAMAGE! ******** Erté was the pseudonym given to Romain de Tirtoff (23 November 1892 – 21 April 1990), being the French pronunciation of his initials, R.T. He was a Russian-born French artist and designer who flourished in a wide variety of fields including fashion, jewellery, costume and set design for films, theatre and the opera. Between 1915 and 1937 Erté designed over 200 covers for Harper's Bazaar and his illustrations also appeared in publications including the Illustrated London News, Cosmopolitan, Ladies Home Journal and Vogue. He lived to be nearly 98! Erté is perhaps most famous for his elegant fashion designs which capture the Art Deco period in which he worked. One of his earliest successes was designing for the French dancer Gaby Deslys who died in 1920. His delicate figures and sophisticated, glamorous designs are instantly recognisable, and his ideas and art still influence fashion into the 21st century. His costumes and set designs were featured in the Ziegfeld Follies of 1923 and many productions of the Folies Bergeres. In 1925 Louis B. Mayer brought him to Hollywood to design sets and costumes for many of the Silent Films. By far his best known image is Symphony in Black, depicting a tall, slender woman draped in black holding a thin black dog on a leash. In the New York Times Erté was described as "an Aubrey Beardsley who mastered the Foxtrot and occasionally broke into the Charleston". But whether his spectacular designs for Broadway, the Folies Bergeres in Hollywood or in the many exquisite fashion drawings from 1913 to 1972 which are contained in the fascinating prints I am now able to offer individually, Erté is always, unmistakably himself. An artist whose superb draughtsmanship and unflagging creativity renders everything he designs into an object of lasting beauty.
Erté (Romain de Tirtoff) 1892-1990 | Russian-French Les filles final (The Final Girls) Signed “Erté” (lower right) Inscribed No. 18.340 (en verso) Gouache on paper An elaborate design for a dazzling grand finale, this daring costume features a rainbow-hued feather boa bustle complete with batons — and little else. With this risqué ensemble, a talented showgirl could wield her colorful feathered train to command an audience’s attention. This bold and feminine look embodies the Art Deco glamour for which the Erté's designs are so beloved. The elegant composition exudes the quintessential opulence and drama that only Erté, the oft-called “Father of Art Deco,” could achieve. Entitled Les filles final, Erté renders his nearly-nude star with show-stopping features, complete with a sparkling collar necklace and crowned by a unique architectural headpiece. Erté designed this costume as the piece-de-resistance for a show at the Casino de Paris, a renowned music hall with a rich history dating back to the 18th century. Following the First World War, the Casino de Paris emerged as one of Paris' most beloved music halls, graced by performances from luminaries such as Josephine Baker, Edith Piaf and Marlene Dietrich, and through the following decades it has remained an iconic hub for rich nightlife, music and entertainment. The Casino de Paris was renowned for its dazzling burlesque performance and over-the-top cabaret shows and this beautiful costume certainly meets the moment with its rainbow of feathery stoles. Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Dated 1974 Paper: 15” high by 11” wide Frame: 20 3/4” high by 16 7/8” wide by 3/4" deep Provenance: Private collection, Paris M.S. Rau, New Orleans
INTERNATIONAL EVOLUTION: YVONNE COLACION GOES GLOBAL...AGAIN! -- Southern California-based designer Yvonne Colacion is such a globetrotter nowadays, that when she lands somewhere, it becomes an opportunity to hear from the lady herself. This Thursday, May 3, 2012, Colacion is a keynote speaker (along with Kirk Nix of KNA Design) at the program "Luxury by Land and by Sea" (moderated by celebrated architect and writer Michael Webb!) at the Pacific Design Center in West Hollywood where she and Nix will share their experiences on working abroad on some very prestigious projects. When she started her own firm -- Colacion Studio -- it was the perfect vehicle to continue creating interiors for residential projects, luxury villas, super yachts and corporate facilities around the world -- similar to what she had done on an international level (minus the 155-foot-long M/Y 360 yacht that she just completed!) during her tenures as vice president of corporate interiors at RTKL and as a senior associate at Gensler. Hopping a jet to Kuwait City, Beirut, the French Riviera or any numerous designations abroad, Colacion loves her role as a force in the world design community. “I never dreamed that I would be designing magnificent properties in the Middle East, or traveling there to meet some of the world’s most influential people on an ongoing basis. I’m grateful for the global inspiration that I have gleaned from these travels," she notes. Her clean and modern sensibilities have transformed the headquarters of real estate and project development giant Tamdeen Group in Kuwait City into a spacious, light-filled place that also reflects elements of the Arab culture. This project was honored by the Society of British Interior Design and has flung open the doors to designing even more projects in the Middle East for Colacion -- not an easy feat to accomplish. But then, Colacion's passion for and knowledge of working in foreign climes has always been reasons why she's called on time and again to work her brand of magic overseas. And which is why listening to her firsthand at the Pacific Design Center this coming Thursday will provide an insight into the booming foreign markets that tempt many a designer who want a global following like the very stylish one that Colacion has successfully found. http://www.colacionstudio.com/ http://www.pacificdesigncenter.com/#/programs-events/ Images courtesy Colacion Studio / Rug in top photo designed by Phyllis Morris for Decorative Carpets
Romain de Tirtoff (1892 –1990) Russian-born French artist and Art Deco designer known by the pseudonym Erte. ____ Digital compilation by plumleaves... I added the snow ;)
ok. i know that erté is technically an illustrator as opposed to a fine artist, but i don't care! that being said: learn more about illustrator, stage & costume designer erté (romain de tirtoff) here. also: illustrated alphabet & illustrated...
See how Erte (a.k.a. Romain de Tirtoff) helped define the aesthetic of the Art Deco movement through jewelry, fashion illustrations, costume and set design.
Original, ERTÉ ART DECO Print taken from a first edition book. Published in 1988 by E. P. Dutton, New York These are genuine vintage prints (NOT MODERN REPRODUCTIONS). The condition of the Book Plates are excellent, sourced from a first edition book and printed on quality, coated paper. The colours are still bright and vivid and they will look superb framed, either alone or together, for any discerning Erte or fashion and design aficionado! Print Size 10" x 13 1/4" with the image measuring approx 8 1/4" x 10 3/4" ******** ** MULTIPLE ITEM SHIPPING DISCOUNT: I WILL COMBINE ANY NUMBER OF PRINTS IN ONE PACKAGE AND CHARGE ONLY ONE SHIPPING FEE *** ALL ERTE PRINTS ARE DISPATCHED IN STURDY POSTAL TUBES - NO CREASES OR DAMAGE! ******** Erté was the pseudonym given to Romain de Tirtoff (23 November 1892 – 21 April 1990), being the French pronunciation of his initials, R.T. He was a Russian-born French artist and designer who flourished in a wide variety of fields including fashion, jewellery, costume and set design for films, theatre and the opera. Between 1915 and 1937 Erté designed over 200 covers for Harper's Bazaar and his illustrations also appeared in publications including the Illustrated London News, Cosmopolitan, Ladies Home Journal and Vogue. He lived to be nearly 98! Erté is perhaps most famous for his elegant fashion designs which capture the Art Deco period in which he worked. One of his earliest successes was designing for the French dancer Gaby Deslys who died in 1920. His delicate figures and sophisticated, glamorous designs are instantly recognisable, and his ideas and art still influence fashion into the 21st century. His costumes and set designs were featured in the Ziegfeld Follies of 1923 and many productions of the Folies Bergeres. In 1925 Louis B. Mayer brought him to Hollywood to design sets and costumes for many of the Silent Films. By far his best known image is Symphony in Black, depicting a tall, slender woman draped in black holding a thin black dog on a leash. In the New York Times Erté was described as "an Aubrey Beardsley who mastered the Foxtrot and occasionally broke into the Charleston". But whether his spectacular designs for Broadway, the Folies Bergeres in Hollywood or in the many exquisite fashion drawings from 1913 to 1972 which are contained in the fascinating prints I am now able to offer individually, Erté is always, unmistakably himself. An artist whose superb draughtsmanship and unflagging creativity renders everything he designs into an object of lasting beauty.
Explore ondiraiduveau's 47583 photos on Flickr!
Erté (Romain de Tirtoff) 1892-1990 | Russian-French La Veuve Rusée Signed “Erté” (lower right) Gouache on paper La Veuve Rusée, first performed in 1748 in Venice, is a comedy centering on young widow Rosaura Lombardi as she evaluates the merits of four suitors. The widow later disguises herself as a seductress to test each suitor’s loyalty and fidelity. The comedy remained popular into the 20th century, and Erté took the performance’s costuming to new heights in a rather literal manner. The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Circa 1974 Paper: 14 1/4" high x 10 1/4" wide Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep Provenance: Private collection, Roland Petit et Zizi Jeanmaire, Paris Private collection, Paris M.S. Rau, New Orleans Exhibitions: Musée Rath, Genève, Zizi Jeanmaire – Roland Petit. Un patrimoine pour la danse, April -August 2007 M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Erte - Venus
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ERTE - "Blossom Umbrella" This Artwork is: NEWLY CUSTOM FRAMED (In A TOP QUALITY Black/Silver WOOD Frame) Double Matted in Black/Off-White The Framed size is Approx. 14.5" x 17.5" Image Size: 7.5" x 10.5" THE FRAMING ALONE IS WORTH OVER $150
Erte Alphabet from andrejkoymasky.com
Erté (Romain de Tirtoff) 1892-1990 | Russian-French La nouvelle Angleterre New England Signed “Erté” (lower right) Inscribed "No. 12.407 / Les Nouvelles / La nouvelle Angleterre / Composition originale" (en verso) Gouache on paper This original gouache from the creative mind of Erté entitled La nouvelle Angleterre puts the spotlight on Erté’s tongue-in-cheek artistry. Created in a series of works Erté cleverly dubbed Les Nouvelles or The News, this ensemble showcases Erté‘s sartorial interpretation of New England. A combination of high fashion and double entendre, this clever and daring design showcases the Oft-called “Father of Art Deco’s" creative genius. In this gouache, Erté envisions New England as a scantily clad model dressed in the regalia of a British king, complete with Ermine robes. However, it appears that Erté trades the spotted fur for tassled fabric. The model’s shoulders are draped with a red stole showing the traditional lion of the British monarchy on one side and a fantastical unicorn figure on the other—perhaps Erté’s commentary on the fate of the British colonies in the Americas. The ensemble is completed by an elaborate crown and a multitude of necklaces—however rather than being fashioned from shiny Crown Jewels, the items are created from an abundance of pearls, possibly symbolizing the great voyage to the New Americas. Ever the risk-taker, Erté‘s ensemble features a completely open bust, exposing the entirety of his model’s chest in a dramatic fashion. This creative and striking gouache on paper underscores Erté’s clever imagination, unique point of view and unimpeachable sartorial genius. Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Painted 1952 Paper: 15" high x 11" wide Frame: 20 3/4" high x 16 3/4" wide x 5/8" deep Provenance: Private collection, Paris M.S. Rau, New Orleans Exhibitions: M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
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ССЫЛКИ: Эрте. Жизнь в стиле арт-деко - статья Серафимы Чеботарь chebotar Fashion Drawings and Illustrations from "Harper's Bazaar" by Erte - купить на OZON Эрте: ловец снов и Эрте. Vol. 2.
