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Kanye West wants freedom—white freedom. I could only have seen it there, on the waxed hardwood floor of my elementary-school auditorium, because I was young then, barely 7 years old, and cable had not yet come to the city, and if it had, my father would not have believed in it. Yes, it had to have happened like this, like folk wisdom, because when I think of that era, I do not think of MTV, but of the futile attempt to stay awake and navigate the yawning whiteness of Friday Night Videos, and I remember that there were no VCRs among us then, and so it would have had to have been there that I saw it, in the auditorium that adjoined the cafeteria, where after the daily serving of tater tots and chocolate milk, a curtain divider was pulled back and all the kids stormed the stage. And I would have been there among them, awkwardly uprocking, or worming in place, or stiffly snaking, or back-spinning like a broken rotor, and I would have looked up and seen a kid, slightly older, facing me, smiling to himself, then moving across the floor by popping up alternating heels, gliding in reverse, walking on the moon.

Romance noble cover Illustration

Gerald Diduck

Gerald Diduck

Gerald Diduck

Neue Literatur im Essl Museum mit dem Künstler Martin Schnur und den Autorinnen und Autoren Josef Kleindienst, Dieter Sperl, Magda Woitzuck und Isabella Feimer