Bram Stoker - Dracula Penguin Books 5280, 1979 Cover Artist: Andrew Holmes
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Losing yourself in a great novel is one of life’s joys. Here our critics Ceri Radford and Chris Harvey pick the books you need to read
Ein interessanter Aspekt während der Bildbearbeitung, vor allem im Bezug zur Restauration alter Fotografien, ist die Kolorierung alter Aufnahmen, die somit etwas lebendiger wirken. Als kleines Beispiel hier eine Aufnahme des Schauspielers Max Schreck, der in seiner Rolle als Graf Orlok in Nosferatu – Eine Symphonie des Grauens aus dem Jahr 1922 Filmgeschichte schrieb.
Francis Ford Coppola said that James V. Hart’s script for their 1992 movie Bram Stoker’s Dracula required the costumes to be the set. By collaborating with graphic designer Eiko Ishioka, Coppola...
Discover our collectable Puffin Clothbound Classic edition of Dracula
Count Dracula! A dark mist surrounded him as he appeared to float down the stairs. "Welcome to my house! Enter freely and of your own will. Go safely, and leave something of the happiness you bring!" 13"x19" Fine Art Print. Printed with archival inks on high-quality fine art paper. Image created by Greg Luzniak.
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Castle Dracula Magic the Gathering Art from Innistrad: Crimson Vow Set by Cliff Childs
Gary Oldman in "Bram Stoker's Dracula"
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We all know what Dracula looks like. Bela Lugosi and innumerable Hammer horror movies starring Christopher Lee have fixed the Count in our imagination. He’s tall, gaunt, interestingly pale, with slicked back hair, and a set of unfeasibly large canine teeth. He sports a cloak, and what appears to be an evening suit which can often make him look like a nightclub doorman or a shifty croupier at a Mayfair casino dealing from the bottom of the pack. When commissioned to provide the illustrations for a new edition of Bram Stoker’s enduring tale, artist John Coulthart decided to keep his work faithful to the source material. Coulthart had previously been commissioned by the same publisher to illustrate Mary Shelley’s Frankenstein with which he had similarly “opted for fidelity to the text and period details “: Despite its epistolary form, Dracula is much more readable (in a contemporary sense) than Frankenstein, so more people will have read Stoker than Shelley; but the sheer scale of cultural mauling that Dracula has been subject to means that—as with Frankenstein—even the allegedly faithful adaptations often deviate from the novel. The lounge-lizard vampire that everyone knows was a creation of...
Embrace the allure of Halloween with our exclusive digital download poster featuring the iconic Dracula. 🌕🧛 Step into a world of gothic elegance and timeless horror as the Count's enigmatic gaze captivates. 🎩🦇 Perfect for vintage horror enthusiasts and those seeking to add a touch of macabre sophistication to their decor. Let the night come alive! 🌌🕯️ #ClassicDracula #EternalNight #VintageHorror Size indicated is for a MAXIMAL enlargement in a 72 dpi resolution with no loss in quality Can be printed in any smaller size with maximal quality results Digital files from "The Retro Beat Repository" are meant for personal use—projects like cards, posters, shirts, etc. However, commercial use, like creating products for sale, is not permitted. For licensing inquiries, kindly contact the shop owner. Your understanding and cooperation are appreciated!
We all know what Dracula looks like. Bela Lugosi and innumerable Hammer horror movies starring Christopher Lee have fixed the Count in our imagination. He’s tall, gaunt, interestingly pale, with slicked back hair, and a set of unfeasibly large canine teeth. He sports a cloak, and what appears to be an evening suit which can often make him look like a nightclub doorman or a shifty croupier at a Mayfair casino dealing from the bottom of the pack. When commissioned to provide the illustrations for a new edition of Bram Stoker’s enduring tale, artist John Coulthart decided to keep his work faithful to the source material. Coulthart had previously been commissioned by the same publisher to illustrate Mary Shelley’s Frankenstein with which he had similarly “opted for fidelity to the text and period details “: Despite its epistolary form, Dracula is much more readable (in a contemporary sense) than Frankenstein, so more people will have read Stoker than Shelley; but the sheer scale of cultural mauling that Dracula has been subject to means that—as with Frankenstein—even the allegedly faithful adaptations often deviate from the novel. The lounge-lizard vampire that everyone knows was a creation of...
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