What is Fodder School?
Another week of daily challenges for the 24th Journal Friday! Check out what I've been up to this week. Shaped Windows Loss Pop-Up: Triangle Stylized Figues Writing on Tracing Paper Imperfection Watercolor Pencil: Layers
Although busy with travel and school, I have been working in my journal and working on art, and now that I have some time because of my winter break, I have time to post a few peeks into what might be a new direction for me. Well, not completely new, it's a motif that I have been playing around with for the last three years. The above image is a peek at an ink doodle in my journal on top of a map of Montreal and watercolor pencil. This image is a peek at an experiment of layering of cut paper. I'm anxious to see what this experiment will lead to. I've been experimenting with other forms of cut paper for a while now. This final image is a peek at a small graphite drawing using the same motif. All just experiments. Maybe there's a new direction. Maybe not, but I have been playing around with this idea for a while. I am a firm believer in paying attention to the things that keep coming back. There's something there worthy of exploring.
After writing the Conflict and Dualism post and working on some more work, it dawned on me that even some of my working methods contain this duality between spontaneity and structure. Although they use slightly different materials, the artwork in this post and in the conflict post all use the same process. The process is quite simple. I often work with water soluble pencil - both watercolor and graphite. I relish the control of drawing and shading with them at first, but I also enjoy the painterly quality when water is brushed over the pencil. I frequently use multiple layers of water soluble pencil to begin pieces allowing each layer to dry before adding a new one. I work quickly and spontaneously with the water soluble material, but at a certain point, I feel the need for more control, sharper edges, and more defined values. I then switch to regular graphite or colored pencils that allow me the precision I desire. I darken areas making them recess into the space. I straighten edges and redefine areas, shapes, and lines that have been lost. It is a slower and more tedious process, but I love the outcome. I used water soluble graphite pencil in the piece above to lay in the foundation of the piece. Notice that many of the edges are uneven, that there isn't much contrast, and that the swirly lines are barely there. I started the piece below at the very same time as the piece above using a similar technique. I built layers of straight lines, rectangles, and organic lines with the water soluble graphite pencil. Once I felt that I reached the limits of what the water soluble graphite would allow, I reworked the piece with a variety of regular graphite pencils to define the spaces, lines, and values. It is nearly complete in the photo below. This method of working allows me to find a balance between the spontaneous and the structured, but I often get very caught up in the fine detail in the final phases of a piece and can spend hours working on a very small area. I have to force myself to move on and to be less of a perfectionist. Time and time again, I have been very pleased with the results. Below is a photo as I worked on the main focal point.
What is Fodder School?
Collage Fodder I have been taking part in a 100 Day project called #100daysofcollagefodder . The challenge is administered by Wendy Solganik, @willa.wanders on instagram. I am creating different “fodder” for collaging and posting it to instagram. After a couple days of posting, my daughter as
Creating Collage Fodder for future use encourages a daily practice of creating. Often you can use what you have and you're creating beautiful bits for future projects. Check out my most recent fodder. I'm hoping it will encourage you to make your own.
