Back in the days before the camera was king, fashions were portrayed to the masses through artfully illustrated drawings. Somebody has collected a series of these beautiful sketches, documenting the changes in western fashion all the way from 1784 to 1970, when the artform finally became obsolete.
INCREDIBLE DRESSES IN ART (120/∞) Pauline Bonaparte by Robert Lefèvre, 1806
These royal wedding dresses inspired bridal gowns as soon as they hit the tabloids
Afternoon Dress Anna Dunley 1905-1906 Cincinnati Art Museum
Have you seen the Showtime series “The Borgias”? (I know it’s a few years old but I don’t care) It’s a wonderful series About the 15th century pop Alexander VI and it&…
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Evening dress ca. 1895 From the Kent State University Museum Pinterest
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Have you seen the Showtime series “The Borgias”? (I know it’s a few years old but I don’t care) It’s a wonderful series About the 15th century pop Alexander VI and it&…
The last group! 1888: House of Balmain . " The inspiration for this dress was a design created by Worth for the Empress Elizabeth of Austr...
Marie Leszczynska collection dress. Historical model wild silk cotton muslin belt. Necklace and hat sold separately. Custom item out of stock possibly available. Hat not included in the price. After ordering, the sketches for taking measurements are sent by email. https://www.madameaugustine.com/product-page/collection-marie-antoinette
Wedding Dress, Closer Detail: 1850, silk embroidered with metallic embroidery.
The costume consists of: a dress. We offer five standard sizes to choose from. If these sizes are suitable for you, you can place an order with one of them and text us your height. If your height is not specified, we will consider it to be a standard height e.g. 165 centimeters / 5’5’’. If you want us to make it with your specific measurements - place an order and we will make a dress without additional charges for you. Dress Size: XS: Chest/Bust 33 in / 86 cm, Waist 24.5 in / 62 cm S: Chest/Bust 35 in / 90 cm, Waist 27 in / 68 cm M: Chest/Bust 37 in / 94 cm, Waist 29,5 in / 75 cm L: Chest/Bust 40 in / 101 cm, Waist 32 in / 80 cm XL: Chest/Bust 43 in / 109 cm, Waist 35 in / 89 cm Production time is around a 2-3 weeks + shipping (approx. 10-14 days). Also this dress can be made of other fabrics, colors and trims. You can contact us directly and we will provide you all options. The dress is made in the Italian medieval style of the late 15th century. In this dress you can imagine the gentle Juliet or the fatal beauty Lucrezia from the Borgia series. The dress is made of faux taffeta and thick jacquard. It has a high waist, a full skirt and sleeves assembled (in stripes) from several parts. The front of the top is decorated with gold embroidery, ribbons and hand embroidery with pearls and stones. Sleeves require special attention. The dress has a taffeta main sleeve with detachable jacquard elements fastened with satin ribbons. This is very convenient, since the sleeves can be removed at any time and the dress will immediately take on a new look. Like all of our dresses, this dress has a lace-up back adjustment. This method of fastening allows you to adjust the size and achieve a perfect fit.
The last group! 1888: House of Balmain. "The inspiration for this dress was a design created by Worth for the Empress Elizabeth of Austria. Empress Elisabeth of Austria (1837-1898) was the wife of Emperor Franz Joseph (1830-1916). She was known for her keen fashion sense as well as strict health and beauty regimen." 1889: Marron. 1890: Georgette Renal. "This dress was inspired by a design by Redfern. British-born designer John Redfern opened his salon in the English seaport town of Cowes. As the house's popularity grew in Britain, it was expanded to the United States, and later Paris in 1891 under the design direction of John Poynter. After years of success Redfern was "By Royal Appointment to Her Majesty the Queen and H.R.H. The Princess of Wales" in 1888. After Redfern's death the house continued under the direction of Poynter, becoming a member of the Chambre Syndicale de la Haute Couture." 1892: Germain Lecomte. "The inspiration for this dress came from a painting by Leon Bonnat (1833-1922)." 1894: Fourrures Max 1896: Bruyere. "Though the exact garment is not known, the inspiration for this dress came from a design by Jacques Doucet (1853-1929)." 1900: Calixte. 1902: Robert Piguet. 1903: Canada Furs 1904: Louis O'Rossen. 1906: Elsa Schiaparelli. So, which one is your favorite? I'm rather in love with 1902, but I do also like 1867, 1788, and 1762.
There are so many decisions to be made for our upcoming wedding, but one of the most daunting was choosing 'the dress'. I was just turning twenty the first time I got married, it is an understatement to say that I was too young. I don't even remember buying my wedding dress. There is no memory of a thrilling, exciting moment a'la 'is this THE dress' kind of scenario. Vintage Lanvin - The dream dress design. So now, here I am at 57 shopping for 'my wedding dress'. It really is a 'ta-da' kind of experience this time. It's taken me a bit to wrap my mind around what I think is appropriate to wear at this time of my life. I had a what-not-to-wear list in my mind. I didn't want to wear typical white wedding dress, a veil, a mother of the bride dress, or look like a guest. This seriously narrowed the options, I needed an intervention. This is were my daughter began to coach me and became my cheerleader (and isn't that why I asked her to be my Maid of Honour). Monique listened to me talk my way through the idea's and continually told me 'it's your special day, go for it. You need to feel special and have a pretty wedding dress'. I love that we shared this experience together. Let me cut to the chase and say - I've ordered a dress and I'm excited about my choice. It is soft, romantic, and a bit of a vintage style; exactly the way I want to feel when I meet Richard to take our vows. I'm not sharing the colour because I think it should be a sweet surprise on our wedding day. But as I stood in the dress starring at my reflection in the mirror, I thought - 'he would so love this on me'. And I knew that it was a special dress for our special day. But, I LOVE VINTAGE ......... so I digress. The straight lines of a sheath dress with a bustle skirt makes my heart skip a beat. These silhouettes were the inspiration for my dream dress. My dream dress wish list hinged on this vintage style - a sheath style gown with a bustle skirt to flow gently off at the hips. Why is it that the models in most vintage fashions have 20 inch waists. Even with a stringent exercise/diet program I will never wear a pinch waist gown, but maybe a hint of the silhouette could be achieved. The dream dress was of course not going to be found on a rack anywhere - well, at least not in this era. We all know our body type well, what we feel best in, what makes us shine. And for me the Lanvin v-neck sleeveless gown with bustle skirt (in the first picture) was like a skin crying out my name. OK - maybe a bit dramatic, but I knew it would work without even putting the dress on. My tenacious soul always has a plan B, and I knew if I wanted this dream dress it would have to be custom made. I lined up the possibilities of two well noted bridal dressmakers. And I had in my back pocket the brave request of a friend (who is a couturier in Toronto) to make the dress to my specifications. I was certain he would be less than thrilled to have me design the dress and cramp his creativity. I loved the idea of having a large garden print, perfect for our summer wedding. The perfect combination - vintage allure, large floral pattern, a dress with colour. In my mind I had visions of me hunting for months to find the perfect fabric to capture the look ... and then of course driving a seamstress crazy getting it to match my dream. Look at these stunning frocks. Once again, here is the very strong evidence that I was born in the wrong era. My Vintage Love pinterest board is visual proof. Love the neckline and the floral pattern. After searching the images of bridal designer styles for the upcoming season, I realized they design very few gowns a bit off the beaten path. And I wanted to go way off the path with a sheath style dress in large floral and a bustle train in a soft sheer fabric. The Dream Dress was getting complicated. So instead, maybe something like this...... soft floral, flowing style or a print in the sheath style.... this print in a sheath style LOVE this fabric At my daughters urging I decided to try on various styles, fabrics, and colours to explore all the possibilities. Keeping an open mind to something other than the dream dress was important. Designers are adding more gowns with colour to their collections, soft pastels that compliment soft fabric details. Maybe they are beginning to understand that brides - second time or not, want something unique. I'd love to see designers play with generous floral patterns and revisit the pages of vintage couture for upcoming bridal designs. Love the lines of these two gowns. My dress is on order and it is beautiful. It's very different than the floral print dream dress and much more 'bridal' than I imagined. I have to admit I've had a few 'what the heck was I thinking' kind of moments after I ordered it. Maybe it is just that buying a wedding dress is not an everyday occurrence. My wedding dress is soft and feminine with a romantic vintage vibe that I love. I'm excited about slipping it on this June and meeting my groom at the alter to take our vows.
A look at a few fashion, beauty, and novel necessities for a 19th century summer.
Chenille and Beading Embellished Silk Faille Afternoon Dress, ca. 1900 Palazzo Pitti via Europeana Fashion
Circa 1905-1910 France or Europe Beautiful girl's afternoon dress in mouse-grey wool felt applied with cords with a vermiculated design in color and dating from the Belle Epoque. Straight dress, high waist with stapling in the back and yokes on the bust and shoulders. Adornments of matching buttons and waist underlined with trimmings of cords with pendants. Machine-embroidered silk tulle on a light pink taffeta background at the collar and cuffs. Gray cotton lining. No defect. Beautiful state of color and conservation. Dimensions: Equivalent size France 12-14 years, 34-35. Shoulders 37 cm, sleeves 57 cm, total height 128 cm, chest 80-82 cm, waist 66 cm, skirt height 91 cm, skirt bottom 193 cm.
Rate the Dress is going big, little, and back to big again, with this blue bell shaped 1850s number. Last week: a 1790s dress and matching fichu Not everyone was sold on the shape of the dress, and the teeny-tiny bodice, but the sheer fabulosity of the embroidery carried the day, and (despite one person rating it only 1!) the dress rocked in with a round score of… The Total: 9 out of 10 The things that a good fichu can hide! This week: a crinoline era gown in cobalt blue This dress belonged to Virginia Shields Vaden before her marriage to William Vaden in 1858. It’s a classic example of mid-late 1850s fashion, with its full tiered skirt, wide sleeves, and deep bertha. The bright colour is a lovely illustration that the wardrobes of unmarried women weren’t confined to muted, pale shades. The fabrics illustrate textile advances of the mid-19th century. The ribbon borders of the sleeves and berthe, and deep patterned hems of the skirt, were woven on a jacquard loom. The jacquard loom …
Only for costumer order NOT READY TO WEAR this formal dress is recommended for your coronation, or for a court reception. Regency dress in ivory satin, covered with light geometric lace. the bottom of the skirt is embroidered with floral and geometric motifs. overcoat in deep blu silk taffeta, the sleeves are made of stripes of the same fabric. fully embroidered with cornely method and cropped applications. the long train makes this dress really special. light lace finishes the neckline. It can be realized in any size and color. It made entirely with artisan method. pay attention, before purchasing please contact me to check availability of fabric and processing time. Made in Italy, and remembers "Italians do it better"
Couture has long stood as the modern equilibrium between the garment as exquisite aggregate and the burgeoning notions of fashion as a system.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
At the Kent State University Museum we have a permanent exhibition, “Fashion Timeline,” that surveys historic fashions from the 18th century through the mid-20th century. (Website). Be…
Dress worn by Queen Marie of Romania to the coronation of Tsar Nicholas II, 1896 From the Maryhill Museum of Art on Pinterest
(dated ab. 1700-1715 by artuk, but more likely to be dated late 1700s to 1720s) Hans Hysing - Elizabeth Onslow (nee Knight), Lady Onslow (Clandon Park)
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Attending an Edwardian evening affair or wedding? This Titanic and Downton Abbey time period is a romantic one filled with stunning vintage evening gowns of lace, beading, chiffon, and silk. You can easily achieve a romantic vintage-inspired look by using a new Edwardian style gown or dress and adding period shoes and accessories to take
This is a NEW Butterick Sewing pattern. Not the finished dress/costume. Will be packaged carefully in a plastic sleeve, with cardboard backing for protection for shipping. If you have any questions about the condition or combined shipping, please ask before buying.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
See our article at http://fiveminutehistory.com/VictorianDresses
Dress 1905-1910 Nasjonalmuseet for Kunst, Arketektur, og Design
Women’s clothing is currently somewhat of a hot button issue thanks to Presidents Trumps suggestion that his female staffers ensure that when they attend work they ‘dress like a wo…
What was the fashion in the 18th century like? Who were they influenced by and what were the main fashion trends of Marie Antoinette's era?
