DIY Embroidery Yarn Flowers with Cardboard Tutorial + Video
Velvet Yarn, Crochet Chenille Wool, Golden Velvet, Yarn for Handcraft, Woven DIY Yarn, Crochet Doll Yarn, Knitting Yarn, Fine Crochet Yarn Velvet Wool is a warm and soft yarn, perfect for both hand and machine knitting. We combined high-quality wool with velvet details to create a luxurious feel. This yarn can be used in a variety of knitting projects, such as sweaters, hats, scarves, and more. Choose Velvet Wool for creating special and high-quality products for yourself or your loved ones. Please check the colors image for color option. There may be very slight differences in colors. We're also giving gift pattern from our shop. You can choose any single pattern. 🧿Use Hand Knitting 🧿Pattern Dyed 🧿Style Chenille Yarn 🧿Technics Ring Spun 🧿Feature Anti-Insects 🧿Wool thickness Hand woven Also, be sure to check out other knitting/yarn supplies and many beautiful patterns that may interest you in our store: https://tailorbasketco.etsy.com/
Family friendly and fuzzy embroidery with kids using burlpap and yarn. Great first time project for preschoolers.
Embroidery on Knits by Judit Gummlich is an in-depth guide to contemporary stitching with and on wool, explaining every step of the process. The book includes 18 nature-inspired templates, generously complimented by insightful tips and ideas on how to use them. Tussie-Mussie Nosegays (small posies of flowers) were sent
Embroidery has been around forever — the earliest surviving pieces of this craft are Scythian, dated to between the 5th and 3rd centuries BCE. Virtually every culture has some form of it in their textile art history.
crewel embroidery pillow
Embroidery on Knits by Judit Gummlich is an in-depth guide to contemporary stitching with and on wool, explaining every step of the process. The book includes 18 nature-inspired templates, generously complimented by insightful tips and ideas on how to use them. Tussie-Mussie Nosegays (small posies of flowers) were sent
My name is Helen Wilde (Ovo Bloom) and I am a fiber artist based within the UK. I interpret oceanic & botanical landscapes into three-dimensional hoop & canvas embroideries.
Stanley the Sparrow, thread painting in stranded cottons on a Liberty of London cotton. Pansy thread painting necklace , stitched in stranded cottons. Swallowtail butterfly in stranded cottons on a painted background. Stumpwork hydrangea sprig, a project from my thread painting book. Blue beetle , stitched in stranded cottons. The cover of my book, a Japanese blossom project with padding stitched in silk floss on an antique kimono. A selection of atomic necklaces, 50's in style all embroidered on silk with additions of antique glass beads , sequins and satin stitch motifs. Atomic brooch close up. Silk on silk applique jewellery with black silk detailing. William Morris inspired pendant. Jewellery inspired by Lady's Bedstraw plant. In stranded cottons on silk. Cherry blossom necklace in stranded cottons on silk. Jacobean style crewelwork 2 day class sample. Crewel work leaf with silver pearl purl thread, stitched on calico and cut out and manipulated to make a brooch. Thread painted blackbird egg brooch. Close up from a necklace showing crewel work acorns and metal thread additions. Close up of my thread painted graffiti. Silk Ribbon embroidered pendant.
Embroidery has been around forever — the earliest surviving pieces of this craft are Scythian, dated to between the 5th and 3rd centuries BCE. Virtually every culture has some form of it in their textile art history.
Tracy is a self-employed embroiderer, specialising mainly in traditional embroidery including crewelwork, silk shading, and gold work.
You may have heard of our R E V I V A L workshops, these workshops are all about taking an old craft and reviving it with a modern twist.Today we had the pleasure to revitalise embroidery at our Workshop at Kalamunda Central Shopping Centre. Embroidery is so easy to start, we have included a bunch of free patterns that you can download from beginner to advanced. Find the one that tickles your fancy and get started.1. DMC Baby! - Yep, these are the makers of most of the thread you buy, so they
Weaving is a great way to create art and use all sorts of fibers and fabrics both new and recycled. This idea for creating a loom with an embroidery hoop and weaving in a spiral looks like a great …
Needlework is an impressive enough technical skill, but pair it with some top-notch creativity and you end up with embroidery projects that are truly next level. This online group is dedicated to helping beginners and showcasing the top talent out there.
3 x 4 ½” 9" x11" framed SOLD I'm thinking about spring already. Machine and hand embroidery, couching with yarn, glass beads and my loopy French knots. This piece was exhibited at the Silk Purse Gallery in the group show titled "Cherry Blossoms: a Textile Translation" April 17-29, 2012. West Vancouver, BC, Canada
We humans have the unique ability to take something ordinary and add a little extra to it.
My name is Natalija and I’m an embroidery designer from Lithuania—a small European country. I embroidered my first pair of gloves 7 years ago and now I can’t stop. I like to design wearable accessories, practical, but exceptional and unique. The biggest inspiration for me is nature: many colors and shapes, something new every day as everything around me is constantly changing.
Continuing from where we left last time, let's take a look at the “non-conventional” placement of colors at needlepainting. A quick recap for those who missed the previous part of the needlepainting tips: The majority of lessons and tutorials for long and short stitching (including the lesson on this blog) show the traditional way of shading, which goes from top to the bottom in horizontal rows of colors. However, when you come to the actual needlepainting you might find out that the directions of stitches, the placement of colors can vary A LOT from project to project. The most confusing part in such cases, is usually the order of work: where to start from, is it better to go row by row switching colors or finish each color area separately, etc. It may not seem that complicated when you look at the project but as soon as you start, the questions keep arising. So, in July we discussed diagonal shading and the order of working it. Now, I have to remind that what was demonstrated is only my way of working such patterns of shading. I actually saw a different approach in a book once (similar to the traditional one, just changing the colors couple of time in one row) so be aware that there are other methods and ways and maybe you will even develop your own preferred way of working it! This time, let's take a look at shading in patches. If it sounds weird, I'm sorry, but that's the only term that comes to my mind when I think about it, haha. What I mean by patches are spots of colors placed randomly in a shape that is supposed to be long and short stitched. For example, look at Euphoria piece. The flower there is shaded exactly in patches. The borders are not that clear because the colors are close in temperature although having different hues. There are yellowish, pinkish and coral colors placed as spots randomly and only the lightest color on the edge of the petals and the brightest coral close to the center of the petal, only these two have the same placement from petal to petal. It was really fun to work it, merging few hues together which made the “base” color of the flower not clear. Is it yellow or light pink? There is no real answer because both colors are present there equally. Now that you have an idea about what shading in patches is, exactly, here are two examples with step by step pictures. First of all, pause, look at the placement of spots and think: how would you work it? In what order would you shade this petal? From the left? From the right? What next? Make a simulation of working the petal in your mind. Done? Now, this is how I worked it. 1-3. Theoretically, I could start it from the right as well, it wouldn't make much difference. 4. We had to work the two top patches first because this one is attached to both of them. That's why we couldn't work the left corner and then this one consecutively. 5. This one is attached to both patches of colors above again. 6. The last one, I guess, is quite self-explanatory? For these examples, I took thread of similar colors, but the hues are a little different. My goal was not to perform a good shading, like from lighter to darker colors, or have some realism. My goal was to work the patches and make them evident for you when you look so that you can tell the colors and patches apart in a finished petal. Here is a look at the petal under natural lighting. The colors merge better here, but you can still the patches here, right? This example is veeery close to how I worked Euphoria :) Now let's take a look at the second example, slightly more complicated. Look at the placement of patches and think how you would work this petal, what would be your order of work? When you are ready, look at my process of working it: 1-3. the first two patches are quite clear 4-5. Now, why did I work the one on the right and not the one no the left? Because the left one goes a little under the right one, so it is attached to it. That's why the right one has to be worked first. 6-7. And the last ones are our good old horizontal rows for traditional long and short stitching. Here's how the petal looks under the natural lighting. Did you guess the order of work correctly? Would you do it differently? I think these kinds of exercises are golden for long and short stitch practicing and they will prepare you for working serious needlepainting pieces, like Magnolia bu Trish Burr that we worked together recently. So, next time you have spare time, draw a couple of petals with random spots inside and try to figure out how to work them, it will be fun!
Nosheen Iqbal incorporates her Pakistani heritage into the embroidery and wood pieces that she crafts in her home studio near Dallas.
Textile and embroidery art of contemporary Munich-based artist Veselka Bulkan #womensart
by Judit Gummlich An in-depth guide to contemporary stitching with and on wool, explaining every step of the process. “My aim is to provide a trail of knowledge and inspiration you can follow.” Transform your knits with a handful of simple embroidery stitches: a cosy cardigan embellished with bright flowers, a dragonfly on the front of a sweater and mittens with plants climbing up the back of the hand. This timeless embroidery book features 18 nature-inspired templates, generously complimented by insightful tips and ideas on how to use them. Embroidery on Knits is an in-depth guide to contemporary stitching with and on wool, explaining every step of the process — from planning to finished project. It is a source of inspiration and knowledge for crafty beginners and savvy stitchers alike. Judit Gummlich is a multi-talented crafter who has worked in theatre costume departments for more than 20 years. She is a passionate knitter, gardener, beekeeper and nature lover. Judit lives with her husband, bees and two cats in Hamburg, Germany. Embroidery on Knits is her first book.
Casalguidi is an embroidery technique, rather than just a stitch. It consists of very heavy raised stem stitch worked in curves, lines, squiggles, or what-have-you (whatever the design dictates), usually with a lighter background of pulled thread stitching. Casalguidi is usually a whitework embroide
создаёт cross stitch patterns, embroidery patterns, craft tutori
In this post, I share a few ideas for what you might choose to do with your ORTs.
There is something so whimsical and magical about embroidery on knit sweaters, mittens, and hats. Not only is it a really fun fall craft to do, but it’s an awesome way to add your...
Needlework is an impressive enough technical skill, but pair it with some top-notch creativity and you end up with embroidery projects that are truly next level. This online group is dedicated to helping beginners and showcasing the top talent out there.
