For Belgian photographer Bruno V. Roels, the palm tree is a symbol of luxury, freedom and faraway places

The much-sought-after experimental photography is a magnificent tool for discovering new creative dimensions! One of such ways is to carry out the intricately detailed images warped in the spontaneous style of a print distortion photo effect. Image displacement is winding around mismatches, broken particles, halftone textures, and rough scanner noise. The package comes with 3 distortion styles, different in image-twitching flair. 1. Scancussion Effect Everything is not exactly what it seems! At first glance, the imagery looks alright, every detail is in its rightful place. But in a while, the initial vision melts into the obviously scratched object outlines and trippy visual fluffs. 2. Sloppy Effect Making real quick copies with a xerox machine is a game of chance: what if the hastily prepared files turn out to be all sloppy? Their second life is likely to be an incarnation of trendy glitching photographs, suitable for bold design projects and collages. 3. Shiver Effect The malfunctioning office scanner that’s an age-mate of the first personal computer is not simply a vintage accessory. Its direct purpose got transformed into a distortion-delivery machine, where all asymmetries and imbalance are not inappropriate, but grunge and edgy. What’s inside? high-quality PSD file; 3 distortion styles; black & white filter; 4500x3000 px, 300 dpi; help file.

See inside the sketchbooks of visual artist and guitarist, Gemma Thompson and find out more about her experimental appraoch to drawing.

The work of Karel Martens occupies an intriguing place in the present European art-and-design landscape. Martens can be placed in the tradition of Dutch modernism, in the line of figures such as Piet Zwart, H.N. Werkman, Willem Sandberg. Yet he maintains some distance from the main developments of this time: from both the practices of routinized modernism and of the facile reactions against this. His work is both personal and experimental. At the same time, it is publicly answerable. Over the decades of his practice, Martens has been prolific as a designer of books. He has also made contributions in a wide range of design commissions: including stamps, coins, signs on buildings. Also a renowned teacher of graphic design, Karel Martens is co-initiator of the Werkplaats Typografie, a two-year master’s design program related to ArtEZ, Arnhem, and guest professor at Yale University, New Haven. Intimately connected with this design work has been his practice as an artist. This started with geometric and kinetic constructions and developed in work with the very material of paper. And he has been making monoprints over a long period. This book looks for new ways to show and discuss the work of Martens as a designer and artist and is offered in the same spirit of experiment and dialogue that characterizes the work it presents. Its first edition was published in 1996 on the occasion of the award to Karel Martens of the Dr A.H. Heineken Prize for Art. In response to continued demand, the book has been extended to 2019 and appears now in this fourth edition presenting almost sixty years of practice. Designed by Jaap van Triest and Karel Martens Published by Roma Publications, 2019 Softcover, 280 pages, full color, 6.75 × 9.15 inches ISBN: 978-9-49-281164-6

The Significant Other Can we reach freedom throughout deconstruction - breaking apart the concept of love, trust, power, gender and sexuality? Is it possible to water love, that has wilted small enough to slip through the ring on your finger, back to life? The significant other does not equal a sexual partner, although it can be the one who you will delete all your apps for, but it could also be anyone who you find to be of significance.

Title: Ghosts. Date of creation: August 21, 2023. Format: 27.9 cm x 35.6 cm on canvas paper. Work without raw invoice framing. Original work taken from the Vie Pub_like project, started on January 1, 2014. Vie pub_like is intended to be a daily experimental project. Each of the works is unique and created from daily collection such as notes, messages, invoices or any other referential and relevant elements, a bit like a visual diary. Favoring spontaneity, I let the gesture and intuition speak which reflect the state of mind of the day. A certificate of authenticity is issued with the work.

Experimental Diagrams: Presenting New Practices After its golden age in the last decades of the 20th century, diagramming is still an experimental practice today, but it focuses on the synthesis of complexity and on new disciplinary territories on the edge between humanities, art, architecture, urban planning and landscape. This manual presents experimental diagrams through sensing, analysing and transforming space. The contributions critically delineate diagrammatic behaviours in architectural history, present the design practices of offices such as AZPML and MVRDV, take the medium to its extreme consequences, and outline future trajectories.

Read Experimental Photography: A guide to Techniques by Art and Design Dept on Issuu and browse thousands of other publications on our platform. St...

You can purchase traditional prints from Self Reflected here, and new specialized microetched prints with animated reflective effects here. Final Images: Process Images:

such a lovely project by stephen gill. he took all of these pictures in hackney wick, england and then buried the photographs there varying...

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The much-sought-after experimental photography is a magnificent tool for discovering new creative dimensions! One of such ways is to carry out the intricately detailed images warped in the spontaneous style of a print distortion photo effect. Image displacement is winding around mismatches, broken particles, halftone textures, and rough scanner noise. The package comes with 3 distortion styles, different in image-twitching flair. 1. Scancussion Effect Everything is not exactly what it seems! At first glance, the imagery looks alright, every detail is in its rightful place. But in a while, the initial vision melts into the obviously scratched object outlines and trippy visual fluffs. 2. Sloppy Effect Making real quick copies with a xerox machine is a game of chance: what if the hastily prepared files turn out to be all sloppy? Their second life is likely to be an incarnation of trendy glitching photographs, suitable for bold design projects and collages. 3. Shiver Effect The malfunctioning office scanner that’s an age-mate of the first personal computer is not simply a vintage accessory. Its direct purpose got transformed into a distortion-delivery machine, where all asymmetries and imbalance are not inappropriate, but grunge and edgy. What’s inside? high-quality PSD file; 3 distortion styles; black & white filter; 4500x3000 px, 300 dpi; help file.

Margaret Barr (1904-1991) was born in Bombay, India. She went to school in California, USA, and in the 1920s studied dance with Martha Graham in New York and choreographed her first works. During the 1930s she taught at Dartington Hall in Devon, England, an experimental school run by Dorothy and Leonard Elmhirst, and opened a studio in London. The productions of her own dance dramas often featured original music by composers such as Michael Tippett, Donald Pond and Edmund Rubbra. With her husband Bruce Hart, a conscientious objector, she travelled to New Zealand at the outbreak of World War II, where she accepted the position of Director of Movement at the Auckland School of Drama. She moved to Australia ten years later, and for four decades made a unique contribution as a choreographer, director and teacher. She formed the Margaret Barr Dance Group in Sydney in 1952, was Director of Movement at the National Institute of Dramatic Art from its inception in 1958 to 1975, and conducted classes at her Annandale studio. Her choreography was motivated by strong social and potitical concerns, and her dance dramas ranged over diverse topics such as the work of Mahatma Gandhi and Margaret Mead, drought, and the Melbourne Cup. She died in Sydney on 29 May 1991. Format: Photograph Notes: Find more detailed information about this photographic collection: acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=421396 Search for more great images in the State Library's collections: acms.sl.nsw.gov.au/search/SimpleSearch.aspx From the collection of the State Library of New South Wales www.sl.nsw.gov.au

Title: J'te love. Creation date: August 14, 2021. Format: 22.9 cm x 30.5 cm on canva paper. Original work from the project Vie Pub_like, started on the first of January 2014. Vie pub_like is a daily experimental project. Each of the works is unique and made from a daily collection such as notes, messages, invoices or any other referential and relevant elements, a little like a visual diary. Favoring spontaneity, I let speak the gesture and intuition that testify to the state of mind of the day.

This summer, Aperture presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. The issue explores multiple incarnations of the city's photographic culture, from O. P. Sharma's experimental works from the 1960s to Aditi Jain's intimate tableaux of Delhi's trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh's best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi's feminist staged portraits from the 1980s and '90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints. Illustrated throughout

brazil, 2015 / first edition of ibrasotope's international festival of experimental music

Following in the footsteps of such instrument-building pioneers as Harry Partch and Lou...

The much-sought-after experimental photography is a magnificent tool for discovering new creative dimensions! One of such ways is to carry out the intricately detailed images warped in the spontaneous style of a print distortion photo effect. Image displacement is winding around mismatches, broken particles, halftone textures, and rough scanner noise. The package comes with 3 distortion styles, different in image-twitching flair. 1. Scancussion Effect Everything is not exactly what it seems! At first glance, the imagery looks alright, every detail is in its rightful place. But in a while, the initial vision melts into the obviously scratched object outlines and trippy visual fluffs. 2. Sloppy Effect Making real quick copies with a xerox machine is a game of chance: what if the hastily prepared files turn out to be all sloppy? Their second life is likely to be an incarnation of trendy glitching photographs, suitable for bold design projects and collages. 3. Shiver Effect The malfunctioning office scanner that’s an age-mate of the first personal computer is not simply a vintage accessory. Its direct purpose got transformed into a distortion-delivery machine, where all asymmetries and imbalance are not inappropriate, but grunge and edgy. What’s inside? high-quality PSD file; 3 distortion styles; black & white filter; 4500x3000 px, 300 dpi; help file.

Title: Just a soulless morning. Premiere date: 31 May 2020. Format: 22.9 cm x 30.5 cm on canva paper. Work without gross invoice framing. Original work from the Pub_like Life project, which began on January 1, 2014. Life pub_like is a daily experimental project. Each of the works is unique and made from a daily collection such as notes, messages, invoices or any other referential and relevant elements, a bit like a visual diary. Preferring spontaneity, I let the gesture and intuition speak, which bear witness to the state of mind of the day.

About The Artwork Black and white Alchemigram on Baryth gelatin photographic paper. An Alchemigram is a mixture of the analogue techniques of photogram, lumigram and chemigram. This one is made by carefully applying photographical and other chemical substances ( such as e.g. toilet-cleaner) on the photographic surface. By this method, colors appear on the b/w Baryth paper, which usually is considered to be a mistake when making analogue prints. I turned the whole photographical process upside-down. This work is an unique copy. Original Created:2009 Subjects:Motorbike Materials:Paper Styles:AbstractConceptualFigurativeFine Art Mediums:Black & WhiteGelatinManipulatedPhotogram Details & Dimensions Photography:Black & White on Paper Artist Produced Limited Edition of:1 Size:9 W x 12 H x 0.1 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Germany. Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks. Have additional questions? Please visit our help section or contact us.

This small aircraft attracted attention at the Tushino International Salon in June 1995. It differed from other similar ones in its somewhat unusual layout. In a conversation with its creators, it turned out that such a design decision was made as a result of deep theoretical and experimental work carried out by the authors in

Explore briarlevit's 8375 photos on Flickr!