wegetarianizm natura naturalne kosmetyki kulinaria owoce warzywa zdrowy styl życia ochrona środowiska
www.makesomething.ca No nie mogę! Zycia mi nie starczy na te wszystkie projekty!! Farbowanie materiałów metodą naturalną ? Tak! Metoda 'stara jak świat', używana przez starożytnych ludzi. Nie kupuj sztucznych, chemicznych barwników. Wytarczy że zajrzysz do lodówki, lub kuchennej szafki, a znajdziesz tam produkty, którymi bez problemu możesz barwnić tkaniny. Naturalne kolory to barwniki pochodzące z roślin, bezkręgowców, oraz minerałów. Większość z nich to barwniki roślinne, otrzymywane m.in z: owoców warzyw korzeni i ziół, liści i trawy, kwiatów, kory drzew, oraz drewna, grzybów i porostów, kawy i herbaty. Barwniki występujące w naturze to m.in: karoteny (żółty, pomarańczowy), kurkumina (żółty, pomarańczowy), chlorofil (zielony), antocyjany (czerwony, niebieski, fioletowy). Barwniki farbujące na kolor żółty/pomarańczowy folkfibers.com Brzoza - liście Dąb - kora Jabłoń - zewnętrzna kora Jałowiec - młode pędy Jodła - szyszki Łopian - ziele Modrzew - brązowe szpilki i kora Olcha - liście i kora Osika topola - świeże i suszone liście Wierzba - liście Seler - liście Cebula - łuski Marchewka Papryka swieza inw proszku Gruszka - liście Granat Jeżyny - pędy, liście i korzenie Skórki po owocach cytrusowych Porosty Kurkuma Gorczyca - żółte ziarna Liść laurowy Paproć - korzeń Kaczeńce Rosiczka - ziele Rumianek - kwiaty Nagietek Skrzyp Mniszek lekarski Szafran Trzcina Zielona herbata Wrotycz - świeże liście i zasuszone kwitnące główki Wrzos - pędy Barwniki farbujące na kolor czerwony Czarny bez Jawor - kora Mniszek lekarski - korzenie Buraki Czerwone róze Hibiskus - suszony Dzikie dojrzałe jeżyny Ziele dziurawca - nasączone alkoholem Czerwiec - owad wysuszony (euch) Czerwona cebula - luski Koszenila - wysuszony owad Barwniki farbujące na kolor na różowy ecouterre.com Pokrzywa - czerwone łodyżki jesienią śliwki Truskawki Wiśnie Maliny Porosty Barwniki farbujące na kolor na purpurowy Kapusta czerwona (niebieski/purpurowy) Róże Lawenda Marzanna Jagody Czerwona kapusta Morwa Czarny bez Szafran Borówki Chaber Hiacynt Indygo Barwniki farbujące na kolor błękitny, niebieski lilfishstudios Borówki, jeżyny, jagody, aronia Kapusta czerwona (niebieski/purpurowy) Tarnina - owoce Czarna fasolka Hiacynty Liście indygowca Barwniki farbujące na kolor brunatny, brązowy sandrapearce.blogspot.co.uk Kawa i herbata Narcyz Mącznik lekarski Szczaw - świeże ziele Kory prawie wszystkich drzew Dziurawiec zwyczajny - kwiaty Bluszcz - gałązki Żołędzie - gotowane Koper włoski - kwiaty, liście Orzechy Barwniki farbujące na kolor zielony indiaflint.com Karczochy Szpinak Zielona herbata Szczaw - korzenie Naparstnica - kwiaty Trawa Skórki jabłek Ps. spróbuj wymieszać rośliny o barwnikach niebieskim i żółtym. Do dzieła zatem!! Stworzyć można nie tylko ciekawe barwy ale fantastyczne, originalne wzory. Naturalne barwienie materiałów jest bardzo proste. Nie zawiera sztucznych barwników, chemikaliów i innych rakotwórczych substancji. Jest eko-przyjazne i tanie - wystarczy że pójdziesz do lasu i nazbierasz liści, kwiatów lub dzikich owoców. Pachnie! - gotując np zioła, wydobywa się aromatyczny zapach, lecz uważaj na indygo - śmierdzi! Udanej zabawy. anjouclothing.com Skladniki: materiał - 100% organiczna bawełna wybrany barwnik 3/4 szklanki soli/ocet woda garnek, oraz miska Przygotowanie: ***Jeżeli farbujesz owocami, zaleca się używanie tylko soli. Natomiast, jeżeli farbujesz używając ziół, liści, czy kwiatów itp, dodaj tylko octu. Wymieszaj sól/ocet z wodą. Zanurz materiał i doprowadź wodę do wrzenia. Zmniejsz ogień i gotuj tkninę przez około godzinę. Następnie, wyciągnij materiał, odsącz z osolonej wody, przepłukaj w zimnej wodzie i odstaw na bok. Teraz czas na kolory. Barwniki na bazie warzyw i owoców zalewamy wrzątkiem i gotujemy od 10-15 minut. W przypadku ziół, herbaty, czy kawy wystarczy, że potrzymamy we wrzatku przez 5 minut. Gdy nasz barwnik jest już gotowy, barwimy materiał poprzez włożenie go do mikstury i trzymanie go przez ok godzinę. Należy pamiętać, że im dłużej pozwolisz materiałom moczyć się w wodzie, tym barwa będzie intensywniejsza. Nie martw się jeżeli otrzymany kolor nie jest satysfakcjonujący. Potrzymaj materiał w barwniku dłużej. Możesz nawet podgrzewać na małym ogniu, lub trzymać przez noc (bez pogrzewania). Spłucz w letniej wodzie, wysusz. Gotowe. indiaflint.com
Scopri come tingere i tessuti in maniera del tutto naturale. Lo sapevi che esistono diversi tipologie di tinture? Scoprile tutte leggendo l'articolo!
Lois Ericson shows you how to create uniquely colored and patterned fabrics with ordinary household bleach.
Natural Dyeing Tutorial. Learn how to use red cabbage to obtain beautiful purples, greens and blues with organic cotton yarn.
Eco printing has so many questions since it is such an interesting art form. I'll share my Eco Printing Tips & tricks with you from my many experimentations
Tutorial sun prints: here's a few tips and tricks for you to make botanical sun prints at home. By Dutch textile designer Dieuwertje van de Moosdijk.
Eco Printing or Eco Dyeing on Fabric. How to make Eco Prints with leaves on silk chiffon and cotton fabric with an iron modifier.
Machu Picchu and Wayna Picchu travel experience and all about Peruvian Alpaca, textile and dyes.
The beauty of plant-stamped fabric lies in the wonderful imperfection of the print. You can add a hand-made touch to your house and print some cushions, tea towels, table runners or bags. Don't worry about your skills, it's really easy! Follow this tutorial to learn how to do that.
Printing With Nature's Amazing 'Colour Bug': Yes, you read that right; it's a little bug that makes that amazing colour! Have you ever 'tasted the rainbow; of Skittles' - then you have already eaten some. Let me introduce you to the incredible colourful Cochineal! It never ceases to amaze me w…
Use ice or snow to create vibrant, water-colored textiles, by Saki Jane.
Learn how to extract dye from acorns, and use it to achieve a beautiful range of natural color, including tans, browns, and blacks!
Olin niin innoissani kun huomasi, että Taitoliitto on valinnut luonnonvärjäyksen vuoden 2022 käsityö teemaksi. Kun ensimmäisen kerran itse astuin kasvivärjäyksen maailmaan 5 vuotta sitten, olin täy…
Eco dyes, a more sustainable option to reduce the impact of the polluting fashion industry. Experiment with these useful techniques to make your own natural fabric dye.
www.amliebstenbunt.blogspot.de
This is tutorial on sun printing fabric with Dye-na-Flow by Jacquard.
In this blog post I’ll show you how to dye a scarf with mahonia berries (also known as Oregon grape) with a simple tie dye stripe pattern. These are my local berries – in the early summer, the bushes are laden with hundreds of strands of these little purple jewels. Maybe you have other local...
Natural dyes are fun, and enjoyable, but finding out too late that your dye is not a colorfast natural dye is heartbreaking. This list of some of the top colorfast natural dyes can help you have an enjoyable and fun time with your natural dye adventures. Indigo, walnut, and madder are just a few of the colorfast dyes.
Use leaves and foliage to print on fabric using iron mordant and basic eco printing cotton method, full detailed instructions with pictures
Anyone who can make a pot of tea can dye a skein of wool or yard of plain linen to whatever color they want, using commonly found plants.
Tutorial 3 ECO PRINTING BASICS Note that these are my current practices. In your own research and experiments, you may well discover other processes that work well for you. Take what you can respon…
Choosing the right jeans Most of the mending projects I share are pretty extreme examples of patching using sashiko inspired mending techniques combined with my own stitching style. The examples that I share are either my own jeans or those that I've found while shopping at thrift/secondhand shops and garage sales. Whe
Les réponses à toutes les questions que vous vous posez sur la teinture naturelle ! intensité des couleurs, lavage, résistance à la lumière ...
A Textile Designers guide to the art of Fabric Manipulation to use in simple craft projects
Avocado is one of my most favorite dye sources. We eat a lot of avocados at home and therefore have quite a substantial amounts of avocado skins and stones left. They would end up as a kitchen waste otherwise and I love the fact that I can use them in a creative way instead of throwing them into a bin. Avocados make a
Did you know that you can use dried hibiscus leaves to dye fabric? Learn how with our DIY Natural Dye Dish Towels tutorial.
Dyeing with a natural Cochineal dye prior to eco printing to create the most amazing colours imaginable! Complete tutorial with pictures!
Jos pihapiirissä on valtaajakasvi, laita se kattilaan ja langat perään.
Autumn bears beautiful gifts for those looking for seasonal colors. Today, I'm sharing a natural dyeing tutorial. To dye linen pants I collected oak leaves. Alternatives for making grey are oak galls, alder cones, acorns, or black tea. These dyes contain high concentrations of tannins, which can be modified with iron.
It's over a year since I first wrote a post about using an iron blanket. I remember doing more bundle dye experiments when all the leaves changed colour in 2017 and I did get closer to the iron blanket effects I hoped for. A couple of weeks ago, noticing some of the oak leaves were already falling, I managed to find the pieces of cloth I printed last year, but really couldn't bring to mind quite how I had done it. Unfortunately, last autumn I had little headspace to spare and wasn't blogging. To save me forgetting again, today I'm writing a reference blog about how I have now retraced my steps and moved a bit further forward. Taking the steps in order, first scour some natural fabric by washing it with soda ash to take off any oils, waxes or stiffeners. Next, mordant wool and silk with alum, cotton and linen with aluminium acetate. Then dye it by simmering the fabric in a plant dye bath. This picture shows linen, silk and wool pieces, all dyed with Dyers Chamomile flowers. Now the iron blanket. Home made iron acetate solution, made by leaving rusty metal in a mixture of water and vinegar for weeks or months, is inevitably of variable and unknown concentration. I'd say that in practice, the results of using the contents of my rust filled jam jar suggest my homemade solution is usually pretty weak. For the purpose of investigation, I made up a measured solution of ferrous sulphate, pouring 100ml boiling water on 10g of the powder and stirring, so that I would know 10ml contained 1g of iron. Using a syringe, I drew up 20ml and added it to a washing up bowl half full of water. By eye, that 2g of ferrous sulphate gave the bowl a very pale orange colour. My blanket fabric was a fairly thick cotton, cut from an old curtain. It was soaked in the bowl of iron solution for several hours and squeezed out just before using it. My dyed fabric had been dried without rinsing, straight from the dye bath. I put a piece of linen (half the leg of some loose trousers) to soak in plain water and collected a selection of leaves from the garden, plus oak and sycamore from the trees down the road. I unrolled some baking parchment on the table, smoothed out the wet dyed linen on its surface, laid out the leaves, some face down and some face up, then placed the iron blanket over the top. All the layers, baking parchment, dyed linen, leaves and iron blanket, were rolled up around a section of plastic drainpipe, then bound firmly with string. The completed bundle was stood on a trivet inside a very large pot with water in the bottom, the lid was put on and the pot was heated to the boil before turning the gas down low to keep steaming the bundle for two hours. I left it overnight to cool and next day, unrolled it. Below is a photo of the dyed linen and the iron blanket, laid out side by side. Not a ravishing success, but much can be learned from looking at it. As expected, the leaves varied in their affinity for iron, which I believe may be due to the amount of tannin each species contains. Most had made blacker shapes where the underside of the leaves faced the iron blanket than where the underside of the leaf had faced the dyed cloth. This effect showed up even more clearly once the iron blanket had dried out. What happened on the dyed linen is less obvious, though much more important. I decided that the central oak leaf in this photo had worked best as a resist by being laid with its underside facing the iron blanket, as the yellow is brighter than the adjacent oak leaves which had been laid with their undersides facing the linen. I had rather hoped that where the iron blanket had been in direct contact with the linen with no leaf in between, the iron would have modified the chamomile dye to a warm green. As you can see, the yellow actually went more of a dark khaki. Unexpectedly, the Japanese Maple and the ginkgo leaves seem to have sucked the yellow dye out of the linen. I had read people recommending both of these types of leaves in the past and been disappointed that I couldn't get any dye or iron dip print from my trees. I am delighted to discover that the damn things actually work by 'exhausting' other dyes :) The hardy geranium aka cranesbill leaves had left beautiful, if subtle prints, full of detailed edges and veins. I grow several varieties, because they make lovely prints in contact dye bundles when dipped in iron. In spring, some types will print with their own yellow dye. Sorry, I don't know the names of the different kinds, but this is what the plants look like at the moment. Anyway, since they will soon die back when the cold nights come, I thought I would include cranesbill leaves in the next test piece, this time a good silk scarf. I laid the leaves on densely, hoping for pale shapes from the exhaust effect of maple and ginkgo leaves, fine patterns from the cranesbill and bold yellow resist shapes from the oak. Unrolling the first turn of the bundle looked great. Unrolling more turns revealed much darker silk and far less clarity of leaf prints. Time for a cup of tea and a fag and a careful think. I decided that the baking parchment wasn't preventing iron from the blanket soaking through to the layers rolled underneath and there was just too much iron everywhere. First modification of the technique was to reduce the amount of iron. For my next silk scarf I used an iron blanket cut from a thin, worn out cotton bed sheet. It was soaked in the same washing up bowl of iron solution, but wrung out firmly after soaking. I had read before about people using layers of clingfilm in their bundles, but never fancied the idea. Clingfilm isn't biodegradable or reusable and anyway, I thought it might melt during the steaming and weld itself onto the bundle. Funny how buggering up an expensive piece of silk has changed my attitude, I felt quite ready to give cling film a go. After steaming, the bundle looked as though it had been shrinkwrapped. Happily, the clingfilm peeled off with no trouble. It had confined the iron from the blanket, allowing it to work only on the single layer of silk against which the blanket was pressed. With less iron available from the thin cotton blanket, the background colour looked much less gloomy, though you can see deeper lines where the string had squeezed the dyed silk most tightly. Taking away that shroud of darkness made it much easier to examine the actual leaf impressions. The ginkgo had had the most powerful exhaust effect though I could now see that the sycamore had also reduced the strength of the chamomile dye on the linen. With the clingfilm there to keep all the dye localised under the leaf, for the first time in my experience, the Japanese maple had left its own pink dye and the purple smoke bush had added a blueish green. Thick oak and fern leaves had acted purely as resists, keeping the iron blanket off the silk but neither exhausting nor adding anything to the dyed linen. I am truly delighted to have made a good iron blanket printed silk scarf. With less iron in it, even the effects on the iron blanket looked more interesting. Comparing the baking paper roll against the clingfilm, I shall have to weigh concerns about their relative biodegradabilty against my preference for sharp results. Anyone got a great idea for recycling steamed clingfilm?
So many options; dyes and methods. This switching of the blanket roles gives great details and interesting designs. Carrier Blankets in Eco printing - great
A quick post for those of you interested in growing a plant to produce blue dye! Woad (isatis tinctoria) – Click for seeds! A member of the mustard family, woad has been used since ancient times to produce a beautiful blue dye. It is an easy to grow hardy biennial, but is classified as anContinue reading "Growing Woad"
Looking for a fun and unique DIY project this summer? Well move over, tie-dye! Sun-printing is the new ultimate summer craft. With only a few materials and a little bit of sunshine, you can create beautiful patterns that will last a lifetime. (Photo Credit: Elizabeth Creates) The key to this neat impression is cyanotype fabric. This light-sensitive fabric changes colors (or
Ceviz, papatya, zerdeçal, üzüm, vişne renkli bir çok meyve ve sebzeyi kumaş boyamak için kullanabilir, doğal giysiler elde edebilirsiniz.
Myrobalan loves iron so why not create some unique patterns and designs. Make some fabric or dye your clothes and have the most awesome fashion!
