the artist employs solely the vast array of shades naturally present in recycled maps (enhanced by home-crafted walnut ink) in order to create vibrant collage works picturing human, animal and land forms.
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Inscription: Inscribed in ink (lower right): Il Resegone die Lecco / from San Stefano / March & Apr 1885; in pencil throughout the landscape (upper left): Casá Verde (Albergo); (upper right): pass of Faggio and Malnago; (lower left): Road from Colico to Lecco; (lower right): CastelloMarking: Annnotated in ink (verso): Il Resegone di Lecco / from San Stefano / Mar & Apl 1885; in pencil (lower left): John Ruskin; (lower right): Ruskin; illegible inscription in pencil which may read: not painted; and former Lehman Number: G
View credits, reviews, tracks and shop for the 1971 Vinyl release of "Audiopoems" on Discogs.
At the heart of Danny Fox’s paintings—assemblages of heroic figures and flattened objects reduced to their rudimentary parts—is a deep interest in humanity. Under his brush, the gallant commingles with the mundane, and biblical allegories are remastered as contemporary, loosely autobiographical works. New examples are on view now in London at Saatchi Gallery’s aptly titled
Between smileys, psychedelic flowers and rainbow palettes, the icons of contemporary art and pop culture blow a wind of optimism.
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