Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.
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Dune Concept Art
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EXCLUSIVE: Kristof Deak, writer and director of the 2017 Oscar-winning short film, Sing (Mindenki), has inked with Paradigm for agency representation. The pic, set in 1990s Budapest, Hungary, follows an award-winning school choir and the new girl in class who just might uncover the ugly secret behind their fame. Deak is currently developing the feature Cosmic, […]
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"Hunger Through My Lens" gives digital cameras to food stamp recipients and asks them to chronicle what it's like to be hungry in America. So far, 15 women --who come from all walks of life-- have participated. Over the months, they've formed a "sisterhood" of sorts, supporting and encouraging one another. One woman is a former paralegal who suffers from autism. One is a family practice physician. A third woman is HIV-positive and has struggled with chronic homelessness. A fourth just got off government assistance and is now an executive director of a local non-profit organization.
Fifine Mother And Child Marriage Procession On The Fringe Of Village Poultry Market
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Castle Caladan Concept Arts by Deak Ferrand.
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I’ve just finished editorial on the feature film 6 BELOW starring Josh Hartnett and directed by Scotty Waugh (Need for Speed, Act of Valor). This is my 10th feature film as an editor and a very welcome challenge both creatively and technically. It’s also the first feature film to be edited natively in […]
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