The photographer made his name with a series showing his dysfunctional parents, Ray and Liz, in their squalid Black Country flat. Now he’s turned their story into an award-winning film
I started a new photographic project and I'd like to share it with you. The series is called "Photographic Portraits Behind The Canvas".
In his series Impermanence, South Korean artist Seung-Hwan Oh creates wonderfully distorted photographic portraits by growing emulsion-eating fungus on
Portraits by Gabriela Mendez . 17′
Photographer + Creative Director : Olivia Katz. Stylist: Jessica Zanotti. Hair & Makeup: Omayma Ramzy. Styling Assistant: Stef Cardenas. Victoria Frost at Nous Models. & Katie Fitzsimmons at Industry Models LA.
David Uzochukwu started photography at a young age, picking up a camera at only twelve years old. Now, at sixteen, this self-taught Belgium-based
A film that invades your mind, body, and soul as the 18th century hypnotizes you into a romantic trance like a sunset lullaby.
Ships On The High Sea photography by Fotografin Philomena Famulok ★46 | STRKNG Portfolio of Photographer Philomena Famulok ★46, Germany | Specialization Mood, Conceptual, Instant Film - Photography
White Gauze
1998'model_高橋マリ子 (13才の頃) 掲載・cutie 連日の猛暑…マリ子ちゃんのエクボと笑顔で癒された。
Mind and body are different. The body and outside of the picture is calm, balanced and steady, the head in the center (inside) of the image is 'unhinged'. What does this image mean to you, what does it inspire you think? A picture is worth a thousand words, therefore it must be worth a thousand thoughts. Not bad for a first try, I'm trying to learn how to do the "crazy" or "insomnia" type picture. Anyone have any tips they can give to help me out??
20-year old Kyle Thompson is an up and coming photographer from Chicago, Illinois. His recent series of conceptual self-portraits have been spreading like wildfire, thanks in part to an albu…
A visual collection curated by Art Director & Designer - Jonny Costello
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I am so gay for her
Alessandra Sanguinetti’s The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams. In book one of her ongoing series, the San Francisco-based Magnum photographer tells the story of two young girls living in a rural province south of Buenos Aires. Alessandra Sanguinetti tells the story of two young girls living in a rural province south of Buenos Aires in book one of her ongoing series The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams. The San Francisco-based Magnum photographer spent her childhood summers at her father's farm, and found herself drawn to the sisters as they navigated their way from the innocence of childhood to the complexities of puberty—although not at first—Sanguinetti says of her subjects: “Beli and Guille were always running, climbing, chasing chickens and rabbits. Sometimes I'd take their picture just so they'd leave me alone and stop scaring the animals away, but mostly I would shoo them out of the frame. I was indifferent to them until the summer of 1999, when I found myself spending almost everyday with them. They were nine and ten years old then, and one day, instead of asking them to move aside, I let them stay.”
Contax T2 and Agfa Vista 200 35mm film photography featuring fine art portraiture from Nick Prideaux on Shoot It With Film.
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Large format 4x5 film portraits on black and white film - expired kodak t-max 400, kodak t-max 100 and ilford hp5 with an Intrepid 4x5 mkiii. My second time shooting large format film portraits and my first ever time developing and scanning my own film. All shot in my backyard in Charleston South Carolina.
Medium format and 35mm film photography featuring vibrant portraits from Australian film photographer Izzy Burns. Shot on the Mamiya RB67 and the Nikon L35AF with Kodak Portra 400.
Nima Saffari shares the technique behind his beguiling image of a woman in a train window which was shot on ILFORD FP4 black and white film
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Images and tips and tricks from a month of shooting large format, 4x5 film outside my Charleston SC Photography Studio. Portraits shot on an Intrepid 4x5 mkiii with 210mm schneider F5.6 symmar-s lens and Kodak Tri-X 320, Kodak T-Max 100 and Ilford HP5 film.
