Starfish and crabs among animals piled ankle-deep along parts of the North Sea coast
Cher Horowitz, clueless mis-match computer screen
Hand Painted Textures...what else... - Polycount Forum:
Hillarys visit the Nottingham Trent University (NTU) Textile Design degree show 2013 Embroided Lamps by Rebecca Chew
Jan. 14 - Feb 4th, 2011 at Roq La Rue Gallery. www.roqlarue.com. mandygreer.wordpress.com About “Honey and Lightening” “Honey and Lightening” is a show of installation chambers, sculptures of talismanic birds and a series of staged photographs all revolving around examining the mercurial nature of human desire. The substances honey and lightening both have literary, mythical and archetypal references to the occurrence and evolution of desire and it’s fading. I see one as the slow ooze of pleasure and the other as the dangerous, uncontrollable and inexplicably instant occurrence of magnetism between two bodies. Two installation chambers create full body experiences of these ephemeral phenomena and crystallize them in tangible form as a way to signify the human longing for a perfect stasis of experience – which is impossible as emotion begins to degrade, evolve, fold in upon itself after the initial strike. The Cherry Tree Root chamber is, in a way, a reverence to my own experience with Colpo di fulmine — “love at first sight” in Italian, which literally translate to “lightning strike”, and a craving to re-experience a place and time that no longer exists. Recently digging a 16 foot deep foundation hole, my husband and I removed 72 tons of dirt from our property to build a studio, exposing deep and gnarled roots that seems like frozen solidified lightening, long forgotten, dug up by us to lay the foundation for the rooms we hope we’ll die in. The root chamber is like entering this underground world hidden from view of long- ago electric ephemeral desires that have now turned into strong and sturdy roots- not as flashy as lightening but quietly enduring and growing. The roots are battered beautiful twisting accumulations of crocheted scraps of fabric I’ve saved for years, old ropes and remnants of past installations, hand-spun hair, rabbit fur and old clothes, all coated in the dirt from below my family’s foundation. Creating a chamber to recede into is an homage to Jeffry Michell’s 2001 installation “Hanabuki”, the site of our own lightening strike, a catalytic phenomenon that lasted a millisecond. Like life itself beginning with lightening striking the primordial soup, the mythology of celestial fire recognizes its ability to create fast irreversible transformation. Despite the impossibility of it, I made my chamber as a way to revisit and remember the secret place Jeffry made, the fur-lined hut that was a pleasure palace where I fell in love, presided over by little dancing gods spreading the joys of the pleasure in all bodies, a beginning of something that seemed temporary and ill-fated but really turned out to be deep-rooted like an ancient tree. Sponsored in part by by the City of Seattle Office of Arts and Cultural Affairs CityArtist Grant and 4Culture/King County Lodging Tax Revenue. Photo : Mark Woods
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DOVER STREET MARKET NEW YORK, "Visual Merchandising Made Easy", for Vetements, pinned by Ton van der Veer
Graphic Design, Illustration, Concept Art
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medieval history of art blog.
Simple and sustainable ways to raise your vibration and allow more ease, flow, and inspiration into your life. We are energy. And we have the capability to shift that energy to allow for more peace, more happiness, more flow in our daily life. These shifts don’t need to be big; they don’t need to take all day or cost the entirety of your paycheque. In most cases these shifts involve
