A frequent issue in many paintings is that most of the artist’s attention is on the focal area, but theforeground remains unresolved and the painting suffers for it. Just as often, the foreground can attracttoo much unwarranted attention by containing […]
Let's discuss what is variety in art.
An American woman, who visited WA for three months, is still here five years on — thanks to love, the land, and rural photography.
I think this is a great example of creating balance without making the whole composition exactly symmetrical or boring, as there are areas of both light and dark without either overwhelming the oth…
Foregrounds can often be a pain in the neck, and are often not considered properly until the rest of the painting has been completed. This is not good practice, of course, as it's by far a lot better to give the foreground some thought before you start painting. Anything but the simplest of landscapes will benefit from one or two studio thumbnail sketches to help you decide on the main features and relationships of the composition. Foregrounds vary considerably, and sometimes completely different types of foreground may well suit a scene. Having a lead-in to the focal point can be very effective, and in this watercolour of cottages on Skye the track undulates and wriggles, losing itself in places until it disappears completely round the right-hand side of the buildings. A lead-in doesn't have to be continuous, and there are times when it helps to be less conspicuous. The warm colours in the foreground here counter the cool ones in the distance, accentuating the sense of space, although I have mashed some strong blues into the foreground vegetation with a spatula in places to create interest. I used the edge of a piece of card to apply the paint here and there - this introduces a change of style from the brushwork, tending towards the abstract. Drystone walls, posts and boulders can be useful for breaking up masses of vegetation. Experiment with all sorts of objects with which to apply the paint if you'd like to try something new. On a hike recently I wanted to find a spot where the river created a really good lead-in to a mountain, but there was no path. The dense vegetation simply got worse as I battled upstream (without a machete - they don't like you carrying them around these days, and my Swiss Army knife wasn't quite up to the job). If, rather than fight it, you wish to paint such dense vegetation, then the semi-abstract system as in the bottom left of this painting, can be the best option. Enjoy your painting/hacking!
A fine & important Scottish oil on canvas painting; a landscape of Tantallon Castle in East Lothian, by Horatio McCulloch (1805-1867) R.S.A. The painting circa 1850. This very handsome painting of Tantallon castle in East Lothian, is a very fine example of a work by an artist that became the most successful Scottish landscape painter of his generation. The castle is depicted rising in the background with figures to the foreground in traditional Scottish plaid accompanied by a dog, also two fishing boats and cottages with smoke billowing from the chimney. This work is signed lower right, condition is very good and the painting is housed in the original gilded frame, which is also in very good condition. At Sight Width 24.25" Height 11.25" Depth .75" less
In classes of 7th Grade (12 year-old) we have painted a forest of trees without preliminary drawing, using directly the brushes and the acrylics paints on the white paper. To make the effect of t…
Here is the second batch of my South Carolinian Lowcountry landscape paintings. These were all painted on a plantation in the North Santee River Delta about an hour north of Charleston.
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This exquisite print draws its inspiration from the serene beauty of Traigh Mhor at dusk, with its palette brimming with the rich colours of the setting sun. The artwork is a striking example of Expressionism, where the interplay of vivid hues and bold brushstrokes captures the emotional essence and dynamic atmosphere of this Scottish cove. The foreground is marked by an energetic array of white and violet strokes, suggesting the rugged textures of rocks and sand, while hints of blue and pink gently hint at reflections and the last touch of daylight caressing the shore. As the gaze travels towards the heart of the scene, the majestic sun casts a warm, golden glow upon the waters, creating a path of light that leads to the distant horizon. In the background, undulating hills are silhouetted against the dusk sky, their forms simplified to emphasise the sweeping grandeur of the landscape. Above, the sky is a canvas unto itself, with swathes of lavender, pink, and a soft orange radiating from the orb of the setting sun. The crescendo of this skyward spectacle is a dazzling glow that mirrors onto the tranquil sea, while a solitary moon hangs subtly in the vast expanse, heralding the onset of twilight. This mesmerising print invites contemplation and evokes a sense of tranquillity, serving as a striking focal point in any space. It encapsulates the raw beauty of Scottish coves, rendered with an expressionistic fervour that is both captivating and deeply moving.
Hello all wetters, I have a problem with the foregrounds. My scenes often have a clear focus to the middle distance but the foreground should be blur. […]
Here are some recent plein air landscape paintings from Zagreb and the surrounding countryside. While the Croatian coast is rightfully famous for it’s beauty, the countryside inland has a lot of charm…
About The Artwork It took me a little while to decide what should I paint, but then I allowed my imagination to guide the way. The first thing to grace my mind was soft clouds and beautiful sunshine. This painting gives me the feeling of inner stillness and quiet. Original Created:2023 Subjects:Landscape Materials:Canvas Styles:ContemporaryConceptualRealismFine ArtExpressionism Mediums:OilGesso Details & Dimensions Painting:Oil on Canvas Original:One-of-a-kind Artwork Size:20 W x 24 H x 1 D in Frame:Not Framed Ready to Hang:Yes Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Pakistan. Have additional questions? Please visit our help section or contact us.
Blog of artist and iphoneographer Sarah Jarrett.
