![[viernes clásico] La cara de los Premios Pritzker: Fumihiko Maki, 1993](https://i.pinimg.com/originals/aa/89/d1/aa89d160c7ee54e9d13cb776d5f6deb8.jpg)
[17-07-2015] EL JAPONÉS ES UNO DE LOS PILARES TEÓRICOS DEL METABOLISMO_ Fumihiko Maki es uno de los arquitectos más respetados de Japón. Nació en 1928 y estudió e impartió clases en la Universidad …
Image 11 of 18 from gallery of Fumihiko Maki On The Importance of Conscious Decision-Making in Design. Photograph by PLANE—SITE
RNDRD | A partial index of published architectural rendering
Image 8 of 8 from gallery of Spotlight: Fumihiko Maki. Fumihiko Maki at MIT Media Lab, 2010. Image © Flickr user jeanbaptisteparis licensed under CC BY-SA 2.0
Tickets on sale this week to attend the Pritzker Prize-winning architect’s Australian talks in June.
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Maki's Golgi Structure designed in 1968 by Fumihiko Maki was named after Camillo Golgi, who developed techniques for visualizing nerve cells
The chaos and fascination of Tokyo come together in Hillside Terrace based on that slow collective process of creating form which has left outstanding historical examples in its wake due to its une…
"In part to improve its corporate image, the company has recently expanded its program to include fashion, art, and music. This building is to be an active arts center for various corporate-sponsored cultural activities, and must be in itself a work of art."
In 1997, Pritzker Prize-winning Japanese architect Fumihiko Maki completed the Kaze-no-Oka Crematorium in Nakatsu, Japan.
Image 7 of 18 from gallery of Fumihiko Maki On The Importance of Conscious Decision-Making in Design. Photograph by PLANE—SITE
ESPAÑOL Fumihiko Maki is one of the most respected architects in Japan. Born in 1928, Maki studied and taught at Tokyo University and the S...
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In 1997, Pritzker Prize-winning Japanese architect Fumihiko Maki completed the Kaze-no-Oka Crematorium in Nakatsu, Japan.
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Image 8 of 18 from gallery of Fumihiko Maki On The Importance of Conscious Decision-Making in Design. Photograph by PLANE—SITE
the aga khan museum, designed by japanese architect fumihiko maki, showcases an extensive collection of muslim heritage and is located in toronto, canada.
First edition first printing large format hardback in near fine condition, there is a soft bump to the bottom rear corner of boards, no other markings, the book is still in its cardboard case. Kuma After Tadao Ando, Toyo Ito, and Fumihiko Maki, Kengo Kuma has breathed renewed vigor and lightness into Japanese architecture. Departing from the modernist skyscraper of the 20th century, Kuma traveled through his native Japan to develop a truly sustainable approach, translating local craftsmanship and resources into site-specific, timely buildings. Informed by tradition, and with both feet firmly planted in the present, this “materialist” heralds a new tactile architecture marked by its engaging surfaces, innovative structures, and fluid forms, reconnecting people with the physicality of a house. Kuma’s objective, above all else, is “just to respect the culture and environment of the place where I am working
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Una de las torres planeadas en la reconstrucción del World Trade Center estará a cargo del arquitecto Japonés Fumihiko Maki. Como mencionamos en nuestro post acerca de la construcción de las torres originales en los años 60’s, aquel icónico diseño de las torres gemelas fue creado por Minoru Yamasaki, y la nueva Torre 4 marcara …
Image 26 of 60 from gallery of Shenzhen Sea World Culture and Arts Center / Maki and Associates. Photograph by Maki and Associates
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Synonymous with sweatshops and sprawl, the Chinese city of Shenzhen is banking on Fumihiko Maki’s Sea World Culture and Arts Center to legitimize its brand of unfettered creativity. Can such a sober building do the job?
STIR speaks with some of the greatest icons of our times – Fumihiko Maki, even at 91, continues to conceptualise and actively engage in humanitarian design across the globe.
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Shenzhen Sea World Culture and Arts Centre was designed as a cultural core of a large-scale multi-use (retail, commercial, residential) development in the Sea World area undertaken by our client, China Merchants Shekou Industrial Zone Holdings.
Spiral Building Arch. Fumihiko Maki, 1985 5-6-23 Minami Aoyama, Minato, Tokyo
