𝔹𝕚𝕣𝕘𝕚𝕥 𝕂𝕠𝕠𝕡𝕤𝕖𝕟-𝔹𝕖𝕣𝕟𝕤𝕥𝕖𝕚𝕟 🇳🇱 (@birgit_koopsen) • Instagram photos and videos
Wow. It has been almost forever since I posted photos about my 100 Day Project. Does that mean that I stopped? Nope. It means that I hav...
Francine Murray Dunigan | I spent the day making mono prints with limited palettes and some homemade stencils. I’m hoping to incorporate them into some new… | Instagram
Playing with process colours, stencils and over printing with a bit of ghosting thrown in. Just loving developing this process and e...
This month's challenge theme, over at Art to the 5th , is 'stamps, stencils and masks' and this week's art challenge is to use stencils - ...
I was asked by Janine Vangool at Uppercase magazine to design the cover of issue 41 coming out in April. This issue includes the surface...
Hi Everyone This week I have been scavenging in my box of gelli prints and came across a print that I thought would be ideal to do ...
L is for LEAVES! Watch how Gelli Arts® artist Tara Axford varies the size and shapes of the leaves she uses on her gel printing plate and plays with composition and colors. Tara uses Golden Open transparent paints and a bamboo barren to press the paper onto the plate. TIP: Use tracing paper between first and second pulls to get a cleaner ‘ghost’ print. #gelliarts #gelprinting #printmaking #monoprinting #arteducation #gelplate #printingplate #abcprintingchallenge
What’s the secret to getting gel prints full of pattern with colors that pop? Magic? Random Luck? Nope, but it can feel like that when you don’t know the process. Anyone, including you, can make prints like these when you understand how stencils interact with paint and color on a gel plate. After all, there […]
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Ruth Thomas RCA on Instagram: "Another in my series of 50 prints on the theme of the Clwydian Range. When seen from a distance, in the company of the other hills, Moel Arthur appears to be the junior member of the family, with its distinctive round, compact shape! In August, it is purple with heather but in winter the stems appear a dark greenish-brown. The ramparts of an Iron Age hillfort are always visible. The view in my print is from south of Moel Arthur, looking north. The hillside where I sat drawing in January was covered in dead bracken stems; across the Clwydians there are broad areas of bracken adding burnt sienna to the patchwork of colours in winter. I used a combination of drawing and photography as a reference for the printing plate, a collagraph using a variety of materia
Rachel Davis | Mixing It Up on Instagram: "Super thrilled that this grid of six botanicals will be staying together in Tiburon!"
