This is an article about Aphrodite, the goddess of beauty, love, pleasure and procreation and the myths related to her, the tale of Cupid and Psyche and her affair with Ares, the god of war.
mythology family ♥︎ adonis for @lillyevans adonis, in greek mythology, was a youth of remarkable beauty, the favourite of the goddess aphrodite. charmed by his beauty, aphrodite put the newborn infa…
Photo by Einsamer Schütze, 2008
Hellenic Witch/Wiccan Worship of Aphrodite
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SissejuhatusAphrodite on vanakreeka mütoloogias armastuse-, ilu- ja viljakusejumalanna. Isegi kõigetargemad alistusid tema võludele. Oma poja Erose nooltega oli Aphrodite võimeline muutmakirglikuks nii surelikud kui ka jumalad. Tema abiliste hulka kuulus noor pulmajumalHymenaios. Aphrodite oli abielus sepp-jumala Hephaistosega, kuid ta ei olnud truu abikaasaja sai lapsi veel mitmete teiste jumalatega, näiteks Dionysose ja Aresega
Ares Borghese The Ares Borghese is a Roman marble statue of the imperial era (1st or 2nd century AD). It is identifiable as Ares by the helmet and by the ankle ring given to him by his lover...
Briton Rivière 1840-1920 Engeland
►Greek Mythology: “Aphrodite, Hephaestus, Ares and her Other Lovers”: _____________________________________________________________________________________________ Hephaestus (Roman equ…
Terracotta, ca. 330 B.C.E., Attributed to the Painter of Louvre MNB 1148 35 1/2 x 10 1/4 in. With elaborate scenes on both sides, this loutrophoros or ritual vase is characteristic of the work of vase painters in southern Italy around 330 B.C. The multilevel composition on one side shows successive moments in one of the god Zeus's many seductions of a mortal woman. At the bottom, Zeus in the form of a swan approaches Leda. Above, Zeus meets with Aphrodite, the goddess of love, presumably enlisting her help for the seduction. Both episodes are surrounded by personifications. The vase's other side displays a woman in a naiskos, a small open building, surrounded by attendants. Beginning in the 600s B.C., Greeks colonized parts of southern Italy and Sicily. From about 450 B.C., these colonists began producing their own fine, decorated pottery, which eclipsed the imported Athenian wares by the 300s B.C. This pottery, known as South Italian, grew directly out of Athenian shapes, style, and subject matter. The colonists quickly developed their own variations, inventing new shapes, finding their own styles, and depicting subjects not otherwise found in Greek art. Scholars divide South Italian pottery into regional schools of production, the largest of which is Apulian. (86.AE.680) From the collection of the Getty Villa, Malibu, California.