– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
About This late 20th century pastel on handmade paper landscape with trees is by San Francisco painter Jack Freeman (1938-2014). Freeman studied at the High Museum of Art in Atlanta, landscape and figure drawing with Oskar Kokoschka’s School of Vision in Austria, and received his MFA from the San Francisco Art Institute in the late 1960s. Freeman’s style varied between Abstract Expressionism, the Bay Area Figurative Movement, and plein air landscape painting.
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
This late 20th century pastel on handmade paper landscape with trees is by San Francisco painter Jack Freeman (1938-2014). Freeman studied at the High Museum of Art in Atlanta, landscape and figure drawing with Oskar Kokoschka’s School of Vision in Austria, and received his MFA from the San Francisco Art Institute in the late 1960s. Freeman’s style varied between Abstract Expressionism, the Bay Area Figurative Movement, and plein air landscape painting. The piece will be shipped in a mat to fit a standard sized frame. less
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
Indulge in a year-long celebration of coffee with our Coffee Lover's Desk Calendar, featuring enchanting illustrations and uplifting phrases inspired by each month. Crafted with meticulous attention to detail, these personalized desk calendars are a perfect blend of artistic elegance and functional charm. Key Features: Premium Quality: Our desk calendars are crafted from high-quality paper stock (250gsm) sourced from Austria. The satin finish not only adds a touch of sophistication but also ensures durability for a calendar that lasts throughout the year. Perfect Size: Measuring at 10" by 5" (25.4cm x 12.7cm), this desk calendar is compact enough to fit seamlessly into your workspace while providing ample space for each day's activities. Sturdy Binding: The black spiral binding not only complements the coffee-themed illustrations but also adds a touch of elegance to the overall design. This ensures that your calendar stays intact and organized throughout the year. Functional Design: Each desk calendar comes with a tent backing card, providing stability and allowing you to display it conveniently on your desk, shelf, or any flat surface. Vibrant Printing: Your favorite coffee-themed artwork is brought to life with high-fidelity colors and stunning detail, making each month a visual delight. Embrace the spirit of coffee culture and infuse your workspace with positive vibes. The Coffee Lover's Desk Calendar is not just a tool to keep track of dates; it's a daily dose of inspiration and aesthetic pleasure. Start your journey through the months with the perfect blend of style and functionality. Grab your Coffee Lover's Desk Calendar now and make every day a brew-tiful day!
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
This listing is for video-only access to this workshop. Please note that materials are not included but materials kits and the FULL workshop (video + curated materials) can be found here. In this workshop we explore the art of handcrafted paper. Join us as we work side-by-side with Rae Samuels to pour, mold, press and dry - follow along with Rae's recipes or customize as you craft. Paper becomes stationery for a letter to a friend, a journaling entry or a backdrop to photo memories. Paper transforms when it becomes a thoughtful gift tag, wrapping paper, a seating card, a menu or an invitation to commemorate an experience. We use paper to forge connections with others, celebrate and communicate news and milestones such as births and weddings, and to document and share our own stories throughout time. What a wonderful history! Paper has been used for everything from currency to communication. Paper has historically been crafted using a diverse array of materials from around the globe. This workshop takes us step-by-step through the process of making, starting with creating the pulp all the way through adding custom embellishments, and finally, pressing and drying our paper creations for use. Learn more about the details of this project on Rae’s Featured Maker Page. This workshop includes: An in-depth, digital workshop by Rae Samuels A recorded Maker Chat Q&A for our community We can't wait to see what you create.
DECORATIVE FLOWER HANDMADE PAPER This ultra-soft mulberry paper, producing incredible dimension and texture. A border surrounds the design, which varies in size due to its handmade nature. Deckle edges add to its beauty and handmade quality. This paper is truly a frame-able piece of art just as it is, but also perfect for paper arts and home decor. When illuminated as a lampshade, the paper really comes alive! SIZE 22"X30"
About This late 20th century pastel on handmade paper landscape with trees is by San Francisco painter Jack Freeman (1938-2014). Freeman studied at the High Museum of Art in Atlanta, landscape and figure drawing with Oskar Kokoschka’s School of Vision in Austria, and received his MFA from the San Francisco Art Institute in the late 1960s. Freeman’s style varied between Abstract Expressionism, the Bay Area Figurative Movement, and plein air landscape painting.
I get into a bit of a panic at this time of year. All of the wildflowers that I like to use for dyes seem to peak right around the same time. My work area is overflowing with pots and bowls while I frantically cook down plant fibre for the paper, prepare the pulp for dying and process the dye plants. This post will introduce you to the craft of dying paper pulp but, for more in depth reading, there are some wonderful books available on dying with plants. Many of them focus on dying wool rather than cellulose fibres but I'll list my recommended resources for dying your handmade paper with plants. I must admit that I'm rather slapdash when it comes to dyeing but I get the results I want. If I don't get exactly the same results every time, that's okay by me. But if you want to duplicate your results, take good notes. Arnica flowers I won't be covering dyeing with mushrooms but I've included a resource on dyeing with them. Some beautiful colours are possible with certain kinds. I have a friend who used to collect mushrooms for me when he was doing forestry work and I got reds, oranges, and a gorgeous deep blue from some of the specimens he brought me. You would be amazed at all the maggoty creatures that reside in mushrooms, though! The dye pot was swimming with them. When I play with plant dyes, I generally use corn husk and recycled paper pulp. The corn husk pulp is a pale green colour and doesn't compete with the dyes. Some of the other plants I use in my papermaking have a lot of natural colour so the dye colour doesn't show up as well. For information on papermaking, click on this link for a tutorial I posted last spring, Make Your Own Paper From Plants. Cow parsnip PREPARE YOUR PULP You can use plant fibre pulp mixed with recycled paper pulp, plain paper pulp or pulp made from purchased fibre such as cotton linters or abaca. Keep the pulp wet while you prepare your dye materials. Wet paper pulp after pre-mordanting with tannin. MORDANT Before dyeing your cellulose pulp (plant fibre, recycled paper, etc.), most dyes require that the plant based fibres be soaked in a solution called a mordant. The mordant binds to the fibre and then the dye binds to the mordant. There are various methods for mordanting pulp but this is the one I use. I first use a tannin solution as a pre-mordant and then I use an alum solution as the mordant. The alum doesn't readily fix to the pulp on its own so the tannin is used first. You can purchase tannin and alum from companies that sell natural dyes and from some papermaking suppliers but I make my own tannin solution from willow bark. You can also use oak galls or staghorn sumac. The tannin can be used alone as a mordant but I haven't used that method. I strip the willow bark for papermaking but before I process it in soda ash to make pulp for paper, I simmer it in plain water for an hour or so to extract the tannin. I strain it into jars and fill right to the top before covering with lids for future use. If mold grows on the surface, just skim it off before using. Jars of prepared tannin solution. Pre-Mordant Prepare your tannin solution. Add more water if required. I like the tannin solution to be strong enough to colour the pulp a pale tan colour but not so strong that it interferes with the colour of the plant dye. I've found that if my plant dye is strong enough, even when my pulp is a dark tan colour, it still dyes well. The basic formula is to use bark equal to about 1/4 of the weight of the pulp to be mordanted but, as I said, I'm pretty cavalier about the whole process so if the resulting colour is a bit lighter or darker, that's okay. Since I just boil up a bunch of willow bark at one time, I'm not measuring for a particular dye session. Add the paper pulp to the tannin solution and soak for 8 to 24 hours. The longer the soak, the more tannin is absorbed. The pulp should be a pale tan colour. Strain it and save the tannin solution. It can be used again until it no longer colours the pulp adequately. Yarrow Mordant with Alum I mordant my fibres once with alum after the tannin solution but you can do it twice for stronger colours, if you wish. The alum is used with washing soda to make it less acidic and it also helps to make the fibres more absorbent. The amount of alum and washing soda you use depends on the weight of your fibres. Once again I must confess to being less than scientific about my process and I usually estimate the dry weight of my fibres. Your alum should weigh 20% of the weight of your fibres and 6% of the weight for the washing soda (or 20 gm of alum per 100 gm of fibre and 6 gm of washing soda per 100 gm of fibre). Dissolve the alum in boiling water in a large stainless steel pot. Fill the pot about 1/3 full of hot water. Dissolve the washing soda in boiling water and add to the alum solution in the pot and stir well. Carbon dioxide releasing will cause bubbles to form (they'll overflow if the pot is too full). When the bubbles have subsided add the pulp to the pot and add enough water to cover them. Heat to a simmer, turn off the heat and leave the pulp to soak for 8 to 24 hours. Strain and rinse the pulp but reserve the left over solution to use again. I usually save the remains from a couple of batches and then add them together for the third batch. Goldenrod WILDFLOWER DYE Now the fun begins! I love the time spent outdoors collecting the flowers for my dyes. Many wildflowers will result in some hue of yellow, from greenish to orangey. Modifiers can be used to create a range of colours from one dye plant. There are books and information on the internet that tell you what colours to expect from many common wildflowers but often the information is about colours on wool, which can be quite different. I enjoy experimenting. Be careful not to disturb rare or endangered plants or to spread noxious weeds. Some plants will render a rich, gorgeous colour in the dye pot but the cellulose fibres don't pick up the colour, even with the mordant. I tried strawberry blight and it made a deep pink solution but it didn't dye the fibre. If you're looking for a sure thing, then use plants that are recommended by other dyers and follow their instructions. I use the same process with all of the wildflowers I collect for dyes. Collect as many flowerheads (or other plant parts that you wish to try) as the weight of the pulp you are dyeing. Pour boiling water over the plant parts in a glass or stainless steel bowl or pot and leave to steep for an hour or so. Sometimes this is enough to extract the colour but I usually add more water and then simmer in a stainless steel pot for an hour; then strain out the plant material. Add the pulp to the pot of dye and simmer for an hour (less if enough colour has been absorbed). Strain and rinse, reserving the dye liquid if you wish to add it to another batch or for a lighter shade of the colour with the same solution. From left to right (yellow is dyed with wildflowers, green is the same dye as the paper to the left but modified with iron): cow parsnip, orange hawkweed, goldenrod, yarrow MODIFIERS Modifiers are chemicals that are added to the dyed pulp to change the colour. There are several common ones that are used and each affects the colour differently. The only one that I use is iron. I make the solution by soaking rusty nails or other iron bits in a solution of 2 parts of water to one part of clear vinegar for 2 weeks or more. My current solution has been sitting in my studio for over a year so it's quite strong. After dyeing the pulp with the plant dye, I put it in a stainless steel or glass bowl, add some water, and add a couple of tablespoons (all very scientifically measured, of course....not!) of the iron solution. I stir until it changes colour (with iron it is called "saddening" the colour). It results in a duller colour which is often quite beautiful. The yellows turn to varying shades and hues of green. Then I make paper and wait for the final results. IMPORTANT NOTE: After dyeing and modifying, strain and rinse the pulp. Check with your local environmental authorities for disposal of any chemicals, including alum, washing soda and iron solutions. RESOURCES My very favourite book is Wild Color by Jenny Dean (Watson-Guptill Publications). Highly recommended for beginners to advanced dyers as her information for dyeing cellulose fibres is so comprehensive, yet easy to follow. A Dyer's Garden by Rita Buchanan (Interweave Press). Wonderful information on growing your own dye plants as well as some info on dyeing. Home Dyeing with Natural Dyes by Margaret S. Furry and Bess M. Viemont (United States Department of Agriculture No. 230). There is a lot of information packed into this small booklet. Mushrooms for Colour by Miriam C. Rice (Mad River Press). Some gorgeous colours are possible with certain kinds of mushrooms. The Art and Craft of Natural Dyeing by J.N. Liles (The University of Tennessee Press). In depth information on dyeing. SUPPLIERS Dharma Trading Company Even their catalog is fun. The Papertrail A Canadian company but ships internationally Maiwa Handprints A Canadian company. They have an extensive supply of books and materials as well as lots of good information.
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
White paper is white is white – or is it? Again and again, we get questions about our lightest shade. Oftentimes new clients are afraid the shade might be too bright or cool. We can always assure them to not worry – our handmade paper White will never be an anorganic and bleak shade. But how do we make it….? Let me recount the ins and outs of our most classic and most popular shade. The only colour that has never changed Our White is the only colour that has never changed since our beginnings. That’s because we don’t add any pigments to our raw material, one hundred percent cotton. Comparison to different kinds of common white papers The most common question we get from new customers: is it a “white-white” or is it an off white? First off: White is a difficult colour to define. There is no Pantone colour to guide you (or is there? Feel free to let me know). Without a reference, you can't tell if it has a
Die ganze letzte Woche hindurch habe ich fast täglich ein paar Papiere geschöpft – wenn der ganze Krempel schon mal auf dem Tisch steht… :-) Hier die Ergebnisse der Experimente: The las…
Handmade 100% recycled cotton paper with torn, deckled-like edging. Our Smooth Handmade Papers are made from recycled, short cotton fibers; this makes the paper smoother, softer, and more delicate. Due to the recycled nature, imperfections and size variations can be expected. Always order at least 10-15% more than you need. Sizes are approximate. Please, expect ¼ inch variance on all sizes. SIZES / 3.5 x 5 inches or 5 x 7 inches Color / Black Weight / 320gsm Texture / smooth This paper fits in our 3.5 x 5 envelopes and 5 x 7 envelopes. Note: We achieved successful results with laser printing on this handmade paper. Always review your printer manufacturing instructions before using handmade papers in your printer. We love Ghost White Toner for laser printing white ink on this black paper. The ideal printing method is letterpress printing. Contact us for printer referrals. This paper has a soft texture that may snag on sharp-tipped calligraphy pens. Due to this product's recycled and handmade nature, speckles or fragments of other colors may be present in the pulp.
– unpaid advertising / recommendation Immerse yourself in a world where the ordinary becomes extraordinary, where colours and shapes dance together on handmade paper, creating a symphony of art. This is the world of Sonal Nathwani, a master of floral and abstract painting whose passion for her craft is as vibrant as her creations. On a sunny day, I had the privilege of visiting her luminous studio nestled amidst the picturesque rooftops of Vienna. The moment I stepped into her creative sanctuary, I was welcomed with an embrace of warmth and sincerity that seemed to mirror the beauty of her artwork. A Passion Translated on Canvas As we delved into the intricate details of art, materials, and the delicate balance between motherhood and being an artist, I found myself captivated by Sonal's eloquence and profound understanding of her craft. It was evident that for her, painting was not just a profession - it was a calling. The highlight of my visit was witnessing Sonal bring a piece of handmade paper to life. Each stroke, whether it was dipped in watercolour, wax pastels, pencil, crafted a visual story that was both mesmerizing and inspiring. The Journey of Self-Expression This encounter left me not only with a newfound appreciation for art but also a burning desire to explore my own creativity. Inspired by Sonal's Domestika course, I am eager to once again pick up my paintbrush and express myself on the blank canvas of handmade paper. As we transition into the heart of this blog post, I have the pleasure of sharing with you a deeper look into Sonal's world. In the following section, I ask her ten questions revolving around her passion and her intimate relationship with handmade paper. The Interview: Unveiling the Artist 1. Tell us a bit out yourself After years of painting everything and anything, I realized that flowers did actually make me feel happy. So, I made a conscious decision to paint flowers, and this had been my creative fuel for the past few years. The more I paint them, the more I feel that there is to explore in terms of both technique and why I find them so fascinating. Born in Malawi, Africa, to Indian parents, I grew up in England and I now live with my family in Vienna, Austria. I have drawn and painted for as long as I can remember, with pause while I studied finance at university. My love of art was rekindled by an opportunity to study at the renowned Charles H. Cecil studios in Florence, Italy. This pivotal experience ultimately led me to leave a career in finance to pursue my passion for painting. I now spend my studio time painting and creating art for various markets and companies. I also enjoy teaching small groups in my studio, and this year I worked with Domestika to create my first online painting course. In the past, collaborating with florists, I led floral painting workshops in Italy and the USA. I hope to offer more of these in-person workshops, as it is always a pleasure to paint alongside other flower enthusiasts. 2. How does painting on softer paper feel? It's very interesting that using this softer paper makes me feel like using gentler strokes and paint in a slower, more mindful approach because it feels so nice to touch. 3. Why did you choose pencil to paint on handmade paper? How did mixing pencil and watercolour come about? I enjoy using a mix of materials in my work. It adds texture and visual interest, and also fulfils my desire to play with all my colours. I talk about this in my Domestika course. 4. What do you appreciate the most about working with handmade paper? Why do you enjoy working with it so much? As with anything handmade, there is the tactile quality and as it is made with care and attention, this energy is inherent in the product. Handmade paper has a certain warmth when you touch it, and I love the imperfect deckle edges. I also love that each piece of paper is slightly different and therefore unique. 5. Are there any challenges when working with handmade paper? It is very sensitive, so you cannot erase pencil marks. Other than that, I'm pleasantly surprised that I can do all my mixed media work on the heavier handmade paper. 6. What is your favourite colour from our handmade paper collection? I love them all, but if I have to choose a favourite, it would be blush 7. Tell us a bit more about your preferred formats. What do you prefer to draw on, smaller formats (like DIN B6, DIN A6), DIN A4 or DIN A3? For pencil drawings and watercolour work, I like the small, intimate feel of the A5 and A4 I would like to try A3 for looser more expressive work in, perhaps, charcoal and acrylic. 8. How do you go about choosing the paper when starting a new project? I like to experiment with paper. Very often I am just drawn to the colour of the paper first, and then I like to see how it feels when I touch it. It should also be able to handle all my different media. When I am creating for a client or for pieces to sell, I make sure I only use the highest quality paper. It makes such a difference, both for me, as it's a pleasure to work on nice paper, and for the client because it makes the artwork even more special. 9. In what ways does your work differ between handmade and machine-made paper? Handmade paper is a luxury, so I don't use it for quick sketching. I always like to leave some of the background showing the handmade paper, whereas with machine made I often paint a coloured background over the whole paper. My process and techniques are the same, but it always feels more special to work on handmade paper, and that adds another dimension to my work. 10. What advantages does handmade paper offer for your artworks compared to other materials? When I use handmade paper, the way the paper looks is an important part of the finished piece. Each piece is unique, aesthetically pleasing and lovely to hold in your hands. A Journey into the World of a Handmade Paper Artist In the realm of art, every stroke tells a story, every colour evokes an emotion, and every piece of artwork is a window into the artist's soul. After spending time with Sonal Nathwani, it is clear that her paintings are a reflection of her love for her craft and her devotion to detail. They serve as a testament to the power of art and its ability to stir the human spirit. As we conclude this blog post, I hope that Sonal's journey and her passion for painting inspire you as much as they have inspired me. Whether you are an artist, an enthusiast, or simply a lover of beauty, let us all continue to celebrate the magic that is art.
