A selection of the best photos from in and around Hartlepool, including the Headland and the Marina.
Photos taken in the past 3 years in Hartlepool including just to the North & South of the town by yours truly: Peter Hugo McClure.
Residents transporting belongings away from the area threatened by the Great Timber Yard Fire in Hartlepool, 1922, on a hand cart. Thanks to be efforts of firefighters, the spread of the blaze, which started at a timber yard near Union Street, was curtailed to the extent that it allowed people affected to evacuate furniture, along with other personal belongings. Photograph Collection No : 353 Images from Hartlepool Cultural Services that are part of The Commons on Flickr are labeled 'no known copyright restrictions' indicating that Hartlepool Cultural Services is unaware of any current copyright restrictions on these images either because the copyright is waived or the term of copyright has expired. Commercial use of images is not permitted. Applications for commercial use or for higher quality reproductions should be made to Hartlepool Cultural Services, Sir William Gray House, Clarence Road, Hartlepool, TS24 8BT. When using the images please credit 'Hartlepool Cultural Services'.
How the Hartlepool Bombardment unfolded on 16 December 1914.
Celtic usually keep the supporters in the loop when a Celtic XI heads down south for a bounce game behind closed doors. We've seen in the past month, the
Michael Clement Fisher was 13 in this photograph and was an accomplice of Henry Leonard Stephenson. They were both charged with breaking in to houses and sentenced to 2 months in prison. Michael was born in West Hartlepool. Age (on discarge): 13 Height: 4.9 Hair: Brown Eyes: Grey Place of Birth: West Hartlepool Status: Single These photographs are of convicted criminals in Newcastle between 1871 - 1873. Reference:TWAS: PR.NC/6/1/1172 (Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email [email protected]. To purchase a hi-res copy please email [email protected] quoting the title and reference number.
